Dan Dare

Tell me about it. Really good drummers rarer than rocking horse poo.

Ditto here.

Of course there will. It just won't be like what went before. People always react against the mainstream thank Gawd.

Ah, good old chart stuff. They don't write 'em like they used to, etc. Shouldn't grumble too much. They help pay the bills after all.

Thanks for suggestions. Cab is an SVT15E. The existing speaker is very crude sounding (unlike my VT210HE, which has a smooth tone) and weighs a ton. Must be possible to improve on it. Kappalite the obvious choice - with some additional bracing for the cab. Any others worth considering?

I want better sound and to lighten the cab. Don't want to sell the cab as it matches my other one and you never get much selling them - certainly not what they're worth. Speakers aren't really matched to specific cabs - as long as the volume/porting is OK, you have considerable leeway. Budget not an issue.

Yep. I re-used the Fender screws as the Gotoh ones were too thin for the holes in the body.

Looking to replace the basic Eminence 15" driver in an Ampeg cab. What would you chaps recommend? Thanks.

You may not be driving the other amp hard enough via the FX send/return. Are there line out/ins you can try?

If you can stretch to a little over the ton, the baby EBS is nice.

Great basses. Sold my L2000 Trib - couldn't get on with the wide P style neck (long time - 40years - J bass user with small hands), but versatile, great range of tones and nicely made.

Some guitar cases should fit a short scale.

Check out Orchid DI boxes. Made in Devon, delivered to your door for incredibly reasonable money (£35ish) and highly rated by Sound on Sound.

I just paid a luthier £150, but that was for fine inlays to replace the frets - didn't want filler. Decent instrument, so worth paying a bit extra.

Following on from Bill's point, why not use fewer drivers, say 2 proper bass 12s, place diagonally with the unused holes blocked off? That'll give you the volume you need. Port it (you can buy ready made port tubes I a variety of sizes) and could work well.

Coming to this a little late, but +1 from me. Have 3 of their covers. Fit perfectly, swift delivery and very good value.

If you like the Gibson sound, maybe find a Ripper/Grabber? Great sounding instruments.

Was going to suggest Gerry. He's a fine steel player, nice chap, very knowledgeable and not far from you.

Single Malt's right. Paradoxically, a shiny surface will stick more to your hands when they're damp/wet. That's why sharks have slightly rough skin - to aid hydrodynamic efficiency (and why shark skin used to be used as sandpaper). Rub down the neck with fine - around 0000 - wire wool, but cover your pickups thoroughly with masking tape so they don't get covered in tiny steel fragments.

I've got a CNB. Very happy with it it's cheap - £30ish. Fender Metro decent, too.

I had this with a 201. The holes in the bridge were too tight a fit to the screws and tightening them lifted it as the threads engaged with the base plate. Slightly (note SLIGHTLY) enlarge the holes in the bridge with a file and it'll be fine.

I went through the bridge menopause some years back. Found the Badass was too massy/deadening. Schaller nice on my Jazz - cleaner but still warm sounding. Just put a Gotoh on the P bass and like it so far.

Think it depends on the instrument. I find a high mass bridge gives clearer noting especially at low frequencies but can rob an instrument of warmth and 'bloom'.

Nicest lightweight combo I've used was a 2x10 Markbass that a friend lent me. Remarkably full and loud for such a small beast.