Geek99

I’d like one but think I’ll have to go EUB for space reasons

I read somewhere that JT learned “chucking” from Bernard Edward’s and that this technique uses the nail to get a pick like sound?

She sells sanctuary? Blinding tune to play if you embellish the middle eight

What if theyre vintage? Or made of tone-plastic, or fender-badged? Surely they would be truly magical from the moment of manufacture and defy all reasonable expectations from first use? ✨

I’m joking about @paul_5 gazumping @Rosie C….. I did add an emoticon

You don’t even know her partner. You may not be his type. 😛

Optional toast rack?

Passive-mode sire v7 with my zoom b2’s ampeg patch and quite loud. The active patch doesn’t sound as good - lady who runs the OM pulled a face at active mode, confirming what I myself thought

@police squad

That’s interesting. For me the string spacing made the difference between a keeper and a “for sale” sign

It looks very much like the bigger rounded 70s style - which I much prefer aesthetically. Obvious it would be preferable not attached to a guitar …

It will be harder for them to come back and pinch it nothing bass-related as no one here understands bass. Eldest D is pictured playing a @Prosebass 5 at about three years old and twanging a jap jazz bass at around eight months but that’s the closest I got

What if it’s vintage tonewood? 🍿 I’m also assuming that a longer g string screw on the bridge saddle makes it sound different also

Big headstock strat, approve of that

I bought an Ibanez srx 5 and it was so wide that it was painful to play. I gave up on 5s then I bought a sire v7/5 which is very tightly spaced and it is almost capable of playing itself. my philosophy for 5 is this: 1. don’t try and use the b 2. if something can be played more easily using the B above fret 4 then do it. There are no prizes for making your life harder, suffering is not a virtue 3. avoid open strings by using the B - no open E, play across from B, fret 5 you have to know what you want from your 5 in order to be able to get its best value

I’d look to spend a bit more on a sire v7/5 the string spacing makes a bass work for you or not IME

Thanks @Rosie C gutted as I did really well for a change and the lady hostess told me I “smashed it”. Pub is quiet Jan and feb so first one is March. It’s the only really local one around me

I don’t have my usual one in coalvile again until March

I’m thinking of dipping a toe into EUB What strings do they use? TY

I sense a competition … how about the 2026 Gear non-abstinence competition? the winner is the most frantic buyer of shiny things, with bonus points for “buyers remorse” swift offloading ? Equal bonus for donating it to charity when the dopamine hit wears off

It just needs a little fairy sparkle to be photo-shopped on

I’d quite like that if someone took the flattened battleship off the front do two pickups so close together give a markedly different sound?

If you mean me, I just mean “paying for the name”, “it’s us-made”, “it’s vintage” etc kind of vanity where as @Lozz196 (I think) suggested in the past, the giveback for the premium price is tapered at best

Literally any bass that I buy is going to be more capable of sounding good than I am of making it sound so. I have a sire v7/5 and it is light years ahead of me, therefore c. £500 is where I draw the line between “good” and “vanity”