spyder

A non scientific test. Pink noise from YouTube thru tablet into Origin Effects Bassrig 15 into Midas MR18 mixer with EQ bypassed. 1. Pedal off / bypassed. 2. Pedal on with cab SIM OFF tone controls at 12 o'clock. 3. Pedal on with cab SIM ON tone controls at 12 o'clock (mid position). 4. Pedal on with cab SIM ON tone controls at 6 o'clock (full).

Another successful gig last night using the BR15. I had to turn the bass up to 5 o'clock and the treble to 3 o'clock to balance the sound through the PA and it sounded fantastic. The EQ on the mixer was set completely flat so I could check out how the pedal responded.

Yes. I've used it for 2 rehearsals, one Church gig and one Pub gig. With another pub gig tomorrow evening. On all occasions it preformed as expected, a warm vintage sound that just sits in the mix so well. My iem mix and playing feel sounds like I'm using a 'real' amp. It's a definite keeper and I've sold off all my other preamp pedals because the BR15 is all I need. Highly recommended. 🎶🎶🎶🎶

I've just ordered one of these.... https://www.thomann.de/gb/supro_1307_chorus.htm At only £67 it's a bargain, over £100 off the UK price.

And mine....

That is exactly what I did yesterday. I took the amp out from the pedal into an active DI and straight into the PA. Switching between the pedal Di out and the pedal amp out there was no difference.

I play mostly in pubs / clubs / wedding venues with a very basic Presonus PA and it was noticeable compared to the direct to mixer via a high quality active DI sound. The sound tightened up and I could here myself better because it pushes the sound forward. Using quality iem / studio headphones / high end hifi it was very noticeable.

"What Origin are doing is pretty cool and gonna make a lot of people happy who want the sound and ‘feel’ of those classic amps recreated as closely as possible in a compact form." Summed up perfectly. It's all about the feel.

Moving on from this morning I've used the 1/4 inch amp out straight into my Ashdown ABM / 4x10 with no EQ, valve drive or sub harmonics turned on. With the settings shown below it sounds almost the same as the Di out going into the PA. This feature is great as I can duplicate the Di sound into any back line amp.

So after two hours of playing with backing tracks this morning it is a keeper. For the first time in ages I actually had goose bumps and the hairs on the back of my neck stood up. The sound is so amp like through my iem and standard headphones it was a revolutionary. I went back to just using my AEA active DI and small eq changes on the mixer and the sound collapsed. Yes it became more bass heavy and brighter but I was lost in the mix. On its own the Fifteen sounds a little dull and very mid forward. But in a mix it stands out and really feels like you are playing through an amp. I've finally found a preamp / Di that I can use on every occasion.

I've had mine for about an hour now. My first impressions..... where have all the bass and treble frequencies gone.? My signal chain. Passive Serek Midwestern 2 five string. Dunlop flat wound strings. AEA active DI. Midas MR18 Presonus Air10 & Air15 sub. I've tried so many preamp di pedals that I've almost given up. I prefer going straight into the mixer with a high quality transparent active DI. I usually use an AEA active DI with just a little eq boost ( 3-4db ) around 80hz and 2khz. Also HPF around 50hz. The Presonus PA is an entry level system with a defused sound that is just ok. No matter what I did the Fifteen just sounded wrong. Bass was lacking and the treble was dull. Of course that is exactly what the B15 sounds like. I took a break and came back with fresh ears. This time I used headphones connected to the Midas MR18 and I finally got the idea. It sounds like you are playing through the Ampeg B15, a fabulous vintage sound. The pedal feels very responsive and the sound reacts to how hard you play just like a real amp. I think through my Presonus PA the sound is a little lost. But with a better PA or while recording or using headphones the sound is very amp like. I'm going to spend all of tomorrow morning playing with the pedal with backing tracks of our set. This should give a better idea how it sits in a mix. I'm sure it will sound great. If not it's going back to Andertons.

The Scarlett 2i4 interface uses standard XLR cables I believe.

Me too, it's rubbish.

It is the 600w model according to the back plate. Serial number ends in 0202. I noticed the new UK ABM range also on the Ashdown website. Latest UK made 410 is 35kg but the power handling has increased. Mine is not leaving the house / studio. Gone are the days lifting that weight in and out of the car.

I've just picked up or should I say struggled to pickup a 2002 Ashdown ABM 410 cab. ( 35kg ) I normally don't use a 410 but I wanted a home / studio / have fun with cab to match my ABM head. It looks like an early ABM Evo due to the date and use of blue drive units? The back plate only has 1/4 inch jack inputs so I'm assuming it's a cross over model from the original ABM to the Evo range? Information on this old model would be gladly received from the hive mind.