Frank Blank

I shall be in isolation in The Orangery eating a bowl of Ricky’s dauphinois…

Damn. Proper saluting and all that, I fear my position of Bridgey’s gardener (lawns only) may be very much in jeopardy.

Most mornings, what of it..?

…and I’ve got all the stuffing up one end 600.

Yeah, after all, I had a curry last night.

Yay! Welcome @Ebenue. Even though I saw you just a few hours ago 👍

The hold-ups with the Geezer Butler pickups is often due to injuries sustained tripping over a pished and passed out Ozzy.

Having had an AER I can say they are excellent as are PJB and Acoustic Image, both of which I have played through with both acoustic bass and acoustic guitar but all three were easily beaten by a powered speaker and a good preamp. I use a QSC K12.2 and used to use a Fishman Platinum Pro until I got a HX Stomp. The Stomp and the QSC is, by a country mile, the best set up I’ve ever had for playing in my acoustic duo, I’ll never look at a trad amp/cab or combo again.

Agreed.

I don't know what all the huss is about?

Indeed there are many factors that need to be taken into account. xJCarr where {JCarr=not funny} is an unvarying constant but only theoretically, for a start in application several Cleeseian variables can have profound effects on xJCarr where {JCarr=not funny}… xJCnf Substitute xJCnf=cosα,α∈[0:;π]x=cosα,α∈[Basil!] Then∣x+1−x2∣=2(2x2−1)∣cosα+sinα∣=2(2cos2α−1)Then∣x+1−x2∣=2(2x2−1)∣cosα+sinα∣=2(2cos2α−1) > (a) Prawn Goebbels ∣N2cos(α−π4)∣=N2cos(2α) α∈[0;π4]∪[3π4;π]∣N2cos(α−4π)∣=N2cos(2α) α∈[0;4π]∪[43π;π] = He’(s) F{rom} b/arc3L0n4

P, however, is a constant* and the threads without puns are, in fact, anomalous so the correct number for a page without puns NpWP=X, where X is the terminal coefficient sine of Tommy Cooper > [fez]=(0.47). *The Des O’Connor Constant.

Then stop milking it, it's an udder disgrace.

Or omelette the side down...

We need some builders on this case like @Jabba_the_gut and @Andyjr1515.

It’s a little embarrassing, sure, but it’s a nice area with good schools and very quiet of a night time.

I’d quite like a plush toy to cuddle please if there is one available. Please could you send it to… Man with a significant amount of hate 238 Easily Triggered Mews Eaton-by-Nugent Oxfordshire B3L 3ND

Welcome @fretlessman71

And a reggae version of the above...

I had the fretted version and was bowled over by the quality and the sound, if only it had been 30-32" I would have had a fretted and fretless version and that would be it.

Just to add to this…

I find lines help me, some people will vehemently disagree with me, each to their own. I tried a lot of fretless basses over the years and thought it just wasn’t for me and assumed that was because it was so difficult but the difficulty came because I hadn’t found the right fretless. When I tried a 30” scale I found I could play it ok. So try lots of fretless basses and don’t give up if it’s too difficult, it might be you just haven’t found the right bass. I have lines and side dots, gradually you rely on them less and less as your ear improves. Some of the best advice I had on here was to just play the same as you would on a fretted bass, bass lines you are familiar with then you’ll hear when your intonation is out. For me the weird thing was after playing fretless exclusively for a couple of months, going back to a fretted bass felt very restrictive, fretless can be a very freeing thing. People will give you all sorts of advice and tell you their way is correct, there is no correct way, try out all the advice and settle with what form of practice suits you.

Your Dad was Roy Orbison?