dave_bass5

Boringly i always say Cubase. I cant imagine life without it lol. Its not the published features, although they are fantastic, its the smaller so well thought out ones that impress me. Finding new things everyday. I’m ok worth most DAW’s, as far as getting something in and out of them at least. Tried quite a few over the years, but CB just hits the spot. I tried my best with Cakewalk by Band lab, but compared to CB it just seemed clunky and took way to long to do some of the simple things. I was a Cakewalk and Sonar user for a while, a long time ago, but CB just blows them all away IME. The ‘best’ is always the one that gets the job done with the least hassle, and the most fun IME. Thats why we all like different ones.

Not in Juke Box city though. In those videos you were standing stage right (looking at the stage from out front). Thats where I’m used to standing. Although i don’t insist on standing that side, i do it so i can see the bass drum pedal clearly, and hear the HH a bit better, which helps us keep it tighter (in theory). Its also easier to make eye contact if the drummer is partially facing you. I have been on the other side with a band i used to dep with, and it was fine, but felt a bit weird because i couldn't see the pedal. Its going to be totally strange finding somewhere to stand at the next gig if things work out 😁. If they dont, i have a Gramma pad that will sort the vibrations out……the audience will never know lol.

I had one of those for a while. Nothing wrong with it, but I never feel totally confident with valves at gigs, and although I own and use Behringer gear (our desk for one thing), the two together played havoc with my paranoia lol. I liked the video, but found it strange seeing you on that side of the drummer. I’m so used to bass players being on the other side.

Wish we lived closer, id come and play keys with you. we have exactly the same feelings toward this. As i dont work at the moment its quite frustrating that im sitting around going over the songs, ready for the next rehearsal, only for something to cause the rehearsal to not happen. it cant be helped, but i dont think the rest of the band realise how 'in to it' i am. For this reason ive also joined another band. They arent much better, but the two are going to offset each other hopefully, at least until my guitarist's wrist has healed.

But you wouldn’t need to take an amp, so you are still downsizing what you would take. Also (slightly) less set up time.

.This is my mind set. Ive gigged an Ashdown EB-180 which was just about loud enough, and my DBR12 is much louder, but it seems alien to not have a proper bass cab sitting there. Considering our PA speakers, which are very similar, can take the bass and other instruments I really shouldn’t be worrying, but i just cant get past that size thing.

Not at all. Having a sound you like on stage is a huge motivator. The audience won’t care if it’s a Berg/BF etc, as long as it sounds ok and fits the music. I chose my gear to do the job, and sound good to me.

Fantastic job Russ. Is that you on stage?

My first thought was maybe the main outs have been redirected, but a factory reset would have cleared that. Have you tried the headphone out? I don’t expect that would be any different but worth a try.

DId you get something sorted Bas? Anymore gigs going?

Although we do also have a pair of dB 715’s I could use if we aren’t supplying the PA.

Ah, but I never got on with the F112. I’d hate to actually go FRFR, but it’s an option. I love what a coloured cab does, although obviously it has to be the right colouring. At the moment i have no job or income, and might have 1 or 2 gigs before I get a job. You can see why I’m considering using what I have, unless it’s a more regular thing. I must admit I’m very, very tempted by the CN112 in the classifieds, but it’s way too early to spend money, at least until I know I’ll need to.

I don’t mind carrying my DBR. It’s not the lightest of cabs but is more than manageable. My head tells me it would be fine with the Zoom B4 in front, it’s rated well above my Heads and I’ve never needed to turn to hide up too loud, but my guts tell me it’s not ideal for using as back line and FOH, even in a small pub.

I think handle placement also makes a big difference. I went from the F112 to the much larger CN212 and the larger cab was almost a pleasure to carry. Going up and down 3 floors each way with all the weight on the one handle was quite painful. I may be needed back on bass if i can’t find a replacement for the one that just left us, and although I’ve still got 3 nice heads I don’t have a cab. I’m hoping my Yamaha DBR12 will do the job but I’m still sceptical about this sort of Rig. I might have to get a proper cab.

Also FRFR doesn’t necessarily mean lightweight IME. The F112 i had was one of the hardest cabs ive ever had to carry.

That looks really cool. If I was to get another Helix that’s the one I’d get.

I’ve done that a couple of times when the singer has said she can’t sing in the key we have rehearsed it in for the past month lol. im fact we did All I want for Christmas is you at our last Christmas gig with me using the Stomp to transpose the bass 5 semi tones up 😮 It sounded very poor on its own, but with some EQ and a band playing along it sounded fine, even on the recording I did. Not something I’d want to do regularly, but for one off songs like that It made sense.

Had a rehearsal last weekend. I’m on keys these days. Bass player has been struggling with a certain run. Band were really pleased he finally got it consistently right. When they congratulated him he piped up that he had no idea what they were talking about, as he stopped trying to play it so didn’t play anything. All eyes looked at me…….. 😎

I’d read as much of this thread as possible, you will get a lot of knowledge and a very good idea of what it can, and cant do. Short answer, yes to all the above.

I think this is where we all start out. While we might have been happy with a couple of effects that just go on and off, we start to build more and more presets, because as you say, its all there in front of us, and then get bogged down trying to remember where they are….and then never use them anyway lol. What i did is set my core effects to 3 or 4 presets, with just the last foot switch being different. I named the presets using that effects name. This way I always had what i used the most, and used the patch change to bring in any unique effects to a particular song. I wasn’t a heavy effects user so this work for me. I was going to go the one patch per song route, but we don’t have set lists, and i could never really set in stone what i wanted to use most of the time.

It’s been mentioned before, but it’s always worth pointing out, you can have more than one function assigned to each foot switch. For example, you can set one foot switch to turn one effect on at the same time as turning another off. I used to have a BDDI always on, with low gain. I also had a BDDI with more gain, and less high end, and a slightly lower volume. I had both assigned to the same foot switch, so each time i pressed it it would swap between the two. This worked really well. I could balance the two out so the high gain version was well balanced, volume wise with the first one, just a bit dirtier. Worked great at give it a bit more when needed, without the tone changing. You can also assign the foot swtiches to control different settings within each block.

Yeah, thats what I remember as well.

Yeah, i had some as well. To be honest, what they ended up closing after TAX and Import duty they worked out quite expensive.

I had a HPF set in the Global section, but nothing else was changed from default. I just used a normal jack lead in to my amps. Just using the main out (Left).