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Dan Dare

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Everything posted by Dan Dare

  1. Honours? Yeah, right. This is a bloody disgrace - http://www.independent.co.uk/news/uk/politics/new-years-honours-list-grenfell-tower-fire-heroes-manchester-terror-attack-london-a8133811.html
  2. Nooooooooooooooooooooooo. Other cabs are available...
  3. Agreed. Re. the original question, a pair of those cabs plus a good quality powered sub might be just about OK, but avoid the subs that are aimed at the cheaper end of the disco market and that claim ridiculous power outputs, etc. They may make a fair amount of noise, but it's all boom and no notes and the sound falls apart when you push them (they often achieve volume via over-zealous porting to give a false impression of power). As with our bass rigs, clean, plentiful low end costs money.
  4. They are all budget PA speakers. Not bad for vocals, but if you are intending to dispense with an onstage bass amp and run through the PA, I don't think budget PA cabs with 10" or 12" bass drivers will cut it in anything other than low volume situations. OK for the bars, but less so for weddings, etc.
  5. There are powered and unpowered versions. I have the unpowered one, which I picked up mint for £150 on the Bay. See http://www.allen-heath.com/ahproducts/pa12/. The PA12 CP is the powered one.
  6. You're more likely to damage a speaker by driving it with an amplifier that is not powerful enough and is constantly clipping. Remember that your head will only be delivering its maximum rated power for a few milliseconds and that most decent drive units will happily tolerate short peaks of around twice their continuous rating. Also, amp manufacturers tend to inflate maximum power outputs for more showroom appeal. So I reckon you'll be fine. PS. Could we have a moratorium on telling everyone who asks a question about cabs to buy a Barefaced, please? Other speaker cabs are available...
  7. You can also power some active basses via 9v phantom, but do check whether yours will accept this before switching it in. EBS heads have a similar option.
  8. You could even use a sound to light converter - the type DJs use - and have the colours change and pulse with the music. How cool would that be?
  9. I played one of these some years ago at The Gallery in Camden. Didn't like the neck or sound. The similarly priced Lakland Skyline 5 I tried was much nicer. I do think it's genuine, though.
  10. Lovely amp. I'm only a weekend guitar player so couldn't justify buying it, but it will make someone very happy. GLWTS.
  11. If they have been around for a while (as all those you quote have), they will have dozens, perhaps hundreds, of numbers, some of which they may not have played for years. They may well be using add-on/session players (brass, etc), too. And of course, memory deteriorates with age...
  12. Exactly. I dep in a function band. Even the regular players read on gigs. They have to. The chart book is several inches thick. There's a world of difference between that and a band of weekend warriors playing 30 or 40 simple pop songs with 3 or 4 changes.
  13. It's one thing to learn 40 or so relatively straightforward songs and quite another to have 500 - with complex arrangements - ready for instant recall.
  14. Ah, the delights of two strokes, which oil up the plug after 50 miles or so...
  15. They're expensive, but you can get rack adaptors for MB heads so you can mount them in a standard 19" rack.
  16. May be worth looking at a "kickback" design - sloped bottom on the cab so it can face up at you, which will make it easier to hear. There are a few around. Alternatively and if you are not short of readies, you could get a Fearless F112 built - http://www.bassplayer.com/gear/1164/greenboy-audio-fearless-f112-cabinet-reviewed/48331 - and use it with a lightweight head. Would be easy enough to carry around.
  17. Re. the original question, if you're playing in, say, a function band with hundreds of numbers in the repertoire and you have to be able to play requests at the drop of a hat, you need charts or the dots, especially if you are working with more complex arrangements. It's a completely different ball game from playing a set that varies little from night to night.
  18. K&M gear is fab. And you can get spares if something breaks. I have a 40 year old mic stand that is like Trigger's broom (3 new heads and 2 new handles)
  19. Motorcyclists with traditional machines
  20. Allen and Heath PA12 has a mono sub out. They often turn up used. Decent eq and onboard fx.
  21. Hence my earlier comment about picking up a Limelight for Fender money
  22. This. A PM asking for location takes a few seconds. I never buy from or sell to people overseas and always like to see/try before I buy. If someone can't offer that, I'm not interested. If you buy sight unseen, its always a risk. Photos are unreliable, imho.
  23. Probably got a better instrument than a Fender. If they paid Fender money, they're quids in
  24. Be aware that the Celestion BN 'S' models have 2mm xmax, as opposed to the 'X' models with 4mm. May be a bit compromised for bass (Bill F would certainly think so).
  25. "Very great sound"? Goodness gracious me.
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