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Everything posted by Old Man Riva
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Guitar Players Who Don't Get Their Due Respect
Old Man Riva replied to Yank's topic in General Discussion
Graham Coxon -
Guitar Players Who Don't Get Their Due Respect
Old Man Riva replied to Yank's topic in General Discussion
John Martyn - his songs/voice get recognition but his guitar playing can often get overlooked (great dropped tunings and experimenting with tape echo in the mid-70s are two things that spring to mind). Phil Manzanera - mention of Bryan Ferry above immediately links him to Roxy Music along with Eno and Andy McKay. Manzanera added the ballsy r'n'r sound/feel to early Roxy albums to give them an added layer. -
Gone. B@&gger it... And 67 is no age. Apologies, just realised this has been posted elsewhere on the site...
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Seen very few bands over the years take on and nail Stones songs. For me a large part of the Stones' (unique) sound is Keef's groove and Charlie's feel and not many bands I've seen over the years can replicate it. Similar with cover/bar bands taking on AC/DC. Guitarists can generally nail the Angus parts but never seen anyone who can nail Malcolm's rhythm playing which, allied with the great Rudd/Williams rhythm section, give the band its unique sound.
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[quote name='blisters on my fingers' timestamp='1499116078' post='3329378'] The late great James Honeyman-Scott [url="https://youtu.be/ZbC8JltxSq8"]https://youtu.be/ZbC8JltxSq8[/url] [/quote] A great choice. Was going to go with his solo on Private Life which, whilst being fabulous on many levels, wouldn't really fall under the 'hit' category. Pete Farndon an overlooked bass player too...
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[quote name='Burns-bass' timestamp='1495969362' post='3307805'] Interesting, we've had this discussion in my old band. Weren't they using quite a lot of recreational drugs at the time and did literally hundreds of takes of some tracks? I think Fagen said they sometime struggled to remember who was playing on what track. Not sure how much of that is true, of course... [/quote] There was a good article in a recent edition of Classic Rock regarding the making of Pretzel Logic (the album that preceded The Royal Scam); a couple of quotes lifted are: "They strived for perfection, and both paid attention to every note and breath" (Timothy B Schmit), and "Working with Steely Dan could hardly be considered 'fun', but it was rewarding" (Michael Omartian). A friend of mine had the good fortune to work with Gary Katz many moons ago and he told a few stories that gave a good insight into how Becker and Fagen work - multiple takes, charts presented to every player, no deviation allowed etc. As I say, I struggle to believe that what Chuck Rainey and Bernard Perdie played on the take we heard was just them replicating what they'd been told to do! And if it was, then my admiration for Walter and Donald has increased, which I didn't think was possible!
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Fabulous stuff. A full three minutes more to hear than on the final/edited album version. As much as Becker and Fagen were/are sticklers for charts and the like I can't believe that a lot of what we hear is not coming from the players, esp. on the outro. Great guitar playing too...
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Fender Jazz - Road Worn - Fiesta Red SOLD
Old Man Riva replied to Savethedaves's topic in Basses For Sale
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I love this... https://youtu.be/rtW1S5EbHgU
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To the OP... I know Mark cares passionately about his business and his customers and spends a lot of time trying to get things right. Like any business, improvement can only be gained by customers offering feedback - whether positive or otherwise - in the correct/most helpful way, so as well as flagging challenges on here why not drop the shop a line and offer feedback regarding your experience?
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John Paul Jones - hugely talented on the bass and a great all-round musician. Always adds to whatever he plays on and always looks to serve the song. Tons of melody and bags of groove. No surprise he played on a load of the UK 60s pop tunes - arguably the most 'melodic' era for pop music(?) - which I think he then carried through to his playing with Zeppelin (for me Zeppelin could've been just another heavy rock band of the era if it weren't for John Bonham and John Paul Jones - they gave the band funk). It's impossible to really have just one (but that was the question!) - so mentions for Jim Lea, Trevor Bolder, Herbie Flowers, Fred Thomas, Bobby Vega, Max Bennet, Pino, Derek Forbes, Bootsy, Norman Watt-Roy, Wilton Felder, Macca et al - but if one it is to be... ... then it's JPP for me.
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Thanks, gents, for the kind words - it's a lovely bass and if I weren't under orders to free up some space then it may not be here (for the older viewers think Mr Barraclough's character in Porridge for a glimpse into the Riva home life!). Beedster, yes I'm confident it's 1.5" at the nut but will confirm when I get back later (I'll measure it myself) - if you fancied a trip to Essex there's a B15 Heritage here for you to try it through!
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[quote name='Basscabman' timestamp='1487645724' post='3241491'] WOW! Just f***ing WOW! Monthly payments? lol. GLWTS mate, I'm a lottery win and a divorce away from owning that gorgeous bass. [/quote] Thanks mate, much appreciated. I wish you luck on the lottery win and fingers crossed that the other thing you mention doesn't happen..!
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Hi, Up for sale is my Fender Custom Shop Precision Pro in Olympic White. It's up at £1,950 (not interested in trades). The bass is dated 14th May 2013 on the Certificate of Authenticity. Below is an overview (mostly taken from the factory spec. sheet) which is hopefully of help... Body: Hand Selected Premium Alder Neck: Lightly Tinted Quartersawn Maple,1960 "U" Shape, (Nitrocellulose Lacquer Finish) Fingerboard: Rosewood, 10” Radius (254 mm) No. of Frets: 20 Medium Jumbo Scale Length: 34” (864 mm) Width @ Nut: 1.50” (38mm) Hardware: Nickel/Chrome Machine Heads: 1966 Era Paddle Tuning Machines Bridge: Leo Quan Badass® II Pickguard: 4-Ply Tortoise Shell Pickups: 1 Custom Vintage P Bass, 1 Custom Vintage J Bass (Bridge) Pickup Switching: N/A Controls: Volume 1. (P Bass Pickup), Volume 2. (J Bass Pickup), Master Tone Other Features: Pearloid Block Position Inlays, Bound Rosewood Fingerboard, Jazz Bass® Pickup in the ‘70s Position (1/4” Closer to the Bridge), Knurled Chrome Control Knobs, Finger Rest in the Lower ‘60s Position, The finish is classed as 'relic' and the Fender blurb reads "Built as if bought new in its respective year and played a few times a year and then put carefully away. Has a few small dings, checked finish, oxidized hardware and aged plastic parts". The parts don't look that aged (if at all) but the body does feature checking - hopefully the pics give an idea of the finish. It comes with the Custom Shop deluxe black hardshell case and also the Certificate of Authenticity (it doesn't have the strap or cable that are normally found with these basses as these weren't present when I purchased it second-hand). I've weighed the bass using bathroom scales and it shows 9lbs laying flat (and 9.2lbs upright!). The bass itself is as you'd expect from the Custom Shop range - really well made, beautifully sounding and a delight to play. The reason for the sale is that I'm looking to downsize the number of basses that I have and this is the first to go. I'd prefer collection only rather than posting the bass out/courier method. I'm in Loughton (Essex) which, for drivers, is just off J26 on the M25, and for tube users is easily accessible via the central line - 15 mins from Stratford, 30 mins from Liverpool Street and 40 mins from Oxford Circus (there or thereabouts). I hope the above is helpful but if anyone has any questions please do not hesitate to let me know...
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[quote name='scalpy' timestamp='1487616096' post='3241252'] The 'One' no less [/quote] Indeed...
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[quote name='tinyd' timestamp='1487540424' post='3240681'] Agree totally, when JB calls Clyde and Bootsy back in, magic stuff! [/quote] That's the one..!
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Oh bu@#er... The part right at the end of the 'live' version of Give It Up Or Turnit A Loose where he reintroduces the groove is one of my favourite bits of music ever. Live affirmigly groovy. What a shame...
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Bands you adore that no one else has ever heard of...
Old Man Riva replied to TrevorR's topic in General Discussion
Pooka. Female folksy acoustic duo from the early 90s. Drop tunings and eerie melodies/harmonies abound. Record companies hadn't a clue what to do with them. -
Biggest Part of Me - Ambrosia Mornin' - Al Jarreau