dave_bass5

They have become my go to website for bass gear these days. Never had an issue with them or their prices.

Mine arrived this morning. Very impressed with it so far. The grain is deeper than i though, and its very nice. Everyone at work has gone "wow". Normally its more like "another bass!!" The action seems very high for me, but thats a personal thing and very easy to sort out once i get some new strings on it. Im still at work so not had a chance to plug it in, but i feel its definite a keeper.

[quote name='AlpherMako5' timestamp='1456347416' post='2988196'] I've just sent him a message, thanks. [/quote] Sorry, only just seen it. My thoughts and feelings are in the main MM thread, but to sum it up, Best value 5 string jazz bass ive ever played, and the build quality is faultless IMO. Even as a passive bass its good. In fact id say ive used it more in passive mode than active mode. If i was totally against an active bass im not sure i would bother with it, but having a great range of tones in both modes seems more than worth having. Ill be packing mine away for a while as ive gone off jazz basses, but its a bass ill never sell, as when i get 5 string GAS again ill already be sorted.

[quote name='Happy Jack' timestamp='1456407022' post='2988650'] So I went along to Wunjos on the strength of this thread, and came away with [url="http://s1128.photobucket.com/user/h4ppyjack/library/Basses%20CURRENT/Fender%20Precision%202015%20Sandblasted"]http://s1128.photobu...5%20Sandblasted[/url] So why did I buy it? Was it the great-looking body and lustrous colour? Was it the light weight and impeccable neck? Was it the range of tones on offer - not two but three? Or was it the chance to own a basic, simple instrument that requires a 7-word name. Ladies & Gentlemen, I give you the [i][b]Fender American Standard Limited Edition Sandblasted Precision[/b][/i]. [/quote] Nice one. I didnt bother going in the end, just as well eh? :-) Actually i only really wanted it in blue anyway. My one is on route to me for delivery tomorrow. This will be my fist maple necked P bass, and in fact my first MIA P bass (other than a HW-one i had a few years ago). Really looking forward to getting it. Ive been meaning to replace my Squier CVP for a few years, and now i have. Already thinking about putting a black Gotoh 201 on it, along with maybe some black knobs.No too keen on those thin bridges, as i tend to jest my hand on them and find it can get uncomfortable. Wont do it straight away though.

Cheers, i dont mind the GB tone but would prefer the more traditional one. I know its an easy fix either way, but im happy to live with it as it comes for now. You seem to have the same neck preference as me, hence this thread really. Im sure ill get on fine, im loving my CVP neck at the moment, although i know that sightly different, but as long as i dont touch my jazz bass and slip back in to the easy life. David has said he is posting it out on Thursday for delivery firday, cant wait. I best start getting some gigs in now i suppose. At the moment the band seems to be winding down so its a brave move spending this sort of money at the moment.

[quote name='Joebethell' timestamp='1456321515' post='2987790'] That happens to be my old one! [/quote] When you mentioned the weight i thought it might have been yours. It seems very light, my shoulders will be thankful. My Sire V7 is just under 10lbs. Do you know if it has the grease bucket tone control or the standard? Not bothered either way but ive read conflicting reports on these basses.

Yeah. Really looking forward to it. I also like the fact that the images on that website are the bass I'll get. I've seen one or two shots of these basses with quite a heavy and ugly looking finish. This one looks perfect. Of course this will probably be in the classifieds by the end of the year lol.

Thanks, that the one I'm ordering today (see my post above yours ;-).

Thanks for all the comments, and to those that sent me the link to Cotswolds. I have been in touch with them and will be ordering the secondhand one they have. For less than £700 it's got be worth a shot. To me it seems more like a Highway-One, without the BA2 bridge and of course a different finish. I appreciate its not got the niceties that a MIA standard has, but I have fallen in love with the looks.

[quote name='pineweasel' timestamp='1456221111' post='2986671'] Speaking as a long term Jazz player, I recently bought an American Standard Precision, and I really like the Modern C neck on that. So I imagine the Slim C would be easy to get on with. [/quote] Well if its slimmer than a MIA standard then yes, i may well find it ok. Then again my Squier neck is slimmer and im still not 100% with it. [quote name='keefbaker' timestamp='1456225895' post='2986741'] They do do sandblasted Jazz's as well if you prefer those. [url="http://www.fender.com/basses/jazz-bass/limited-edition-sandblasted-jazz-bass-with-ash-body/0170176338.html#q=sandblasted&start=1"]http://www.fender.co...blasted&start=1[/url] [/quote] Cheers. no, not after a jazz, although i personally think Jazz basses look much nicer than P basses.

Cheers. I get the felling that maybe i would be ok with it. I fit had vintage frets id feel happier, but im sure thats not really an issue. For what its worth i have a Squier CVP bass and although i much prefer the neck on this over something like a AM standard, as far as feel goes, this is really my main reference point.

Cheers guys. All the reviews ive seen are positive (unusual for a Fender :-). Id happily buy one if it has a jazz neck, but maybe the fact that it has a slim C shaped neck wont be a problem. Ill pop along to Wunjos this week and see if they still have one. Thanks for the heads up Grangur.

I know there is quite an old thread on here about these basses but I don't see much about these. I'm very tempted to get one, as I think the blue one is one of the nicest non mainstream looking basses I've seen, and more importantly can just about afford in a long time. It's a todos up between this and a D. Lakin P with jazz neck, as I do really prefer jazz sized necks. I'm really after more info on how the necks freel, and how the tone compares to a standard MIA P bass. Cheers.

[quote name='Rich' timestamp='1455986279' post='2984317'] It's called "doing it purely for the fun of it, not for a living". When it's just a hobby, freebie/matesrates gigs aren't such an issue. And just to head the inevitable off at the pass: no, I'm NOT suggesting that doing it for a living can't be fun too. [/quote] Agreed. Why should having fun always be about the money. Don't people have hobbies that don't make them any money? Of course they do. For example, should we expect people who like a kick about over the park at the weekends only do it if they get paid?

Right, I've narrowed it down to a set of Proel's. These http://www.visiosound.co.uk/stands-cases-c11/speaker-stands-c60/proel-adjustable-steel-tripod-pa-speaker-stands-2pack-p1452 Or these http://www.visiosound.co.uk/stands-cases-c11/speaker-stands-c60/proel-adjustable-aluminium-tripod-pa-speaker-stands-2pack-p199 Now, height aside I can't see a really difference between the two, other than the Aluminium ones are over half as light. I can't figure out why the sturdier stands are rated to hold half what the lightweight stands hold. Our current stands are 4KG so the first are heavier and the second much lighter. Thoughts?

Actually two batteries boxes ;-)

Oh yes, i agree that each has its own merits and uses. I suppose my point was you cant just stay around the 5th fret for everything, even though thats one of the advantages of having the 5th string (or long thumb rest

[quote name='Jazzjames' timestamp='1455210256' post='2977118'] Whatever works for you. I was just simply pointing out that the sound is not the same, depending on where you play it on the instrument- One should play a line higher up the neck on lower strings for the reason of sound, not because they haven't got it together down in first position. But hey, this is only my opinion. [/quote] Although im much more used to playing 4 strings, i can play a 5 string almost as well. I do get the idea of playing around at the 5th fret, less hand movement etc, but to my ears it just doesn't sound the same as playing on the E sting as if it were a 4 string bass most of the time. Maybe its the basses ive played, but i cant get that growl and energy im used to by playing the B string around the 5th fret.

Yeas, thats definitely a good thing.

Thanks. I'll look in to those. While I agree with the buy cheap buy twice comment for some things, I've had both Proel and Qucik-lok over the past 13 years. Not cheap stands really, yet the Studio Spares stands have lasted just as long. I believe it's down to how you look after them, not how much you pay,, and I do ab it they haven't been well looked after. None the less, the stands themselves still work fine,, it's just a bit of a pain setting them up as the parts that are supposed to lock don't anymore. We just use Allen keys through the holes in the top poles. Let's face it, we are talking about metal tubes with plastic bits on them. Hardly high tech stuff. If I was in a pro touring band I'd spend more (or get the band to spend more), but I'm only doing the occasional gig these days, and I can't see why a £50 set of stands wouldn't be more than good enough.

Yeah, the low end is very powerful. Ive got the active tone level set just lower than the passive level. This keeps the overall output level pretty consistent when switching between the two modes, as long as im not being silly with the EQ boost.

Cheers. i had some of those air damped Proel stands years ago. Very nice stands. I do feel the extra cost for air dampening isnt something i want to pay for, as we get by without it already. Im thinking about these from Thomanns, or maybe the Quick-Lok SP171 set. http://www.thomann.de/gb/millenium_bs2222_pro_set.htm

We used to have a pair off Quicklok stands, and yes, they were great. In fact I couldn't faultt them at the time, but they did fall apart after a few years. This was more than likely down to bad treatment from the guy who used to take them though. I think they are just a bit out of my price range though. I'm having to buy these off my own back (the band think the existing ones are good for another few years) so £50-ish is really the top end of my budget. EDIT: Meant to say I'm talking about the SP180's as being the ones we had and the ones that are just out of my budget.

Is the above possible? Looking to replace some old Studio spares stands that have all but fallen apart. Not looking to spend much, hopefully under £50 the pair. They only need ot support some Peavy Hi Sys 1x 15 passive speakers. Ive looked on Amazon and Thomanns, seen loads, but wanted to get some personal recommendations if possible. Cheers.

I've had two Lakland Duck Dunn basses. The first had a Fralin and the seocond had a Hanson pup. Although they were a couple of years apart to my ears the Hanson sounded a bit harsh and growly compared to how I remembered the first bass. I swapped the Hanson out and put a Fralin in and felt much better about it. Saying that I put the same Fralin in a Squier P bass and never really felt it made much difference.