Frank Blank

I do very similar finger exercises as the one you mention. When it comes to the scales and arpeggios on the French horn do you work through them systematically or in a specific order?

Do any of you have routines/regimes for practicing scales/arpeggios etc? I’m looking to establish such a practice regime so I thought I’d see if anyone had any kind of system or routine for learning such things?

Keep going, it’s one of the most informative threads on this forum.

I saw Modern English on several occasions back in the 80s, for a short while they appeared to be the default support for a few bands I went to see, notably Japan. I still listen to Mesh & Lace and After The Snow, an interesting and peculiar band.

Where are you, you could try mine...

Go try one, just in case.

I agree with @Paul S, try a short scale, wish I’d tried one thirty years ago.

He was a hep cat.

Yes, really digging this.

Thanks @CameronJ, they had just the case.

Just to qualify the term, first used in 1937, to refer to... A tune or song of established popularity, esp. in Jazz. From the OED.

Mine wasn’t too bad and improved post set up but still, if you dig in, it buzzed a bit.

Come on, it is little, compared with your whopper...

Absolutely. Actually, this is true, cheaper acoustic basses will cut it at home but gigging wise I have struggled with some cheaper acoustic basses. The three I mentioned (Kingman, Taylor, Godin) all cut it live but several didn’t. I’m beginning to agree with you about the cheap P with flats but if you do have the funds there are great sounding acoustics out there.

Bonjour Julien, bienvenue.

I do almost exclusively small acoustic/folk club gigs and whilst I agree most of these situations will require amplification I nonetheless exclusively use acoustic basses, simply because no solid body bass gives the sound I need for the kind of music I play.

I’ve had quite a few acoustic basses but the best (in your price range) that I’ve had was the Fender Kingman. For just a bit over the top end of your budget a Godin A4 is excellent and sitting in the middle of your range is the Taylor GS Mini bass, it’s small but seriously, don’t discount it until you’ve tried one, it’s more fun than crack.

I totally agree with @Jabba_the_gut. This year’s SEBB was my first and, as a foul-mouthed anti social misanthropist, I was quite nervous of attending, not just because of my borderline personality disorders but also for exactly the reasons @Jabba_the_gut mentioned... ...if you think that they will be dominated by exceptionally talented folk continually slapping on boutique basses. I do play in a band but I’m not a very good player, I dont read music nor do I slap yet I was made to feel very welcome despite only having one little amp and one little bass. Everyone was really friendly and I was surprised just how many people were interested in my little bass! Seriously I arrived and sat in the car park watching folk unload their gear and I almost drove back home, what an idiot. I had a top time with some genuinely lovely folk and I had a chance to drool over many, many gorgeous basses. The most difficult part of the day was stopping myself chinning @Jabba_the_gut and runnng off with one a bass he’s built and that I’ve fallen in love with. If you are sweating it, don’t, just go, you’ll have a time.

Amazing!

Anyone got a Fishman Platinum Pro EQ? If so do you use a case or bag to store/transport it? I realise it will fit in the pocket on my gig bag but that’s not enough protection imho, anyone got any suggestions?

This ‘greatest hits setlist’ is one of their problems imho, I just want to hear some variation. Exactly what I experienced bass wise at Norwich. Great to hear, one thing you can guarantee from KJ is Big Paul’s drumming. Perhaps I should have hung on in Norwich until Jaz got into his stride. Glad you enjoyed it.

Welcome!

+1 for AER, I have the Basic Performer. AER amps are, as @Hellzero rightly says, the best, although mine does way several tons. I’m thinking of going FRFR so I may well have it up for sale soon.