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dave_bass5

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Everything posted by dave_bass5

  1. dave_bass5
    We recently upgraded some of our PA. The band were sort of ok with all chipping in, but I ended up buying the new desk myself (with the singer, who is my partner). It seems easier to walk away from the band, or have members leave without having to buy them out etc. It also means I get to keep it and do what I want with it between gigs. It’s actually now my USB interface at home.
  2. dave_bass5
  3. dave_bass5
    Yeah, the ones without the plugs on them and cant travel on the tube 😂
  4. dave_bass5
    And your points also taken. To me, it sounds like some of the Admin team are bored and looking for something to do lol. Id certainly find a PA/Live sound reinforcement sub forum way more interesting than a URB one 😎
  5. dave_bass5
    Had another great night with the IE400’s. So glad I stumbled on these before going all out with customs. Its so nice not to have to keep fiddling with my right ear. One thing id like to ask, how much noise isolation would customs give over memory foam tips that fill the ear entrance? I find im getting enough, and its nice that i can still have a conversation with them in (anlthough its hard to tell if thats from the live mics on stage picking some of the other person up). Are customs more isolating? Its hard to judge as some people say the world disappears once they have them in, but i really cant imagine thats 100% true.
  6. dave_bass5
    Id be happy to have a sub forum for PA, but i don't think we really need it. There's a few threads already working, and there is at least cross over between IEM and PA threads. PA comes up in various threads, i don’t think this would stop. It could get messy.
  7. dave_bass5
    I wonder if it's a fit issue. Ive had very thin sounding IME mixes, and couldn't figure out why until I realised one ear wasn't sealed well enough.
  8. dave_bass5
    We did a Social club in Corby recently. We (I and the singer) thought it a good idea to do this song, as it went down well a few months ago when me and the drummer played (busked it) it for a guy that kept on asking. The whole place were up and doing that funny dance they do. I said we should do it properly this time. Well, we never got to play it, and if we had it would have been embarrassing. The guitarists couldn't play it straight enough, and the bass player couldn't figure out where the C# F# E bit goes, so at rehearsals he would play it a few times 🤨
  9. dave_bass5
    Easy to order them all from Amazon and send back the two you don’t like. I think you need to clarify why you are changing, what you are looking for etc. You have probably seen mention of all these so you can gather quite a bit of info from previous posts. No one can tell you what you should get without much more info. Even then, the ideal one on paper may not be the best one as fit and comfort also make a big difference.
  10. dave_bass5
    We switched from the traditional PA and and large speakers to a pair of dbTechnologies powered 1x15’s a few years ago and what a difference. We went for 15’s as the old speakers were 15’s and we had no intention of getting subs. They cost us £680 IIR for the pair. Sound very loud and we have no complaints about the quality. A few years ago I got a Yamaha DBX12 as a monitor. It has a slightly more punchy tone and the low end seems a bit cleaner. In hindsight the Yamaha would have been a better option, but back then I’m not sure the were even on sale. My drummer uses a DBR10, which is pretty impressive as it could quite easily work as a main Speaker, but is quite small. Before I went 100% IEM the monitoring at the back of the stage between me and the drummer was a full PA. Sounded glorious lol.
  11. dave_bass5
    I didn’t mean to derail this fantastic thread, i was just pointing gout the BT can be used in a band environment, I never mentioned audio, and certainly woudl never try to use BT for anything audio ober than sending audio to our XR18 for music between sets, but i use the Widi master to play my MODX (which is on stage) from off stage when we sound check. I can play quite happily along with the band, with of course the issue of playing a glass keyboard to contend with. The latency i get is probably less than what i get when using Logic (9ms max), so it’s more than usable in a band environment.
  12. dave_bass5
    From the manufacturer’s website ‘Bluetooth 5: 4x speed, 2x range Breakthrough latency reduction of just 3ms between two WIDI devices Automatic pairing between WIDI devices and other standard Bluetooth MIDI controllers. High performance wireless MIDI with a working range of 20m/65ft without obstacles’ ill leave it at that.
  13. dave_bass5
    Also, as im sure you are aware, midi is not all about playing notes. Patch changes between songs etc can also be used, where latency doesn’t really matter.
  14. dave_bass5
    Ok, I guess you know more than me. I better sell my WIDI master then 🙄. Silly me thinking 3-5ms wouldn’t be noticeable😂
  15. dave_bass5
    It’s fine for midi though. Just not audio.
  16. dave_bass5
    Maybe they could get paid in Dog's. It seems they keep losing them (and pickup trucks).
  17. dave_bass5
    I had the X version for a few weeks and compared them to my singers older version. I could hear a difference. The X sounded smoother and slightly warmer to my ears (based on my Piano/brass test). Definitely easier on the ear compared to the old set, but still not what i was looking for ( and the fit was no different). I even got the upgraded cable for them, which IMO is a big upgrade over the standard one. The KZ and IE series have very different sound signatures, and the IE’s don’t sound as loud or in your face.
  18. dave_bass5
    Just with universal tips (various brands of memory foam). The 4 driver MEE’s were the flattest, clearest, but the 3 driver version is warmer and more what i wanted to hear. Id love to go custom, but its a lot of money and while i was willing to go that route, i now have no need (at least not with the current frequency of gigs). What really put me off customs was the randomness. I couldn't get to hear them before, so it was always going to be an expensive gamble. The IE100 was a last ditch attempt at keeping the cost down, and i guess it worked, although im not 100% i should have got the IE400’s so fast. Less of the wow factor and a slightly different fit. Great and not going back, but im still questioning if i should have spent £300. The original plan was to get the IE100’s just to see if my theory about getting smaller ones would be the solution. As they came from Amazon i had nothing to lose.
  19. dave_bass5
    Haha, it may just be a placebo effect or just because they are new. I'll give it a few more rehearsals/gigs before anything is confirmed. I mentioned my MEE's above, and just got them out to try against the IE400. These cost over twice what the MEE's cost me, but I still think the MEE's sound better. They are louder, but more lively and more open sounding. It's just a shame they won't stay put when I wear them. In fact im now wondering how I managed to get by with them for long. I know I tend to fiddle with them a lot at gigs, so to lose this aspect is a big plus. The sound is secondary really. I can EQ my feed if I need to.
  20. dave_bass5
    Funny you mention your singing is better. We had our first rehearsal with our singer using her IE100 on Monday. There has always been this thing that she sings slightly out of tune, but it doesnt sound out of tune most of the time. Just something not quite right. This rehearsal sounded different. She seemed to be pitching better, and afterwards even she said ‘I hope it sounded as good out in the rooms as it did in my ears’. She said compared to her KZ’s the sound seemed more balanced and natural. She could hear more of my keyboards (which she tend to follow) and it was much easier to pitch her vocals. She has never really complained about the KZ’s, other than the size and the brightness, but she was blown away how much of a difference the IE100’s made. Ive never used high end IEMS, but all the ones i have tried have had multiple drivers in them, until now, and i found the more drivers the more i didnt like them. I had all 3 of the MEE Pros at one point, and really didn't like the 4 driver version as much as the 3. My approach is, if my Pianos and Brass sound good, the rest fall in to place.
  21. dave_bass5
    I get more isolation with the Comfort Comply’s than I do with any of the other shapes. I get the KZ’s we’re always heading to the floor when I had them. No part was ever hooked in my ear, so it was always just the tip holing them in.
  22. dave_bass5
    I’ll get you a few tonight. Yes, they are very low profile and hook much better in my ears. Although I now have the IE400, which is the same Size, there are a slightly different shape and while more than comfortable, the IE100 os still a better fit. Id be happy with either, ive now found that the ear tip makes more difference. I’m now using large Comply Tsx400’s and these are just perfect. Shorter and fatter than standard foam tips, so give me a nice ear filling isolation.
  23. dave_bass5
    I mean no disrespect to anyone, but when I was looking for one I read the description and it stated mono or stereo on a switch. Didn't even need to look at the manual.
  24. dave_bass5
    It will be dual mono. Mixing station also has a monitor mix only setting, which you can select when you start the app. Quite handy being able to keep unworthy fingers off the FOH mix.
  25. dave_bass5
    Wow, you P2 owners are animals 😂 First thing I did with mine was to tape the mono/stereo switch so it didn’t move. I keep a P1 handy (well, the G4M version) which is passive. It’s enough to drive my IEM’s as I use the headphone out so it’s already being boosted. Talking of design faults, and G4M. Many pages ago I was talking about not getting stereo from my XLR, even though I knew the cable was wired correctly. Turned out the G4M version of the P2 wouldn’t produce stereo via the XLR input, even though it would using a TRS cable. I had two, and both were the same.
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