synthaside

That's a shame about airplay I've used them a lot over the years used to be ideal when i worked in Stains and living in Kingston but since moving to woking i'd found alternatives which hopefully would suit you too. Powerhouse this is new haw ( they call it addlestone) https://www.powerhouse-studios.co.uk/ A Proper old fashioned ( you know what I mean by this ) rehearsal space in the bank end of a Coachworks …. they have some nice/ massive rooms with good kit and less nice and small rooms with significantly less nice kit . Favorite of mine as I bring my own gear, but the bass amps are usable n a pinch and PA's are more than good enough. Parking can get a bit tight but its free and the secret is to get there just after 7 as all the lurking mums in 4X4' have picked up their kids from the dance studio opposite and use their spots. Water Rats in woking https://www.waterrat.co.uk/desktop_index.html This one is nicer but has quite limited parking and kind of feels like a school / college rehearsal space much cleaner and more professional but harder to book and a little more pricey . Failing that theres tweeters in leatherhead which I've not used personally but exists http://tweeters.ltd.uk/studios.html or there's also pirate studios in Earsfeild if you fancy a train ride into town.

clearly i live on the moon 😛 or people just dont want it

After suffering a bit of an intermittent issue with my Markbass CMD121p Combo , Intermittently it decides to quit on me mid song at rehearsals for a few weeks in a row but seems all but impossible to replicate at home . I even ran a looper for 8 hours at volume ( my poor neighbours) I finally bit the bullet and decided to purchase a replacement mark bass Little Mark head from this fine parish to attempt to frankencombo , thanks for the speedy shipping @cLepto-bass Turns out its an older Italian head so is different inside but despite that turned out to be so easy even this useless monkey, more likely to stab himself with the screwdriver was able to do it in about 15 minutes. I thought I'd put together an idiots guide for anyone who wants to do this in the future , complete with 90's phone cam quality photo's as i hadn't planned to actually post this 1 : Remove the 4 hex bolts from the rear of the combo 1.5 Remember to unplug the jack from the cabinet , as this will make pulling it out a challenge . 2: Remove these screws from the plastic corner shroud of one side , this releases the tension enough on the front of the cab to slide out the head unit from the front 3: Remove the feet from your Doner Head unit with 4 screws and some light pulling 4: Optionally salvage the top screws and top plate from the replacement head (I want to use the old combo head for home practice) but it slides in just fine with its case on) Interesting differences here , someone much smarter than me will know what's changed 5 : Slide it on Home and screw it all back up I decided to go with it flush rather than recessed as mine used to collect dust 6: Screw as many of the screws from the top plate onto the combo head as you can No where near a perfect fit , due to the lack of screw options for the middle but its safe secure will work just fine 7: Play bass , now i have a spare head unit for home use with my expansion cab ... which as long as i dont use it at rehearsal seems to work just fine.

Design wise it reminds me a of some of the Saein " shine " Korean produced own line basses , the company was an OEM for other well known brands out of korea a bit like samick In my Experience good players but on the affordable end , I get the feeling its one of those with some worryingly tight transfers right up to the truss rod cover. I'd be happy to be wrong though.

This is exactly what's happening to my Combo right now , I have yet to take it to a repair person due to the intermittent nature of it and the fact that the only certified repair place just seems to swap boards . Hopefully you can figure it out and it can shed some light on mine too.

Yes and still available if anyone wants to come grab it.

The fact that im still considering buying a new markbass product to replace my suspect one ... speaks volumes for the quality of the sound and portability of it . That being said want to buy mine 😉 ...... big discount .....

Guildfest are providing an Ampeg SVT and 4 X10 , So I'm not worried about " getting sound out there " , just that its unlikely to resemble my tone in any shape or form. I don't think there's going to be much time for a soundcheck ... changeovers between acts are so tight there on a spreadsheet I've no problem with outsourcing in principle I work for an MSP , I just feel that they arent likely to spend the time diagnosing an intermittent issue and are just like Phil above suggests dont do amp repairs they replace boards ...

This is pretty much what I'm worried about , I've experience dealing with this sort of outsourcing in other industries … , I'm going to try a local guy ( who's band is the guitarist on after us at our festival gig Sunday ) , thursday im also going to try the amp with its expansion cab to see if that helps it not cut out , in all my home testing im at a loss to the issue. The provided Amp is a an SVT with a 4 X10 I'm hoping i can find its cleanest tone , If he cant I'm going to try and find a used head .... but whats to say this isnt going to just implode as well ...

Hey folks I was cleaning out our garage / store-room space over the weekend and I found my old guitar rack Free to a good home collection only from West Byfleet. Its nothing special but it does the job and seems a shame to bin it but I upgraded to a fancy new wooden one , it folds up from the bottom for easier storage.

@Jakester How much of a challenge was it to put the Little mark 3 head into the space is it just a direct swap without the cover ... ?

So stripping it down it looks generally very clean in here .... Unsure what this white stuff is some kind of shielding epoxy as first I thought oh no but as it's very evenly applied ???

I've connected it up and annoyingly its now happy as larry ... its too late to play with any form of volume or length I will have to stress test it thursday ....

Mark bass warranty is 2 years here in the UK , 3 apparently if you registered ..... the date on the back of my amp says made in 2015 I probably bought it in as early as 2017 I think i'm going to be told my options are limited.

At rehearsal this evening, about 2 minutes into the first song my trusty Markbass CMD121p bass combo appeared to give out with no fuss or noise, I wasn't driving it particularly hard or using the extension cabinet. it's about 3 /4 years old bought new from Andersons but it appears the warranty is 2 years , Its been a solid companion and not complained in all that time . I turned it off and waited a few seconds then powered it up again .... it worked for another minute or two then off again, in the middle of the next song .... I switched to a spare cable same deal, then reverted to the studio amp for the rehearsal. . I don't think it was overheating the exhaust from the fan felt cold but i'm not the most technical person so the idea of opening it up and having a look is a bit beyond me , im quite worried as were playing our first ever festival gig the weekend after next . Not really sure what to do :-S Ive reached out to a local amp tech but i fear their probably more Valve amp oriented .. Does anyone have any ideas before i have to put a new Amp on the credit card .... probably not a markbass if they only last 3 years ...

Just taken a look at the mightier amp app that looks excellent guess i better put the nux on charge to try out later tonight.

Whelp ... mines ordered .... 🤩

Looking forward to the review on this @ped unplugged practice in my living room so not to annoy the other half has really really lost its shine and she's annoyed enough with me being around all day.

Well I am reliably informed the the chap is both an all be it infrequent bass-chatter who also builds some basses but doesn't really ship them for fear of damage in transit ! If people want to find out more then can message me but i'd rather steer clear of any of that advertising malarkey ... i'm just a happy camper with my fancy rack and if i'm honest some now spare guitar stands 😛

Hey Bassy folk Just received a fantastic custom oak stain bass stand I ordered off Facebook in the post Christmas blues :-S and while typically I keep my buying on more " official platforms such as here or face to face" I was very impressed by the guys photo's and prices and I figured that as i'd had a disappointing Christmas of bass stuff .... Why not treat myself. It arrived this morning tracked Royal mail and for even someone who Got a GSCE "F" in woodwork was an absolute doddle to assemble , The build quality is excellent with lovely soft foams to protect the bottoms of guitars its also waxed rather than stained to protect the finishes and my floor , I'm rather pleased , more than enough to recommend him but obviously this is no way paid or asked for so I wont link directly. His prices and dimensions are as follows , he's based in wales and was willing to do collection withing reason but teir 4 may have scuppered that. hipping to me in London was extra at cost . 3 bay 522 L x 758 H x 465 D £78 4 bay 643 L x 758 H x 465 D £82 5 bay 764 L x 758 H x 465 D £86 6 bay 885 L x 758 H x 465 D £90 Reply or message and i can pass his details on.

Welcome welcome Golden rule of truss rods ..... if in doubt ... don't turn it more than a 1/4 turn , Onto new gear ..... In my experience the traben stuff are more style over substance they aren't bad instruments per say but you are paying more for the styling than the substance. When I first started playing in 1999 /2000 I was desperate for an black and white Epiphone explorer because to me it was the coolest thing i could imagine .... After playing it in a store their resident bass guy talked me into trying a thunderbird because .... first because he could modify it so it wouldn't neck dive and not having to hold a silly weighted instrument up with my fretting hand would let me learn to actually able to play it worth a damn , He aslo had an inkling that If grew out of the music i loved as a young teen, I could use the tbird for all sorts of rock l love the Tbird he was right and 20 years later I still have it along with many more expensive instruments and i still use roto swing RS66's on it too. You are lucky at least in one respect there are so many wonderful basses available very cheap these days for example many of the Harley Benton's' s blow many of the midrange basses I've tried out of the water , then i would spend as much money as i could on a great at least 250 watt amplifier because it will last you forever . I'd recommend one of these https://www.thomann.de/gb/harley_benton_mb_4_sbk_deluxe_series.htm?glp=1 ,

I also disagree here My Old smoothie Ray goes from Dubby, mutey jazz machine , Grindy Drop D rock , up to Screamy pop punk , with a stomp on my Tubescreamer Really just a mid boost and volume lift) and a spin of the treble pot its up in bark town. If i wanted to "fake it" upright i have been know to quickly drop the mutes on the E and A then play up the dusty end rather than the money zone. The Ray It has rapidly become my only gigged and rehearsed Bass , invading practice too aI was feeling lazy and grabbed my remaining jazz for last nights noodling and within 10 minutes i had conceded and gone to get the Ray ... its just " HOME" There's some surprisingly versatility even the one pickup config , where you play , rolling back volume ( surprisingly how much this effects the bite of the bass like gain) Bass and Treble Mutes and right hand technique all play into it , it also helps that the smoothie is not string aligned like a standard ray they sit astride them.

That was my exact reason why i moved off metal strings on it " it its doing enough to amplify the sound in the body , having steel strings sound like cats fighting on a trampoline every time you move your left hand. Dump the bronze ... sound like the Fonze ??? no thats crap .....

I have an Old Aria AMB-50 , they are really cheap to pick up used and are ovation knock offs , with the ABS back , i've got it strung with Black Nylons and its more than loud enough to keep up with accoustic guitars ... in fact that thing projects so much you feel it 😉 Oops turns out they are bit more money these days https://thebassgallery.com/products/aria-amb-50b-5

After years and years of never quite being satisfied with my tone , flitting through gear and pedals i've finally settled on one i've been very happy with, which works for almost everything i play , My 2 band Stingray old smoothie .... volume at around 50% , Treble at around 65% bass at around 40% ish , then run it through my zoom b3 compressor patch " opto comp" which i believe is a Aphex punch factory sim , the comp is on for rock and off for less " loud songs ..... other than that I use the Proco Rat sim for standing in the way of control , I can get the same tone from the studio's Ashdowns , to my markbass rig , or straight to the desk with the markbass sim ..... 1 bass and pedal to rule them all ... I even took a train to a gig with "unknown backline " ... I know right O.O