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roman_sub

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Everything posted by roman_sub

  1. price drop - will accept £100 as need this gone
  2. Just in the process of a house move, free to a good home leather - pull out sleeper sofa. Cover material cracked and would ideally need reupholstering or covers. Mechanism fine
  3. Case dimensions 1.4m (L) x 60c (W) x 58cm (H) No easy way to weigh it accurately, so as an estimate: each stand probably around 3kgs (so that’s 48kg), plus spares (?6 kg?), plus the case itself (? 40? This one is more of a guess, never tried lifting it whilst empty!) so probably 90kh total as a ball park, though may be more if my case weight estimate is wrong. It has wheels so only need to lift one side at a time, but should be liftable by two people off/onto a van or large car (I can help at this end). fyi Encore PA had postage quoted at £45 when I bought the case and stands from them
  4. Yes, if buyer organises. I can provide dimensions etc.
  5. Top quality analog xlr snake, 24 sends and 4 returns. All lines working. made by Horizon - rrp was £1200! looking for just £100, collection only from RH1 Redhill, or meet halfway for Petrol cost
  6. Looking to move on quality K&m and beyerdynamic mic stands. These are ex-Encore PA. signs of use but will last many more years. 5 tall 10 short 1 round base tour grade case and spares (this alone cost more than the asking price) Add one or two more tall stands and you have enough for a whole band live or recording. need this gone asap so offering this for just £110 collected. Trades considered, if you must i will not split the stands, buyer needs to take everything please. thank you
  7. roman_sub

    Monitors

    Yes, listen to monitors in a shop, using reference material you know well. Eve audio, Genelec and Adam are normally pretty good..
  8. Bump - I should say that the wiring is not quick-connect; so some soldering will be required.
  9. Solid piece of kit, works as expected on all channels. Not needed following upgrade £40 posted
  10. Two EMG DC40 soapbars- great sound, but no longer needed. One logo faded slightly. £REFUNDED / WITHDRAWN EMG 2 band BTC stacked preamp, plus wired harness - pickup switch, 2 volumes, output jack, and battery. £WITHDRAWN
  11. This is a good case, smaller footprint than most 4u’s. Glwts
  12. Bought pickups+ preamp from John, all fantastic. Thanks
  13. bought a strap, all good, thanks!
  14. Gentle bump - happy to take on any post-production (mixing / mastering), location or live recording, or FOH live mixing. Most recently I have been doing live sound at Blues Kitchen in Camden and assisted on recording on one of the finest UK choirs, Choir of St John’s College, Cambridge. Hit me up with any projects please.
  15. Thanks Skol303. Here's gentle (and very occasional bump) :-)
  16. I wouldn't advise that approach, as you'd just a wobble around without a centre pitch. That may work as occasional effect but don't over-rely on it! You need to train your ears to hear intervals and know what the note you are playing is supposed to sound like. There is no substitute for accurate pitching....
  17. Good points, and I bow to superior knowledge of acoustics! Though I think whether speakers are front-ported or rear-ported may have an effect on how close to the wall you'd want them... Perhaps I was overstating effects of furniture, somewhat ;-)
  18. My current music production space is a former bedroom of a rented house! Bass traps are held in place with very small nails / picture frame hooks. it took about a day but achieved a very significant improvement. It's still not a great space for mixing, but between headphones and monitor speakers, my mixes translate exactly as I'd expect them - so can't really ask for more.... Whilst it's a massive subject in itself, I'd start room treatment by moving speakers so they sound as good as possible (probably would help to have some space away from the wall in most cases, triangular position with the listener, symmetrically positioned about the room).... a sofa behind the listening position will help as bass trap, as would a book case with randomly filled books (as a diffuser). I'd see if you can attach some lightweight acoustic absorbers behind speakers, on the side walls and to ceiling above listening position... imagine you had a mirror, and everywhere the sound would hit a wall once and glance back at you should ideally have an absorber. That will take care of first order reflections, which are most troublesome. You may find some improvement with sonarworks in an untreated room, but it won't make your mixes sound better overnight, and I'd bet you'd end up exchanging one set of acoustic problems for another.... so save your money and work on the underlying problem of your room acoustics!
  19. IMO headphone correction software is somewhat self-defeating as a concept. A properly-designed set of monitoring cans will already be optimised by the manufacturer to be as 'useful' as possible, within the limitations of the drivers / materials being used! If you don't like how the headphones sound, it would be better to get headphones that you do like... After all, headphones just show a part of the picture, e.g. it's very hard to judge some things (mix width/depth/reverb/etc) on headphones alone, and they'll never tell you everything you need to 'know' about a mix. Get used to what music sounds like in the particular set of headphones and move on. I've used both ATH50 and DT880Pro for mixing. I liked both, but ATH seemed somewhat hard in the upper mids, and DT880's are a tad mushy in the low mids (though more natural overall, maybe more revealing). ATH had better isolation.... but probably DT880s would edge it for mixing. I'd recommend Sennheiser HD600 over both - THE headphones of choice for many top classical recordists, plus many others - though some may find them 'boring'... Maybe you've already done this, but I wouldn't reach for any room correction software until you've spent some time and effort sorting out the room itself, y'know, with physical acoustic treatment, optimising speaker positioning, etc.
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