Dan Dare

[quote name='Stylon Pilson' timestamp='1493040440' post='3285084'] No, I misread, and I hit her instead. Now my band are calling me a cycle path, which seems like a somewhat abstract insult, but whatevs. S.P. [/quote]

+1 for Peavey. An old 15" Black Widow equipped cab will surprise you and they're plenty cheap.

It's important to be aware that the band is not the only or main attraction for a lot of people. Pubs, clubs and the like are not concert halls. People may wish to chat, have a drink, watch a bit of TV, etc, etc as well as listen to the music. When I see a band in a club or pub, I don't listen attentively to every number. I may enjoy the evening overall and appreciate the band, but I'm not there solely to see them. Nothing wrong with that. We don't have the right to demand total attention from an audience.

[quote name='mikel' timestamp='1493023593' post='3284835'] There is a lot to be said for recording this way, its the recording of a performance, a moment in time, I know it can also be done with multi track, one track for each instrument, but still all playing at the same time. That is my preferred way of recording, but I suppose the temptation then is to go through each track and modify even the slightest imperfections. Ergo its no longer the performance. I could never get my head around recording each instrument at a different time, it just goes against my ingrained perception of music being an organic performance and musicians playing off each other. I have done this once or twice in studios and its not my idea of a good time. [/quote] I agree with this. Whilst I'm not enough of a luddite to think it fine to leave obvious faults on a recording and am happy to correct/overdub them, the spirit of the performance is what is most important. When it gets to the stage where you replace/re-record every part, that's a sign that the original performance was not good enough to start with.

I think the trick is to give people enough of what they know/like and sneak in some newer/original stuff under their guard. That way, everyone is happy.

I think "honesty" a fair comment. Also appreciate that such a recording environment does not work for everything.

A lot of so-called "charities" (shades of Smashy & Nicey) are nothing of the sort.

[quote name='FinnDave' timestamp='1492805124' post='3283434'] I must be getting old, I don't recognise a single song in that list! [/quote] me neither

[quote name='leschirons' timestamp='1492795151' post='3283329'] I would have thought that as you're discussing issues that are "threatening to tear the band apart" a nice meal in a restaurant is not an ideal situation anyway. If it all gets heated and goes 🍐 shaped just before the main course arrives, that's going to feel like a very long and uncomfortable evening. [/quote] Agree with this. A "nice meal" not an ideal setting in which to talk business, especially if there are contentious issues to sort out. Partners a definite no-no, in my experience. Perhaps the guitar player invited her deliberately to forestall any awkward issues being raised?

I doubt it would be worth it. There are other timbers which work in that application. Gibson, for example, is using things like Grenadillo, which seems to do the job perfectly well.

[quote name='peteb' timestamp='1492850177' post='3283603'] Also remember that the bass you want to trade has to be vaguely fit compatible with their stock list. No one really goes to Bass Direct for a s/h Harvey Benton bass! [/quote] Very good point. Even if you have something nice, trading in should be regarded as a convenience - you will usually get a better price selling privately, as a dealer has to clean, sort out/set up and guarantee any instrument, which costs them, before they even think about making a profit. Having said that, Mark at BD is very reasonable in my experience - certainly better than a lot of dealers.

Know what you mean. It's infuriating. The trouble with sites like Gumtree is you cannot mark people down (as you can via feedback on Fleabay) if they mess you around.

Can't stand fret rattle and have a heavy right hand, so ultra low action a no-no for me.

[quote name='TimR' timestamp='1492532452' post='3281015'] Some people do. [/quote] Bullies often justify themselves by saying that sort of thing.

Jack's in Manchester very helpful, as anzoid recommends. Good work and fair prices.

Nice. I was tempted by that head. I have a B1000 and had ideas of selling it and getting the big beast. Decided in the end it would be overkill for my purposes. Enjoy the new toy.

I appreciate what people are saying here, but buying and selling at a profit is the way the world works. If nobody makes a profit, nobody makes a living. Caveat vendor (the flip of the saying "caveat emptor" - buyer beware) applies. Do your homework regarding value, etc, when selling something. Sometimes, life dictates that we need money and have to take what we are offered, even if we know it's not ideal. As someone points out, forums are not utopias. There are members on here who are dealers - no names, no pack drill, but you'll see their names continually in the Marketplace section (if you want to be certain, have a look at their profile - their highest numbers of posts will be in items for sale). If one of them wants to buy from you, chances are they are looking to sell on.

[quote name='mcnach' timestamp='1492431546' post='3280154'] Doh! That's a fantastic idea! In fact... my original plan when I bought this cab was "and in the future I get a second LMIII", as they're so small and light that carrying two is not an issue. It doesn't have to be an LMIII if I'm just using the power section, of course, but they're not very expensive and so it serves as backup. How did I forget??? [/quote] The best idea, imho. As you say, you're only using the power amp section, so anything will suffice within reason. I use a Bugera head, which I picked up cheaply used, as a slave amp when I need more juice.

Use enough of them and any decent 2x10 will work with a low B. Use just one and none of them will do it at any great volume. The fundamental frequency of a low B is below the cut off for virtually any 10" driver.

You are certainly not wrong. You appear to have a pro' attitude and you are playing with people who don't. I think this problem comes from the self-taught nature of many players, who learned their stuff in isolation and never played in orchestras/ensembles, where arrangements were important and it was vital to sweat over getting a part right (because if you didn't, it would clash with what others were playing). Consequently, they can't see what all the fuss is about - they reckon if it's close enough, that'll do. In my experience, you won't change people like that. Best to move on and save yourself an ulcer.

[quote name='SpondonBassed' timestamp='1492062932' post='3277513'] True. The perverse thing about second hand goods sales is that the fakes can sometimes command a higher price than an equivalent "unknown" brand just [i]because[/i] they are fakes even though they are known to be dodgy copies by the purchaser and advertised as such. It tends to happen with older goods and antiques. Did you keep your Strad clone? [/quote] I didn't. I gave it to a friend whose kid wanted to learn the fiddle.

[quote name='owen' timestamp='1492029233' post='3277380'] I am playing the St Matthew Passion on Friday. I have not done this kind of stuff for a VERY long time. I will be very tired on Saturday. Cracking bass lines though. He was The Don. [/quote] Amen. A mighty work. Enjoy.

[quote name='scalpy' timestamp='1492019899' post='3277288'] Nope but they've put M badges on their old 318 or Porsche wheels on their vintage bug. The car market is even more guilty of this than the music instrument industry! [/quote] Not just cars. Everything gets cloned these days - £50 Chinese snide "Rolex" anyone? Nothing new in music, either. My first fiddle, a European factory cheapo, had a fake Strad label in it.