Dan Dare

Back in the 1980s, I stripped my very battered (by the previous owner, not me) '72 Jazz. We were all doing it back then. Has defo reduced its value. So unless you plan to keep it for ever and/or money is of no consequence, best not to.

If he wants a BD monitor, he should provide. Don't destroy your kit for his sake.

I carry my Basswitch, which I can use direct into the PA if the backline fails.

Fusion Urban Bass. Can't fault mine.

I'm average, but not particularly happy - not about being average, but because I'm a miserable sod generally.

There are live bands and live bands.

Fender Jazz.

Ours was a musical family. Our dog used to hum in summer.

It's all down to budget. Small/portable plus powerful and high quality invariably = expensive. Have a look at Line 6 Stage Source active speakers. Portable, powerful and much better sounding than plastic box types. For more money, Nexo, Fohhn (what I use) or D&B Audiotechnik (if you're feeling flush).

A pal has just bought a Mesa Subway 800 and it's excellent. Dear in this country (£800+), which is a bit of a rip-off as it's $700 in the States. Goes down to 2 ohms, too, which makes it versatile. Uses same the Bang & Olufsen ICE class D power module as does the Aguilar TH500. I tried a TH500 this week and liked it a lot, but it only goes to 4 ohms and I use three 8 ohm cabs. If you can stretch to the Mesa (or get a pal to bring you one from the US), it would do the job very well.

Blimey. Thought my bitsa Precision - Squier body, no name neck, used Kent Armstrong pickup (£20) - would be in with a shout, but it cost over £100 to build. Back to the drawing board. Will start looking in skips.

I had a L2000 Tribute for about a year. Wonderfully versatile tonally, well built (a touch heavy but no bad thing in a bass) and people commented on how good it sounded. However, having played a J Bass for more than 30 years, I really couldn't get on with the neck. It was flat and wide and just didn't suit me. I really tried to get on with it - it was much more versatile than my Jazz and perfect as one instrument to cover all the basses (pun intended) and saved me taking more than one instrument out with me. Eventually, I gave up and got an active P Bass Special, which feels like my Jazz and covers what I need. I have to admit it doesn't have quite the tonal range of the G&L, but it's got enough. Sold the G&L. Shame. It was a great instrument, but just not for me.

You say "I've been 100% happy with things and I'm always been told 'your bass sounds great". I'd think very hard about whether a change is needed. Others' comments above are all sound sense. Sometimes, we can hear something different and forget how good what we already have is because we're so used to it. I'd defo do some A/B comparison with your existing kit before spending money.

This from the Orange Amp Forum may be of interest - [url="https://forum.orangeamps.com/viewtopic.php?f=2&t=46372."]https://forum.orange...hp?f=2&t=46372.[/url] If it's in good shape and really cheap - buy it. Good older Oranges are desirable. so you can always move it on if you don't like it.

Think you've answered your own question. If you love the sound it makes and can't find anything else you prefer, it's worth fixing, even if it costs quite a bit. Resale value isn't the only measure of worth. Utility value is more important, imho.

Swamp ash will be a little lighter (and we all know wood makes no difference to the sound of a solid electric instrument, don't we? ). If you can afford the extra £60, I'd go for it.

Used one fairly recently at a jam session. Nice combo - small, neat and very clean sounding. Punchy for their size, but you really need the add on speaker to get enough out of them to compete with a drummer.

Brave, Minister, as Sir Humphrey would have said.

If the instrument's worth a bit, isn't a cheap gig bag a false economy? I went through a couple of cheapies before seeing the light and getting a Fusion. Wish I'd got one first off.

A guitar playing pal of mine had a harness made, that sits on both shoulders and spreads the weight. He swears by it. They are available commercially, for example, [url="http://www.slingerstraps.com/harness-strap-guitar-strap.html."]http://www.slingerst...tar-strap.html.[/url] There's a Planet Waves version that's available in this country. May be worth a try.

What Rhys said. No warranty might not be an issue with something like a simple passive electric bass (little to go wrong and not expensive to fix most things), but caution advised over anything electronic.

Spot on, Pete. Have to say, those stating on here that they expect the band/singer to own/provide the PA and that they should only have to provide their own instrument/backline are not living in the real world. A PA is used for the benefit of the entire band - unless instrumental only and even then, PA support will be needed for larger venues. Try getting gigs without a singer/singers. A PA (I'm talking about something more sophisticated than the small, powered mixer + 2 plastic cabs type of set-up) is a major investment and it is right that everyone should contribute, either via buying it or paying the person who owns it for its use.

Love the colour. Very regal.