Old Man Riva
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Posts posted by Old Man Riva
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Yamato Japanese drummers at the Peacock Theatre London last night.
Not seen anything like it before and it was a wonderful experience.
They’re on a run at the theatre until 31st March, so if you fancy a bombardment of the senses along with a bit of fun (and can broadly clap in time, should you wish to join in at all!) then there are worse ways in which to spend an evening...
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4 minutes ago, Beedster said:
And Bootsy
Funnily enough also listened to Bootsy today - James Brown’s Give It Up Or Turnit A Loose.
Clyde Stubblefield; oh my word...
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25 minutes ago, AndyTravis said:
Love BB, ever since I saw “Standing in the shadows of Motown...” what a guy!
Anyhow, shocked that I didn’t hear MG’s estate suing the donkey off Radiohead...”drunken punchup at a wedding” is a direct lift for feel...if not notes...although it’s bloody close.
Yes, he comes across really well in that doc. I imagine the pressure of being in a group of musicians that included Jamerson would’ve been quite something. He was a wonderful player in his own right, and nailed the songs in the doc perfectly - why wouldn’t he?!
And Chaka Khan! There’s a moment during What’s Going On where the world almost stops turning for me due to her performance...
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4 minutes ago, Beedster said:
Amazing track and yes, so much more going on the more you listen. Hard as f**k to play with that feel.
I always assumed it was Jamerson
It's such a great line; one of the grooviest things I've heard in a long long while. Great feel and tons of groove...
Jamerson is on the rest of the album with the exception of Mercy, Mercy Me and Right On, which are Mr Babbitt.
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Listened to the Detroit mix of the What's Going On album today and lost the whole day to it! The Detroit mix is the original mix, and not the mix found on the released album (which was done in LA a month or so after the Detroit mix).
Anyway, Inner City Blues. I've always 'heard' the (Bob Babbitt) bass line in my head as being much simpler/straightforward than it actually is, but listening to it on headphones today there's a ton of stuff going on that I'd not heard/appreciated before.
It's such a lovely line; perfect for the song and beautifully played... so, maybe a daft question, but... is there more than one bass on the track?! I know there are vocal comps through the album (initially coming about by accident where the two engineers - Kenneth Sands and Steve Smith - mixed a comp of two vocal takes, which Gaye loved) so is the bass line a similar experiment/outcome?
Whatever it is, it's a masterful performance by a wonderful musician?
Help a curious pair of ears out here, folks!
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Wasn’t expecting this at all, especially the voice...
Good band too...
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Watched both episodes and really enjoyed them. There’s some really good early footage of both Iovine and Dre at the start of their respective careers that show how completely driven they were and their passion for music (and it’s safe to say that neither came from what you’d call a ‘moneyed’ background).
Really looking forward to next week’s episodes.
As a couple of asides: JJ Fad had previously completely passed me by! And I’d forgotten just what a wonderful piece of music Springsteen’s Meeting Across the River is.
Yeah, well worth a watch...
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On 04/02/2019 at 16:25, Shaggy said:
Those guys were the business - "Slade Alive" is one of my all time fave live albums
My first ‘proper’ album, that. Had it as a Christmas present in 1972 (I think).
In the late 70s/early 80s they used to do an annual Christmas gig at Brum Odeon, which were consistently great nights out.
And they influenced Prince’s spelling, the daft Black Country rockers!
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4 hours ago, hiram.k.hackenbacker said:
Rumour has it that Steve Vai might turn up at a few shows as well. Where else better than the London Palladium. Fingers crossed.
Not sure if you’ve seen it (or aware it exists!) but the Nikki Sixx ‘My Favourite Riff’ episode with Vai as a guest included some good Zappa stories.
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On 19/01/2019 at 14:07, alexa3020 said:
Great band. Check out the album ‘last day of summer’ it’s their best imo.
After Corsicana lemonade the drummer and guitarist left to work with soul artist Leon bridges, which would explain the drop in quality. They were both great musicians but the drummer was outstanding
Cheers for the recommendation! I’ll give Last Day of Summer a go.
Hadn’t realised the drummer and guitarist left - agree the drummer was especially good. There’s a version of At the Farm on YouTube featuring those two that is just so good - shades of Peter Green era Fleetwood Mac in the guitar playing.
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32 minutes ago, Paul S said:
And another!
Forgotten all about that. Love it!
The electric piano reminds me of Tomahawk Kid from the live album.
One of those bands I forget I like until I’m reminded I like them then I play them so much I go off them!
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I stumbled across White Denim on 6Music a few years back and was blown away.
Not too keen on recent records but the albums D and Corsicana Lemonade were played to death.
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To add to Frank’s list and other excellent additions on the thread I’d argue a passionate case for Gerry Mulligan & Chet Baker ‘Carnegie Hall Concert’ (features Ron Carter on bass).
Song for Strayhorn is one of my favourite pieces of music of any genre. Stunning.
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Great pic. He was cool as...
Lucky enough to see them a few times over the years and one show (with Brian Robertson) was, to this day, one of the best gigs I've seen - the band were right on top of their game.
Also saw them with Snowy White and John Sykes (separately) playing foil to Scott Gorham and, whilst neither were as good a fit as Robertson (imo), and parts of the shows may have been patchy with some of the material not up to the standard of the mid/late 70s Lizzy (again, imo), Philo was always fabulous.
For me, one of rock and roll's great frontmen...
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On 22/12/2018 at 12:38, NancyJohnson said:
Just spent an enjoyable two hours going through this book.
If Geddy Lee wasn't so damn nice, I could honestly hate the guy for snagging so many beautiful instruments. Have to say that after 200 pages of drooling content, it's just information overload. The content steers you round the ultimate question of, 'Whatever happened to that <insert manufacturer here> bass?' before drawing you in for the last few pages of the really important guitars.
There's no envy here in the slightest; it's just a lengthy journal about vintage bass collecting. He's been a successful musician for donkey's years and now he's simply kicking back and reaping the rewards of that.
It's a beautiful publication.
Re. Gibson Thunderbird: Geddy asked Pete Way (UFO) what it was exactly that he loved so much about them.
”Well, Glee, they sound three-quarters quite good, and one-quarter not very nice”. If ever Gibson were after a blurb on an ad page for a Thunderbird there’s one right there!
Only had a brief scan through this morning but upon first glance it’s a fabulous book!
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Heard this for the first time today and haven’t stopped playing it since. John McKenzie on bass, apparently.
If Ari Up was Californian and woke up in a studio surrounded by a late-70s funk band... I give you Annette Peacock:
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A wonderfully played and recorded P-bass. For my ears/taste it doesn’t really get much better than this... (cue somebody telling me it was recorded on a Jazz, or some such!).
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1 hour ago, Japhet said:
He did some lovely stuff for sure. Lady Grinning Soul is one of my favorite ever basslines.
For me Aladdin Sane is TB’s finest work.
It’s possibly my favourite record of all time any road (certainly the one that never strays from being in the top 3) and would be my recommendation to any budding bassist in terms of an album to listen to that inspires.
The title track is sheer perfection.
And of course he also had those amazing sidies!!
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The Atomic Dog section is a reworking of a George Clinton track from the early 80s - the two versions are as different as chalk and cheese, night and day, cat and dog!
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I give you Mind Bomb by The The.
I had my head turned by Infected after Channel 4 showed a late-night film in 1986 documenting each track and was blown away - I then had to wait three years for Mind Bomb.
Unapologetically political throughout, lyrically I don't think Matt Johnson was ever better - covering the perils of organised religion (Islam fundamentalism vs. Christianity), bitter breakdown of relationships, and "the politics of greed" amongst other cheery topics.
It features Johhny Marr, Danny Thompson, a great performance by Sinead O'Connor on one track and wonderful bass playing by the 'overlooked and highly recommended' James Eller throughout.
It even manages to include a pastiche on Sweet's Ballroom Blitz and replace the opening "Steve", "Andy" and "Mick" line with "Jesus", "Buddha", "Muhammad" - one for the older viewers!
Not really a 'Sunday morning album', it's one of those albums that is best digested in a solitary fashion, played from start to finish in the order Mr Johnson intended and through headphones for the full solitary effect.
Here's the opening track, Good Morning Beautiful;
So, anyone else got any recommendations that fall under the 'overlooked and highly recommended' category that you feel should be embraced by the knowing souls on here?
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3 hours ago, cetera said:
I have seen him in a Beefeater by the A3 near Richmond Park. Seriously..... no word of a lie....Some would say “Liar”, but I believe you.
I think it was the time Mr Deacon was attempting to enjoy a quiet Sunday roast but was being continually heckled by a member of The Goodies, sat nearby at another table.
As luck would have it Giant Haystacks (who had just been working out and not had chance to shower and freshen up, so slightly stinky) popped in for a Spritzer and stepped in on Mr Deacon’s behalf, telling the Goodie, in no uncertain terms, to leave the reclusive bassman alone.
’B.O. he-man raps Oddie’, as the tabloid headline said...
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Really like that - shades of Richard Hawley. Lyrically, Alex Turner has got a lovely turn of phrase about him.
With regards to the bass, my guess would be flat wounds played with a pick with strings muted with the side of the palm.
It helps that it’s a really lyrical line so the tone really comes through - too many notes and it wouldn’t sound anywhere near as good.
Good band.
Who are you seeing live next?
in General Discussion
Posted
How was it?
Like yourself, I saw them in the 70s with Schenker and then Chapman, so went to the Leamington gig on this tour (through nostalgia as much as anything - probably not the best reason to go to a gig, trying to rekindle that feeling you had as a wide-eyed 15yo!).
I hadn’t seen/heard Vinnie Moore before and it wasn’t my cup of tea at all. Undoubtedly talented (certainly from a technical perspective) but the whole ‘fretboard frenzy’ thing didn’t really do it for me. It made me realise how good both Schenker and Chapman were in the band, supporting the songs and adding the gloss, when required.
I thought Phil Mogg was fabulous (though the mix did him no favours). He’s such a good vocalist, and hugely overlooked too. For me he is/was UFO.