Frank Blank

That’s me decided, I shall be attending with a Rob Allen fretless Mouse, an Ibanez SRC6 and a QSC K12.2

I think this is exactly what you should do. I was going to do this but I went in before the K10.2 had arrived, I just tried the 12.2 and liked it so much I bought it. The RCFs were there as well but I didn’t dare try them simply because I find them so ugly, if they had sounded great I would have a dilemma on my hands and a dilemma I do not need. I play in an acoustic duo so I imagine the K10.2 would have been ample for my needs and the 12 overkill really, but you never know when you’ll end up in a dub/thrash outfit now do you?

I kind of oscillated between laughing like a drain and feeling almost tearfully sad for the twins, very odd.

If the K12.2 is the weakest sounding then the RCFs must be like Möterhead-in-a-box!

I think this sums it up concisely.

How come I’m still envious of this despite having ‘gone all FRFR’? Is that GAS?

I can only speak for the K12.2, although I got the feeling whilst reading the whole of this thread that the RCFs are superior to the QSCs, I’m sure @CameronJ and @stingrayPete1977 will be along to sing their praises forthwith. As @jrixn1 says I like the QSC because it has a more complicated panel and the ‘scenes’ are useful to me too. I also like the fact that it has a bass amp preset. Not very technically I also much prefer the look of the QSC. I bought mine from PMT who advertised the K12.2 with a free tote bag but I’ve yet to see it as it didn’t arrive with one.

I think it does Don @Bridgehouse. How’s the olive oil business?

Lord above! Happy Xmas Sir.

I think I’m quoting another BassChatter here when I say it seems to have a couple of meanings to different people but to me (and do excus e my not very technical lay-person’s explanation here) it is about traditional bass amps and cabs having a very ‘coloured’ output, so you might want a truer idea of what your instrument really sounds like without the ‘colour’. Some powered PA speakers give such a ‘colourless’ sound, if not completely ‘colourless’ then close, certainly closer than a traditional amp/cab setup. Also, once you start exploring this avenue you might (or might not) be persuaded that actually such a powered PA speaker might be able to completely replace an amp/cab rig. I have done this recently and I’m not going back. Like @Bridgehouse, I now play my bass through a preamp into a powered PA speaker and when I gig I send a DI from the PA speaker to the desk. The forty pages of discussion on the Interesting FRFR thread has radically changed my approach to amplification in all scenarios, a complete game changer for me.

Full Range Flat Response, see...

@CameronJ & @lemmywinks. Have just sat down for a more educated hours playing through the Fishman into the K12.2 using the Bass Amp preset and at Instrument level. It sounds great, I think I was just freaked out initially by just how loud it was so I was assuming I’d got it on an incorrect setting.

Oh yes, just sat down for an hour playing through the new rig, it is glorious.

@lemmywinks I just noticed the Catbus on your icon, good move.

Thank you Sir.

Cheers dude.

Fishman output is -∞ to +6dBV 1k Ohms

You so do.

Jesus, they do say RTFM. This is from the QSC K12.2 manual... ...so if passive instruments go into the Instrument input I’m assuming that active instruments or the output from my Fishman pre amp (with either an active or passive instrument inputting it) go into the Line input?

Welcome to the dark side... I too am wondering about the line/instrument level, looking forward to someone far more technically knowledgeable to enlighten me.

Hey Paul *waves*

I thought it was a Christopher Guest film...

Just finished, catch it on iPlayer. Quite the most hilarious thing I’ve seen for ages.

That is glorious...