
Gwilym
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Everything posted by Gwilym
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Kind of a feeler, as I'm trying to decide whether I should sell or not. That said... I picked this up on ebay a few months ago from the US of A. It's a late model MTD Grendel 5 that was actually completed/assembled by Michael Tobias from parts that were left over when production stopped in the Czech Republic. The original owner bought it direct from Michael Tobias. The original owner (who I managed to contact on another bass forum) had the original pickups/electronics upgraded to US Bartolinis, in effect giving the same control layout as the US MTD's, but additionally allowing active/passive. Although "similar" the pre is not the same as found in the US MTDs. The original owner also had the bass signed (on the back of the neck) by Chuck Rainey and Bobby Vega (at some bass clinic). It's kind of nice! Not sure what the body wood is maple or ash i think, with some nice flaming/grain visible through the finish. The neck is maple with an ebony finger board. 35" scale on this one (some Grendels were 34" I believe. Vol (active/passive), pan, stacked bass/treble, mid 3-way frequency switch, mid. 24 frets asymmetrically shaped neck. Currently set up with a low action, and plays beautifully. Condition is very good. Very nice solid B Could do with new strings, I've just put on an old set of DR's (lo-riders I think) on it. Sound wise, a very even, punchy warm tone. In fact, I would compare it to the sound of my ash/maple 535, but with less of the bright/full range top end that they can have. (If you're worried about the signatures rubbing off, they are behind the 15th fret, so unless you're doing some dusting up there, they won't get in the way). Grendels have a very good reputation - this is the first one I've had, and it does not disappoint. In fact, I'd be more than happy if this was the only bass I had. But we all know it doesn't work like that Anyway, I'm asking £700 for it collected (from West London). I shipped a bass recently in the UK for £30, so £730 shipped in the UK. Absolutely no trades thanks. I'm looking to recoup some cash towards another purchase I already made. [url="https://picasaweb.google.com/109910182563338742532/Grendel?authuser=0&authkey=Gv1sRgCN-8xua7s_q0Ag&feat=directlink"]Photos here[/url] Thanks! G
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[quote name='machinehead' timestamp='1327450652' post='1511635'] Read this.... [url="http://en.wikipedia.org/wiki/Veblen_good"]http://en.wikipedia....iki/Veblen_good[/url] Frank. [/quote] Not sure about the Veblen effect as it relates to bass guitars, but the [url=http://en.wikipedia.org/wiki/Bandwagon_effect]Bandwagon Effect[/url] certainly plays its part around here quite frequently!
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[quote name='silddx' timestamp='1327452932' post='1511685'] The only ethical issues involved are the wood sources. Have a look at the ethics of the food you eat, the clothes you wear, the technology you use, and get back on here for a chat mate. Cheap sh*t is where the ethical problems usually lie. [/quote] +1 to this.
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For Sale: MTD 535-24 ash/ash black sassafras top
Gwilym replied to Marlat's topic in Basses For Sale
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I'm not totally with the OP, but have also never felt the need (or found a place) to use any effects. (EDIT: maybe a lack on imagination on my part) To those that do, what's the motivation? - Is it to emulate someone elses sound to get an accurate/authentic cover version? - Is it to achieve a sound that's stylistically in keeping with the musical genre being played, whether a cover or original? - Is it to satisfy a personal creative itch and doing something "totally new/original"? - (Perhaps I'm playing the devils advocate here), is it a toy/distraction (much like the constant buying/selling of gear) that gets in the way of mastering the actual instrument being played? - All the above? - Some other reason? I'll confess that it's as much as I can manage to set up an amp and bass to play, let alone a load of pedals and remembering when I should be switching them on/off in the context of a song
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How much is too much for a piece of wood?
Gwilym replied to hiram.k.hackenbacker's topic in General Discussion
[quote name='Kiwi' timestamp='1327391555' post='1510316'] Beyond a certain point I would make my own. In fact I hope to do that sometime next year. Have just discovered a stunning species of wood which looks like quilted maple but apparently has the tonal character of mahogany. Not cheap for the fancy stuff but I'm reeeeeeeal curious... [/quote] I'd tip this on it's head. Below a certain point I'd make my own, otherwise leave it to the people who know what they're doing -
+ 1 Just bought a drum machine from Kev it was also "incredibly well packed & in great condition" and was posted when he said it would be etc. Would happily deal with him again and recommend to others. Thanks!
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Hey Andy, Thanks for a very smooth/painless transaction! For anyone looking to deal with Andy, have no fear! He just bought my Sandberg fretless, and it was a quick easy deal, top marks! - I would happily deal with him again, Cheers G
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Alain Caron - Rhythm 'n Jazz play-along book & CD
Gwilym replied to Faithless's topic in Theory and Technique
[url="http://www.amazon.com/Band-Partitions-Completes-Complete-Bassless/dp/B003XRGUQ0/ref=sr_1_3?ie=UTF8&qid=1327272064&sr=8-3"]If you have $65 there's one on Canadian Amazon site[/url] - or rather it's a Canadian edition. -
[quote name='CaioBM' timestamp='1327250490' post='1508329'] What do DR Black Beauties sound like? Can they peoduce a warm, fat vintage tone? Any other coated strings to recommend? [/quote] You might want to check out [url="http://bassemporium.com/blog/?p=445"]this comprehensive review of DR strings by Ed Friedland[/url] comparing the various DR string types, including the Black Beauties, there are also sound samples of them all. I've only used Elixir Nanoweb coated strings and quite liked them.
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I suspect the neck on the Roscoe would be quite a bit slimmer than the F - although that's based on my recollections of my old BN5 and a Roscoe 5 I player some years earlier. The F sound is quite traditional too, and the Roscoe more modern sounding? I'm sure you wouldn't go wrong with either although the F basses tend only to come in Ash/Maple wood combos from what I've seen (with the occasional ebony finger board and exotic top).
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[quote name='Clarky' timestamp='1327056658' post='1505679'] Hi Gwilym Actually the Clarus+ has been upgraded to 450W at 8 ohms. Even so the Acme doesn't keep up volume-wise with my Wizzy 12 cab, albeit is is cleaner at higher volumes than the Wizzy. If it were the 4 ohm version (the Clarus + puts out 800W at 4 ohms) I definitely wouldn't be selling [/quote] what you need is another 8ohm Acme for a 4ohm vertically stacked 4x10 - that would be a thing of beauty
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[quote name='Clarky' timestamp='1326909088' post='1503631'] I just don't think it has quite the volume capabilities I am after [/quote] Are you sure you're putting enough juice into it? I see the Clarus is only 350watts at 8ohms. These are great cabs though, and this one used to be mine. I got it off ebay from the original owner early last year as a "backup". It was very lightly used when I got it, and I didn't use it at all other than at home because I had my 4ohm version I was rehearsing/gigging with. Sounds like you haven't used it in anger either. The only reason I sold my B2's was to clear some space - I've held on to my 2x LowB1's as a mini stack, and I don't think I'd ever get rid of those.
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[quote name='voxpop' timestamp='1326440576' post='1497170'] Jon has sent better pics.......... [attachment=97229:marc6.jpg] [attachment=97230:marc1.jpg] [attachment=97231:marc2.jpg] [attachment=97232:marc3.jpg] [attachment=97233:marc5.jpg] Should be with me over the weekend. [/quote] that looks very very nice!
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Right, bottom line bump. I will sell this shipped in the UK for £675 (£650 if you can collect). However, this will only last while I have time on my hands to wait in for a courier. This is, IMO, a steal. I imagine the equivalent bass could be around the £1300/£1400 mark these days. EDIT: looking at the Sandberg price list, the Basic 6 model base price is €1462 with an upcharge of about €300 for the exotic top, matching headstock. So approaching £1500 quid. [b]***** SOLD ******[/b]
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[quote name='dougal' timestamp='1323190479' post='1460378'] Oh my Giddy Aunt.... Have a bump on me. [/quote] [quote name='geoffbassist' timestamp='1326475319' post='1497811'] Bump for a great bass! [/quote] thanks for the bumps chaps I've been playing this quite a bit at home the last couple of days, lovely warm tone to it through my rig, and a million miles from my MTD. I'm considering keeping it, and keep it as a trade only. Still would consider trades as above, and I'll add a Celinder J5 or PJ5 to that list of potential trades.
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BOSS DR-670 Drum machine. SOLD
Gwilym replied to LowLife's topic in Accessories & Other Musically Related Items For Sale
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[quote name='Count Bassy' timestamp='1326657709' post='1500124'] .. and the elasticity of the core material If you want to pedantic then I actually used the word heavier, which suggests a relationship to mass rather than gauge!! [/quote] yeah, my reference was't particularly to your quote, but that frequently people will use gauge & "heavyness/lightness" interchangeably, but they are not necessarily equivalent. also the elasticity/stiffness of the string makes no differences to the pitch, only to the perceived tension of the string when playing.
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[quote name='Count Bassy' timestamp='1326568734' post='1499048'] Surely, all other things being equal, the heavier the string string the higher the tension required to achieve the same note? [/quote] exactly. (EDIT: if you wanted to be pedantic, the frequency of vibration is related to the length and mass of the string so not necessarily related to string gauge at all) my experience with a B also suggest that having a thicker B string doesn't necessarily give a better tone on the B string (they get too thick/stiff at the bridge and nut, and IMO prevent the string from vibrating freely). I personally wouldn't go heavier than a 125 now, but that is on a 35" scale, and if I did go for a heavier gauge it would have to be taper wound. I have DR loriders 45 to 125 on a 34" scale bass, and they are quite tight. I'm sure they'd be fine on a 33" inch scale, and they've given me a consistent B tone on a number of basses, where other strings have sounded a bit wooly.