I want the recording to be me, my bass, my tone along with my playing idiosyncrasies. That having been said I’m not averse to taking a good verse or chorus of Saturday d playing and dropping the good ones in, I doo feel a bit odd about it but I don’t really think I’m good enough, or consistent enough to get the takes in one, by the time I’ve played it enough to get consistency I’m so knackered the vibe has gone out of the song. There’s an excitement live of only getting one shot at it but I want a recording to be a document. I’m not averse to leaving mistakes in if it’s a good take, by that I mean a take that conveys the things I’m trying to impart with the song, to me the technical proficiency of the bass line is secondary to the feeling I want to get over. I’m an old punk so I don’t want to be virtuosic, I’m barely bothered about being proficient. I seem to remember extracting a particularly dug in bogey on stage one evening, no one noticed, I just played open dropped D until the b45t4rd was out, we still rocked the joint. Btw the particular concept I was trying to get over with this track was, I’m an unpleasant son of a Gündersson.