Or a smaller guitarist and a midget drummer. Then you can use relative size perception to fool the audience into thinking that you have a rig to rival Stonehenge in its scale
I’d go for the sire
youre right, I think, about starting with a five For feel but beware that lots of tablature is written for a four and you’ll need to ignore the fifth string sometimes When watching performances or reading tablature
Some necks need a long time to relax so be gentle
Leigh Gordon’s mex jazz that I bought had a neck like a banana and took ages to come back to the land of playable
I use those thin plastic inserts that come in Next multi-sock packs
just cut to size. Thin, durable, don’t squash much and you can glide them into place by just loosening the neck a little - around 0.7mm thick
Given that he never changed his strings and used a foam mute I think any difference in sustain in his case would be negligible
his was a 62 which I think is not string thru - correct me if I’m wrong
He doesn’t always play root notes, listen to “please” and “bad” but sometimes that’s just what Is needed and we as bass players should not shy away from that as if we were guitards...
I look at your angled neck transition there (which you wouldn’t see on a fender) and I’m reminded of the story about the designer of the spitfire putting the chord on the wing joint simply because it looked right rather than for any objective engineering reason at all