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Manwithvan

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    Bristol

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  1. I just noticed it's a significant anniversary for me. The original van (Mazda Bongo) was scrapped earlier this year, but as I have replaced it with a Berlingo I see no need to change my username. I couldn't think where else to put this, so I'll just say to all new arrivals. You've come to the right place.
  2. Interesting coincidence - I was playing a gig with Mark Griffiths the weekend before last. We had a friend in common who died recently. I didn't know of his involvement with Sue Ryder, but will pass on Shazeroo's comments on the tone.
  3. Yeah, that's a bit shocking. I work for Royal Mail mainly on parcels, so I'm an interested party. I'd say that the higher the expectations a courier puts on the packaging, the better. We get asked to handle all kinds of shit packaging. Paper envelopes, bin bags, heavy stuff loose in boxes, overstuffed bags that come apart. It's not surprising when these packages fail. I'd also say that 9 out of 10 of my colleagues are trying their best. But, like with politicians, bankers, policeman, the few that are either shit or malevolent cause a lot of damage, and are very difficult to get rid of.
  4. No surprises here, but it might reinforce what you suspected https://www.ofcom.org.uk/post/deliveries-and-charges/best-and-worst-parcel-firms-for-customer-service-satisfaction-revealed/?utm_medium=email&utm_campaign=Best and worst parcel firms for customer service satisfaction revealed&utm_content=Best and worst parcel firms for customer service satisfaction revealed+CID_00cf36b07798a35451ec40d7debd0005&utm_source=updates&utm_term=news centre
  5. Well done, Clarky. Glad to be able to make a small contribution.
  6. La Bella DTBs, not new but little used. For God Only Knows, Never My Love - all P, for We Are Family and I Feel Love - all J. Thanks to everyone who replied to any question. I have far too much 'experience' of deciding on a 'sound' for a gig, then finding out it doesn't work at all in a live setting. I like the idea of a nasal farty overdrive, but I could cause some havoc with that! I may become a convert to flats, that'd be ironic at age 65.
  7. I have a wedding gig coming up very soon. We're all mates of the groom: most play in a big band together, but I'm not the regular bass player. The set includes All Night Long, We Are Family, Let's Dance, Never My Love, God Only Knows, Move On Up, I Feel Love (gulp!). I've always said I hated flats, but am having to eat my words. I've tried foam damping on rounds, but only flats will do, even if the bass is a lowly Ibanez TMB30. My problem with flats has always been getting the sound to cut through. Any advice on EQ'ing for the performance? I can take a EQ pedal. The band includes brass, woodwind, strings, about 20 of us. The groom's on guitar, and as he usually plays the French horn, there's another unknown factor! (I wondered if this question should be in a technique section, but I did a search and all the related posts were in this forum)
  8. Sorry Andy, the Motion was sold (I've been moving house and my attention's been on that alone).

  9. The serial number starts with K, so 2004?
  10. A set of Labella Deep Talkin Bass flatwounds are attached to this short scale bass. I got it from a guitarist who thought he's get into bass during lockdown. He said he switched out the pots and put new strings on it before deciding he didn't like bass much. The strings are a joy to play, but the sound of flats is not for me. The guitar is unmarked as far as I can see.
  11. The odd one out in the BB range, the 1500A is a JJ 'super jazz' which features noiseless stacked single coils. It is 9V active-only, with a tone switch with two non-standard options (typically mid scoop and mid boost) which can be preset from the circuit board to define mid frequency and gain. Controls are Volume, Blend, Tone preset, Treble boost, Bass boost. Long scale, weight 4.2kg
  12. I've never seen a 5er either, and I've done a lot of looking. I have seen an old video of Nathan East playing an MB-40, which was a 5er and long scale I believe. It was his 'signature' bass before the NE2. Same headstock though!
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