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three

⭐Supporting Member⭐
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Everything posted by three

  1. three

    WITHDRAWN

    These look outrageously good for the bargain price! I can't play 35" scale either (that's probably fortunate!)
  2. These are almost unbelievably good - the most playable bass I’ve owned - my go to for almost anything. Doesn’t look like this has crown inlays though. Does it come with the case? Also, any details re: condition?
  3. Thanks, much appreciated - I was thinking a short. I'll inspect quickly now but out at a gig tonight. I'll investigate more tomorrow and get back! Cheers, Loz
  4. Hi all, anybody have any ideas about this? I was playing my Spector (US active with Agi OBP3) when it died quickly. I replaced the single 9v battery and after about 2-3 minutes, the sound faded, spluttered and died again. I took out the (new Duracell Industrial) battery and it was very hot - it had only been in the bass a few minutes. Anybody know what might be causing this? The bass doesn't have a passive option so it's useless without the active in full working order. Any ideas are very welcome - especially those that might suggest a fix! Cheers, Loz
  5. Absolutely lovely, Yamaha was building some incredibly high quality basses at this time - a great adaptation of the P here
  6. Hurrah, somebody will be delighted!
  7. A ridiculous situation. Best seller on BC, beautiful, industry standard pre, and expensive case and ears included.
  8. PMd
  9. If it wasn’t for those sunken knobs and switches, this would be sold - all very personal taste of course, but sinking apart, for me at least, a beautiful and very useable bass
  10. Always wanted one of these - this one looks beautiful! Extraordinary level of innovation in this one instrument - a massive re-think of the possible and desirable. An instrument of its time but for all time.
  11. These do come up, though only very rarely - there was a plate (without saddles) on Reverb for around £100. Very impressive, robust bridges though frequently in rough condition. I'm a big fan of the Precision Special - nicely built and very powerful but often very heavy. I managed to damage the circuit in mine so sold the bass cheaply - I should have either kept it or taken off some of the lovely hardware.
  12. Looks like the original series - beautifully constructed cabs with hi-fi tone and impressive accuracy. I had the 112 version and miss it. GLWTS
  13. Wise decision, I was wavering
  14. As a Status player since ‘86, I can confirm that a big slap of graphite makes a dramatic difference (and no dead spots)
  15. Did you play the Joe Osborn I had Andy - these are stunning necks - probably the best J necks I've played (ever)? I would dearly love this bass but have no cash (and no need for another 34" scale)
  16. I really need to stop looking at this... Doug Johns is tearing holes out of his - outrageous player and startling slap tone
  17. Absolute bargain - gorgeous DI/pre, best cases on the planet, and the rack ears for well under 400. Sort of wish I needed one!
  18. To add to the excitement, here’s a very early one - still in outstanding condition and sounds incredible after countless gigs and sessions. Anticipation of the arrival of a new Status is quite lovely - I’m casting back to around ‘85 here and remember it very well
  19. three

    Delete

    Absolutely gorgeous - great images too - remember, very fondly, playing these in shops back in the ‘80s - ultra high quality throughout
  20. Aaargh...wish I’d seen that! Didn’t get in with the power amp but there’s room for another pre - winderful things
  21. Not at all - a fabulously entertaining, fruitful and ongoing adventure! Thank you!
  22. Pleased the OP’s obsession is reduced - it was his previous posts that part fuelled my own. I’ve reined things in but currently enjoying (a) a Noble - contemporary twin valve but works best for me with Fender style basses (that I don’t have or favour); (b) Hellborg - err...favourite - very responsive; (c) Millennia - brutally transparent but requires technical expertise (not my amateur fumbling); (d) Alembic SF2 - nuts and see (c) above; and, Avalon U5 - simple and lush on preset 2 with more modern and active basses. Not sure there’s anything new here - the OPs selection was possibly broader
  23. Absolutely love the body of this - neck and headstock less so (and I have an Overwater PJ with the same - never been a fan of the head shape - all personal taste, I know!) I can’t imagine the bass plays and sounds anything other than amazing. Wish I could afford it plus the price of a new (rosewood boarded) neck. Lovely and bump!
  24. Fabulous colour - I'm a massive fan of the International series. Looks like a really good buy to me - I'm a fan of Badass bridges too
  25. I'm with a band just now (one that I was with years ago!), but work wherever it comes - mainly dep jobs and recording - fortunately, I enjoy playing across genres. The pres are used mainly for recording (and I like having them around). Until recently, I was working with Royal Birmingham Conservatoire and the lure of exotic gear became great. The preference for the 750 is mainly the tone stack - I know that the 751 is supposed to sport improvements, but for me (of course) it wasn't a positive change. There was a slight cheapening of production too (though 751s remain superb amps). The '50s scifi aesthetic is lovely on the 750 as well. The one cab I have just now is a Berg hd210 (but as you can imagine, I've had all sorts from Cerwin Vega bins and 4x12s in the '70s and '80s through to di only in the 90s and 2000s). Main gigging bass is a Spector Shorty (light and small) and main recording basses are a Status Series II (an old one) and an Alembic SCD...I like compact. To be honest, in many situations, I just use house amps or take along a BAmp with the Berg - the Agi is extremely heavy (about 85lbs with the pre and the flight case).
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