Jump to content
Why become a member? ×

three

⭐Supporting Member⭐
 View Profile  See their activity

  • Posts

    1,017

  • Joined

  • Last visited

  • Days Won

    2

 Content Type 

Everything posted by three

  1. three
    These are lovely old basses and have been ignored and underrated a bit in my opinion. They have a fairly unique tone and it's possible to achieve an incredibly low action. This one looks to be a slightly later version (there were some minor changes over the years of production) but it's in great condition for a working bass. Good to see something out of the ordinary
  2. three
    Ah yes, I had it but sold it a few years ago - I’ll try to find a pic (that really fits the bill)
  3. three
    Gorgeous - love pearl blocks and bound on maple!
  4. three
    Best serious touring amp ever built in my opinion - I have a slight preference for the 750 but it's just a personal thing. The 751 is an absolute monster and this looks to be in fabulous condition. Unbelievable headroom and power - you'll never be found wanting with this behind you
  5. three
    Astounding! Exquisite luthiery, top end electronics and fittings, unique spec and one of BC’s most respected sellers. Following a recent purchase, I’m not in any position, however...
  6. three
    They certainly did and I think it was VO5 (but a particular variant of that)
  7. three
    Fabulous basses and a brilliant seller - the best Fender-type necks I've ever played (by miles!)
  8. three
    These come up very rarely on ebay but usually in the US. I had one cloned around ‘82. Not a difficult job for a decent electronics engineer
  9. three
    Fantastic basses with superb playability and fat, tight tone (well, with the EMGs, I can't comment on the Aguilars). Superb design and build quality is excellent - everything is entirely solid. Very comfortable to play with real attention to ergonomics. As a short-scale player, I doubt any prospective purchaser would be disappointed - a really high-end bass in a relatively diminutive package
  10. three
    About £1800 (from a quick check)
  11. three
    Thanks for the review Alberto, as a short-scale player (mainly) it's good to see a run through of this model. Some very useful tones and I'd suspect playability is impressive. I'm not too sure about the shape but for me, it's actually ergonomics, playability and tone that really matter. On the basis of the review, I'll be seeking to try one of these soon. As for the 'decent player' comment, I'm sure this wasn't intended as a criticism, just an unfortunate construction in context. I'm with Cuzzie on this, you're certainly a better player than me
  12. three
    Dear me, what a collection. This all makes sense - I used to see a lot of Sai cabs around Manchester, where I lived in the '70s and '80s - I've returned now, though not so many Sai cabs. I had no idea that Sai was a Chorley firm. I saw both the disco and band gear but never anything in Orange - a special order no doubt. Those four ported bins look astounding. I used to work with a very similar pair, though JBL loaded with on board horns (as the Sai design). They were immensely heavy but sounded fantastic - great for smallish FOH use. Lovely to see some of this vintage gear in such good condition, and hopefully still earning its keep.
  13. three
    Swap? On topic, I have never played a rig that sounds anything like as good as the Hellborg (I don't use mine with the Hellborg cabs but it sounds pretty marvellous with Berg). For me, this is off the scale, especially the preamp. Everything is super over-engineered and beautifully designed to perform like high-end studio gear. Just wonderful. If you can carry it, £1300 is an absolute bargain in my view
  14. three
    I remember these from the ‘70s - I was a big bin user back then. However, I know very little about Sai. Gauss were as good as it got in those days. Fascinating find. Heavy I’d suspect?
  15. three
    Hi, I've sent a Personal Mail
  16. three
    Was this the one that Andy Travis built? I recognise that Celinder pickup - 'think it used to be mine To continue the plexiglass theme, I was in a famous Manchester music shop late on a '70s Saturday afternoon. A mate of mine that worked there offered me an original Dan Armstrong plexi bass for £40. I just about had the money but wanted a pizza on the way home. I'm sure the pizza was lovely but not the best decision
  17. three
    Thanks for all the very lovely comments - if there's any sun in the North this week, I'll try to get some further and more detailed images
  18. three
    What!!! Unbelievable... a stunner
  19. three
    An absolutely gorgeous instrument - fortunately for my bank, I don't play fives or 35" scale. Otherwise, I'd be in trouble. Astounding craft work and a bass to treasure
  20. three
    Outrageous - some of the finest luthiery and carving I've ever seen for the price of production line instrument. I play one 34" bass and the others are all 30" - weirdly, 32" doesn't suit me at all. If it did, this would be on its way up north. One of BC's finest sellers too... I'm starting to crack
  21. three
    I'm not a massive fan of singlecuts but this looks gorgeous - beautiful choice of wood throughout. It looks like an utter bargain too. I suspect that playability is guaranteed given the maker and provenance. Is it a 1.5" nut?
  22. three
    My dream speakers and from one of BC's most generous and helpful sellers. Currently well out of range for me but as Owen has implied, this is as good as it gets
  23. three
    Booked Parcelforce collection for a bass last Friday - really urgent with Sat delivery (very expensive). No collection, rude response and a 450 mile round trip by train to hand deliver on Saturday afternoon. No more PF! In the end, pleased I delivered it to guarantee safety - quite an expensive instrument. I’ll be looking at Eurosender in future - thanks!
  24. three
    I’d agree re: TI rounds and tension. I play with a very light touch so fine for me. A more aggressive style may be more problematic. A very kind offer too - these are nearly £50 a set!
  25. three
    Possibly worth a look at TI rounds - by far the quietest I've played (low tension too if that's your thing). I use them on fretless and have been very pleased with the results. Alembic too are quiet as Jazzyvee suggests - possibly a function of the elliptical wrap? Alembic don't supply the gauge that I'd prefer (very light) but they're high quality strings.
×
×
  • Create New...