Dan Dare

Someone who doesn't give a rat's. In the UK, jams and open mic's are pretty much the same thing.

Exactly. It wouldn't happen nowadays because of the smoking ban, but there are other issues. I always tell people no drinks on top of the amp. Some give me a funny look, but if that drink goes over, the fan will suck the spillage into the amp and bang. New amp time.

No, I don't really care. For me, jam nights are a fun evening and everyone gets the same chance - CV or not - to do their stuff. An important element of jam nights is that they are a chance for those who haven't done much playing publicly to do so. Some are good/experienced, some less so. We all have to start somewhere. As someone who has "played festivals, been on albums", etc, I appreciate that. At a jam I attend, the BL will sometimes ask me to play with less experienced players to help them along/keep order and I'm happy to do so. Others did the same for me when I was young and green 50 odd years ago. It's nice when someone good turns up, but it's a bonus. Lending instruments is a thorny area. If you don't know someone, you don't know whether or not they will treat your stuff with care and respect. The fact that they may be a "name" guarantees nothing. I wouldn't have lent a certain Jaco anything of mine, for example. He was known for not giving a flying one when he was off his face.

So here's a similar scenario. If you want to play at a jam night, by all means put your name on the list (asking friends to do so on your behalf is a bit naff). Saying you're "happy to get up" implies you feel you're doing everyone a favour. Few care that you've "played loads of festivals, played with people who you may have heard of and been on a couple of albums". Many of us have done similarly and don't make a deal out of it. It might be different if you are a known singer/frontman, but a bass player? Let's be real. If someone wishes to take their expensive bass to a jam night, that's their business. Many jam nights have a few loan instruments (as I pointed out previously, I take one when I play in the house band at jam nights). If you don't have an instrument, feel free to ask to borrow one, but you can't demand or expect it.

I bought a used Encore P bass for £30ish. I put decent strings on it and sorted the action, so it plays nicely. It's actually perfectly useable. I've occasionally taken it to gigs in iffy venues where I don't want to risk something better. Amen to that. Plenty of people don't wash their hands after a trip to the khazi. Just wipe away and sod what they think.

I wouldn't worry as long as it has a volume control. It will be obvious if you are over-driving the cab. It will make horrible noises before it expires.

The entitlement of some people is quite staggering, isn't it?

Exactly. Even if your bass isn't expensive, it's yours and you have the right to decide who, if anyone, plays it. I used to take a cheap eBay special to jams as a loan instrument. Several people turned up their noses at it and demanded to play my vintage Jazz or my Spector. Sorry, sunshine. Not happening.

Why? What next? Should you lend a guy your car to get home after the jam because he hasn't brought the bus fare? When I've been the bassist at jam sessions, I've been quite happy for people to play through my rig (obviously), but they don't play my bass. Seems reasonable.

Or employ a pair of heavy duty cable-cutters?

Agreed. Putting large boxes on poles is a chore and they block the view of the band. You need quality heavy duty stands with a wide footprint if you want to avoid the risk of one being knocked over and squashing someone, too.

They're here already. I've encountered several in London. The most recent was outside Charing Cross station. He had a skeleton electric fiddle and a powered PA cab and was "playing" popular classical stuff. I play the violin, so it was obvious the music did not match what his hands were doing. It seemed to be working. A number of people were nodding appreciatively and putting money in the hat. I was feeling particularly grumpy that day, so I hung around and started telling them he was faking. If looks could kill...

Fellow owners of musical instruments, more like.

Double Fours are nice, but I don't think one go loud enough in a place much larger than your lounge. If you already have a lightweight head, I'd use that with a 1x10 (you should be able to get something decent for not too much used). I use one of my C4s, which is equivalent to a 1x10, with a class D head for small/acoustic gigs and it does a good job and is portable enough.

Much in the above comments. Many pub guvnors are not the brightest and/or lazy. They expect to simply open the doors and have the place rammed every night without doing anything. A band I dep' for occasionally played a pub in North London recently. I turned up first and my heart sank - a dozen or so morose locals sitting about, a few guys playing pool and zero atmosphere. The landlady, all teeth and t1ts, was holding court to a couple of her mates at one end of the bar. The band arrived, we set up and started playing. A few more people came in and some listened/stayed, but most punters ignored us. No biggie. The band is decent - plays classic soul, R&B and similar - and goes down well in most places. We're all well past the first flush of youth and know what we're doing. When we took our break, the landlady approached. "Where's your following?", she enquired. "I expected you to bring an audience". "Did you advertise or put the word out that there would be live music?", we asked. She pointed to a chalkboard on the pavement outside and then started talking about reducing the fee. A frank discussion ensued. It was obvious she expected a band to magically bring hundreds of people to her glum establishment without her making any effort. We got paid in the end, but I doubt the band will be asked back.

DBRs are very decent budget PA cabs. No point in selling them and making a sideways move to something like Altos. They're not excessively large/heavy, so you'll save little carrying effort by replacing them with smaller tops. You're on a budget, so you want to get the most bang for your buck. You never get back much selling used PA gear, so stick with what you have and augment it. I'd look at adding a quality sub to your DBRs. With the need to deal with LF removed from them by the sub, you can drive the DBRs harder and they should give a good account of themselves and be quite adequate for the use you describe. In your shoes, I'd get a sub plus an active crossover (unless your mixer or existing speakers already have the facility to do the job). Buy the best sub you can afford. A single quality sub beats a pair of cheapos. The Yamaha DXR PA speakers (the next step up from the DBRs) are very good. The DXS15 sub is around £850 and is well-reviewed. Edited to add. If you are tight on storage space, offload your RCF 715 and stash the sub in its place. A decent sub will make it redundant.

Bottom line is: 1) If you want to play for free, do so. 2) If you don't, don't. 3) Whichever you choose, don't attempt to shame others if they make a different choice.

Bill's advice is good. If money's really tight, a Celestion Vintage 30 is a decent choice (they are what is used in the Harley Benton cabs tauzero refers to above). A bit brighter and slightly less full/mature sounding than the Greenback, but a good driver.

This. Pickups are the electric guitar/bass world's equivalent of hi-fi's magic cables.

Oh, you know, humour. If it traumatised you, go and lie down in a darkened room for a bit and I'm sure you'll be fine.

You'll have to try it and see. A lot of preamp pedals do not produce enough output to drive a power amp directly. With that said, many PA speakers have mic-level inputs, so it could be fine.

Much has been said about playing for payment vs. playing for the love of music. I get that, but there is an important distinction to be drawn. If I can play whatever I like at times of my choosing in convivial surroundings to nice people, I am happy not to earn money from it. However, if I have to play stuff I don't care for (or even actively dislike), wear a DJ, watch the clock, put up with grief, etc, etc, I expect to be paid. The amount I expect to be paid will be directly proportional to the amount of grief I have to endure. Doesn't seem unreasonable.

It's tragic, isn't it? Even people who have enough nous to acquire some wealth don't seem immune to being fleeced. I have no doubt that PubCos have ensured their contracts are legally watertight, even if they don't conform to any standards of decency. To be fair to my village, there is little of the distrust towards new pub tenants to which you refer. The pub in question is the most popular. It's a nice enough place and people use it. It's better than the other two, one of which is the local four ale, where the lads go to play pool and have a scrap on Saturday night, whilst the other flies the flag of St George and is patronised by those who don't like foreigners - i.e. anyone from more than 10 miles away.

Fair points. I'd add another, which is the emergence of PubCos, which sprang up when breweries were required to sell their pubs. PubCos lease the pubs and tie tenants into contracts that force them to pay huge rents and buy all their food and drink through the PubCo at grossly inflated prices. At the same time, tenants must pay for maintenance, repairs and improvements out of their own pockets. One of the three pubs in my village is owned by a PubCo. In the three years I've lived here, it has had three tenants. Each year, the pub will go dark and signs will appear outside the building, saying "Business opportunity. Low cost of entry", etc and another gullible couple, with little to no knowledge of business, thinks "We've always dreamed of running a pub. It's a licence to print money". So they sink their savings into it, re-decorate, fix the leaking roof, install a big screen telly with round the clock sports, yada, yada. A year later, the rent (which was pitched low to attract them in the first place) suddenly gores through the roof and they have to throw in the towel. They leave to lick their wounds and stack shelves in the local Lidl, getting back none of the money they sank into the place and the PubCo advertises for a new victim. Not really a thread derail, because it's one of the reasons pubs have little budget to spend on music, etc.

True in some cases, but there are more originals bands than there are decent venues to play, so supply and demand has an effect. A band with little to no following that wants to get its music in front of people has little choice a lot of the time.