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dave_bass5

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dave_bass5 last won the day on March 21

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About dave_bass5

  • Birthday 07/06/1963

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    Central London

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  1. dave_bass5
    As Russ has explained, it’s dynamic range. It’s still a small sensor but i do feel it’s better than my iPhone and other smaller sensor devices I’ve had. i record all our gigs as a multitrack in Logic so i haven’t bothered with the external mics. I believe they are 32bit float so should work quite well as you describe above. This is the mount. https://www.amazon.co.uk/gp/aw/d/B0D4VKGTT4?psc=1&ref=ppx_pop_mob_b_asin_title
  2. dave_bass5
    To be honest I hardly use it. I just dont seem to go anywhere interesting much at the moment. Saying that, I have no regrets. It's certainly the best hand held video camera ive owned. very easy to use and IQ is really good. My iPhone probably does just as well but doesn't have the stabilisation, and is a bit noisier in low light (or there is more NR appleid so not quite as sharp). It has a nice DR and seems to handle bright lights well. it's a big improvement on my old OP2, which hasn't been used in about 3 years. I recently got a small magnetic mount for it so hoping to use it more at gigs from the stage.
  3. dave_bass5
    Gear4music do their own version of the P2 for £29. The passive version is even cheaper. I keep one of those in my gig bag as a back up. No need to worry about the battery going flat with that one.
  4. dave_bass5
    I got the Thomanns 2.4ghz version a while ago and it’s been nothing but rock sold and a joy to use.
  5. dave_bass5
    Yeah, i can see why it would need it, especially as it’s in a plastic casing, but ive never come across one that has actually had a fan in it. Never had a plastic light though. I left it running for an hour last night and it was as cool as when i turned it on, but i guess it’s safer to have it rather than not.
  6. dave_bass5
    I got one of these today. Only £40 So took a chance. It’s very bright, brighter than our existing ones. It’s cheaply made so not sure how long it will last, but i might get a few more after the next gig. A lot smaller than our LED par cans. I was very surprised to see it had a large fan in it. Not sure that’s really needed but maybe it is. Only downside is the very short captive mains cable, but I’ll sort that out easily enough. https://www.amazon.co.uk/gp/aw/d/B0D3WND6X1?psc=1&ref=ppx_pop_mob_b_asin_title
  7. dave_bass5
    The problem with all these threads is the lack of one person to let another person have their view and move on. When arrogance appears is when things turn to BC Jerry Springer. …and i don’t care what you think about the above, becuse i know im right 😂😇
  8. dave_bass5
    Is that also why people ‘NEED’ multiple basses? Because they don’t practice enough on each one🤣
  9. dave_bass5
    Basschat isn’t what it used to be 😔
  10. dave_bass5
    Ive never found done that I feel I can invest in. This is my issue. As I know I'll end up back with a 4 string, I can't bring myself to spend more on a 5 string. Ive never found a sub 8lbs 5 string I can afford, other than a Yamaha that I had briefly and should never have sent it back. So for me it's always been at the budget end (even my DJ 5 weighed a bit more than my 4 strings at the time).
  11. dave_bass5
    Same. Ive played a 6lb 5 string that to me felt like you got nothing for your money (IIR it cost over £4000) as id never held anything so light. This was a high end bass though. Ive never had a budget for those so have had to buy cheap basses, which have not been anywhere near that weight. My Fender weighs dead on 8lbs, so thats one reason i keep going back to it. My current 5 string is just over 10lbs.
  12. dave_bass5
    I love narrow string spacing, so playing a 5 is more for that rather than the extra notes. Saying that, I always seem to drop back to a 4 at some point. It's just less (for me) to think about. It could be that my 5 string is heavy, and my 4 is very light, but im always careful not to get too far in to playing a 5 as its supposed to be played, as i know will end up back on a 4 eventually. Also the neck with is a factor, but again, I can play both when needed.
  13. dave_bass5
    Don’t get me started, but bottom line is it’s not my call. Nice bloke, good lead player, hasnt got a clue about fitting in and being professional. We really don’t need him, but he was a founding member and im the new guy.
  14. dave_bass5
    While i with you, and gear placement is very important, he turns up, kicks the light/lights out of the way so he can place his gear and thats it. Doesn’t care what happens to the lights. Or he places cases (absolutely no need to have them on stage, especially not in my example above) in front of the lights with no regard to how the band will look to the audience. Its an uphill struggle trying to keep the band looking professional and entertaining. Oh, and if he was to turn up on time, or not hang around watching the rest of us setting up this might not happen
  15. dave_bass5 started following MIDI Pedal for Starting/Pausing Logic
  16. dave_bass5
    I use the Boss FS-1 WL for patch change and sustain/Leslie speed. It’s Bluetooth and works perfectly at home and rehearsals, but at the first few gigs i had a nightmare getting it to work when i was setting up. I put it down to user error becausei was setting the switch to the wrong position and it using a different mode, so i pretty much know what was going on now, but it almost went in the bin after the second gig. Very versatile pedal though. I went for this over the cheaper generic ones on Amazon as i like the larger foot switches. 3 is all i need, so although it wasnt cheap (£89) it has been the perfect solution for me. I love how it works with YT etc on my Mac as well. Great for starting and stopping tutorials videos.
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