Geek99

I read somewhere that JT learned “chucking” from Bernard Edward’s and that this technique uses the nail to get a pick like sound?

She sells sanctuary? Blinding tune to play if you embellish the middle eight

What if theyre vintage? Or made of tone-plastic, or fender-badged? Surely they would be truly magical from the moment of manufacture and defy all reasonable expectations from first use? ✨

I’m joking about @paul_5 gazumping @Rosie C….. I did add an emoticon

You don’t even know her partner. You may not be his type. 😛

Optional toast rack?

Passive-mode sire v7 with my zoom b2’s ampeg patch and quite loud. The active patch doesn’t sound as good - lady who runs the OM pulled a face at active mode, confirming what I myself thought

@police squad

That’s interesting. For me the string spacing made the difference between a keeper and a “for sale” sign

It looks very much like the bigger rounded 70s style - which I much prefer aesthetically. Obvious it would be preferable not attached to a guitar …

It will be harder for them to come back and pinch it nothing bass-related as no one here understands bass. Eldest D is pictured playing a @Prosebass 5 at about three years old and twanging a jap jazz bass at around eight months but that’s the closest I got

What if it’s vintage tonewood? 🍿 I’m also assuming that a longer g string screw on the bridge saddle makes it sound different also

Big headstock strat, approve of that

I bought an Ibanez srx 5 and it was so wide that it was painful to play. I gave up on 5s then I bought a sire v7/5 which is very tightly spaced and it is almost capable of playing itself. my philosophy for 5 is this: 1. don’t try and use the b 2. if something can be played more easily using the B above fret 4 then do it. There are no prizes for making your life harder, suffering is not a virtue 3. avoid open strings by using the B - no open E, play across from B, fret 5 you have to know what you want from your 5 in order to be able to get its best value