Jump to content
Why become a member? ×

scrumpymike

⭐Supporting Member⭐
  • Posts

    2,490
  • Joined

  • Last visited

  • Days Won

    1

scrumpymike last won the day on January 8 2018

scrumpymike had the most liked content!

2 Followers

Personal Information

  • Location
    Taunton, Somerset

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

scrumpymike's Achievements

Veteran

Veteran (13/14)

  • Great Content Rare
  • Basschat Hero Rare

Recent Badges

2.2k

Total Watts

  1. These are superb amps. I bought a used one on here as back-up for my beloved Mesa TT-800 but decided to sell the Mesa and keep the Ampeg. It was unanimously declared best of the bunch in a comprehensive amp head shoot-out at our S-W Bass Bash just over a year ago. GLWTS.
  2. Time for a price-drop bump 🙂
  3. I've just jumped on the Ibanez website and I can't find a s-s 4 either. I thought the Sea Foam was still in the catalogue because they're still out there for sale but that must just be remaining stock at the retailers. I think they're making a mistake by withdrawing the s-s 4. Interesting what you say about missing notes on the one you had. I found the same with the 3 headless basses I've owned. I really had to concentrate to avoid it. My conclusion was that the headstock provides a reference point in your peripheral vision. You're not really aware of it until you take it away.
  4. If they did the 4 in pretty much any finish other than the Burgundy Mist (now sold out) and Sea Foam Green Matte, I'd buy one. The ones shown on the two posted links are stunning.
  5. Ooooh, that really appeals to my liking for the short, weird and wonderful. Can't help you with info though, as it's a completely new one on me. As my friend Pea Turgh has already observed, no chance of neck-dive there, and interesting placement of the single pick-up. I'd love to know how it feels and sounds. Looking at the condition of the headstock and IMO inappropriately conservative choice of colour, I wonder if the body has been re-finished. Well done. I'm just a tiny bit jealous 👏
  6. May well be worth asking if they'll sell you one. In my limited experience, they are such a nice helpful bunch of people. A while back they picked up on my post on here about a noisy RM500 fan and replaced it FOC even though they knew I bought it used. Helped me massively again with something a couple of weeks ago (I'm too embarrassed to say what it was).
  7. Just jumped online and the s-s Capri appears to be sold out everywhere. You did well to grab one.
  8. Reluctant sale of this superb amp in excellent unmarked condition and working perfectly. I've now got 3 gig-worthy amps and have only decided to move this one on because it's the most valuable and saleable. Happy to travel a reasonable distance for hand-over around the Bristol-Exeter stretch of the M5. Alternatively will pack properly for if buyer arranges and pays for courier. Sorry but no trades.
  9. That looks amazing, any chance of more pic's? And what's it like for neck dive?
  10. Despite having preferred Gibsons and other s-s basses since I started playing, I've got mixed feelings on this. Here's a few random thoughts: When I bought my first bass (a Watkins Rapier) back in the mists of time, I chose it on the basis of what felt most comfortable and looked cool without even knowing that different scale-lengths were available; Gibson's shorter-than-Fender-standard scale was/is equally valid and hearing this constantly referred to as 'junior' (i.e. 'not for real men') - notably by Fender - p155es me off; In light of the above, what have Fender's marketing people got for brains? IMHO, they could have a big s-s market running in parallel to their 'standard' scale-length offerings if they didn't dumb-down on their s-s products; Mitigating against my love for Gibsons is the fact that, for me, the strap-balance that comes with having the top strap button at the F12 'sweet spot' is essential (and why I moved away from SGs); Like it or not, the perception that 'proper' bass guitars have to look like a P or a J (with the possible exception of the Gibson SG) is widely held, especially (but not only) outside the bass-playing fraternity; That's why I feel happier playing my Sandberg Cali ll on stage than my equally excellent Vox Starstream Artist, although this may change as my latest band members share my love for the quirky looks and wonderful Aguilar sounds of the Vox; IMHO, the main-stream bass-guitar manufacturers have held back the natural evolution of the s-s bass guitar - Gibson through a mixture of incompetence and dodgy quality control, and Fender presumably in a misguided attempt to preserve the purity of the brand's original DNA. There, glad I've got that lot off my chest 🙂
  11. Agreed re the Monza, wouldn't be without mine!!
  12. Had an R-400 for a while and I've been toying with the idea of getting one of these. Just jumped on the Handbox website, downloaded the retail price list - but can't see the WB100 anywhere. Anybody know the total cost of bringing one into the UK? Also, what are the pros and cons of the original version with the contour pot (there's a used one FS on here) versus the new design? Just spotted there's also a used current version on here as well.
×
×
  • Create New...