I’m liking them! I should respond with a recommendation too, Samsara from Brighton, great reggae with a kind of subtle Klezmer overtone sometimes, why this band aren’t huge escapes me...
As well as 'smoking quantity' play along with the bass from the 2nd and 3rd Linton Kwesi Johnson albums, Forces of Victory and Bass Culture. When you are just listening the bass lines sound simple but when you try and play along it's quite difficult and you realise there is something quite fundamentally different going on to what you're used to playing. I am not a good enough theorist to analyse and decipher the differences but I've found that after a while of playing along with these tracks you somehow just switch into the groove and it becomes easy to follow. I've listened to a lot of reggae and dub over the last forty years and I think these two albums a perfect exemplars to get into that reggae mindset, simple but beautiful.
Thanks for posting this. As much as I love electronic music I’m beginning to realise that my knowledge of genre’s history is woefully inadequate, I know very little about anything prior to Tangerine Dream or Kraftwerk really so finding out about/listening to Éliane Radigue is cool.
There was a short-lived post punk band called Heist, two bassists, one fretless, one fretted, although I can’t find a thing about them online, maybe I was dreaming?
I do very similar finger exercises as the one you mention. When it comes to the scales and arpeggios on the French horn do you work through them systematically or in a specific order?
Do any of you have routines/regimes for practicing scales/arpeggios etc? I’m looking to establish such a practice regime so I thought I’d see if anyone had any kind of system or routine for learning such things?
I saw Modern English on several occasions back in the 80s, for a short while they appeared to be the default support for a few bands I went to see, notably Japan. I still listen to Mesh & Lace and After The Snow, an interesting and peculiar band.