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steve

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Everything posted by steve

  1. [quote name='cetera' post='43776' date='Aug 10 2007, 02:28 PM']Er...... a *[i]bloke down the road[/i]* just received a wonderful bass from a friendly seller in Japan and *[i]apparently[/i]* it got through with NO duty/VAT/Handling charges whatsoever!!! No idea how..... but *[i]supposedly[/i]* it makes up for the few times he's had to pay it recently.... [/quote] I 'know a bloke' who got an aerodyne last year and he *[i]apparently[/i]* didn't pay any extra, it just came straight to his door. He's sold that now and later bought an MM bongo from ikebe and was definately stung by customs that time round. Every international purchase after that was picked up by customs and charged. I think you may get away with it once, but after that you're on their radar. Still good deals though
  2. the ehx is on hold temporarily while I review the cost of postage, the psu is quite heavy!
  3. DD3 also sold, pending the usual just the ehx Holy Grail left
  4. [quote name='Johnny Wishbone' post='59891' date='Sep 13 2007, 02:23 PM']PM'd[/quote] replied
  5. [quote name='paul, the' post='59682' date='Sep 13 2007, 08:21 AM']I would have never looked at TAB. Ever.[/quote] +1 for me it would be sight-reading, right hand technique, theory (all the stuff i'm trying to do now )
  6. [quote name='TheRev' post='57098' date='Sep 7 2007, 05:05 PM']Never seen 'em before but I'm intrigued by the ' impetuous metal tone' Not to mention 'The immaculacy drawthread stainless steel build' or 'the unique metal protectionpole pillar' And as for the inclusion of 'the mystical electron tube', you'd be mad not to 'buy it rapidly crazyly' [/quote] hahahahaha
  7. I'm using a Profet 3.2 with 2 8ohm hartke cabs (see sig). At rehearsals the output vol is at around 11 or 12 o'clock, which is easily loud enough to compete with a full unmiked kit, two noisy guitarists and a deaf vocalist with a twitchy PA master volume finger. It sounds fantastic as well, very clear, with a simple set of controls. I'd happily recommend it.
  8. [quote name='johnm' post='53155' date='Aug 31 2007, 09:36 AM'][attachment=2019:Brian_Br....Harris_.mp3] Brian Bromberg............[/quote] that version is brilliant! I love the sound of his wood!
  9. steve

    Myspaces

    my band's is in my sig, woefully out of date - we're now a 5 piece, and some of the songs are about 4-5 years old
  10. not bass i know, but take a look at [url="http://www.youtube.com/watch?v=meR5nk8WaLE"]this guy[/url]
  11. [quote name='Pikefloyd' post='52746' date='Aug 30 2007, 12:57 PM']We're still looking![/quote] Hi Matt, My band found a drummer from [url="http://www.formingbands.co.uk/site/index.php"]here[/url] (I think it was this one) recently. By the way, we're from Bury too, have you ever rehearsed at Apocalypse in Radcliffe, I'm wondering if we may have bumped into you?
  12. from my own experience I'd say you're comparing the best with the worst. Go with a Trace definately - bad experience - Ashdown EB115, only had it for about 3 months IIRC, then it crapped out on me at a soundcheck, waited far too long for it to be repaired by soundcontrol, I got it back and it developed the same fault within a week. Soundcontrol replaced it with the newer model, while i was waiting for that to arrive....... good experience - I bought a second hand 4x19 GP12 smx, a bloody beast. It was (and probably still is) a fantastic, punchy combo, the only reason I sold it was because my band was at the time scaling things down while our drummer quit and the other two were procreating. If circumstances had been different I'd still have it now
  13. [quote name='Mikey D' post='52330' date='Aug 29 2007, 02:22 PM']You are indeed right. If you are ever unsure of what an upper extension is above the octave, just subtract 7. So in this case it is the #4, but the tendancy is to call it the #11. Jazzers tend to use the #11/#4 instead of the 11/4 as it has a brighter nicer sound on the tonic major. Also the 4th can also be called an avoid note on the tonic major, but really you just need to know how to resolve it properly. So when you try playing over a jazz piece instead of playing the major scale on the I, try playing the lydian scale on the tonic. It should sound nicer to the ear. (I can go into the whole Lydian Chromatic concept as laid out by George Russell, but that takes everything you have learned about western harmony and puts it on its head) If you are ever unsure of any theory things, don't worry about Pm'ing me. If I have time I'll send an answer. (I'm a student, I'll have time! ) I'm going to do another video showing this concept a bit slower on another tune i think. As I should have the sound problem sorted for recording.[/quote] thanks for that Mikey and thanks for the offer of further advice - your pm box will be bulging in a couple of weeks!
  14. very interesting... thanks for explaining all that Mikey. It's stuff like this that challenges my shaky and very limited understanding of scales and theory, but in a good way - it always makes me want to delve deeper and understand more. I have another question if you don't mind, you mention the first cell [color="#0000FF"]"Major or Dominant (1 2 3 5) (5 6 7 9) (9 10 #11 13)"[/color], but as I understand it, is an 11 not just an octave of a 4th? so will the #11 effectively be a #4? is that jazz??? Library, hmmmm, I vaguely remember hearing about one of those before some wiseguy invented the internet, I'll have to see if my local one wasn't demolished to make way for yet another fashion boutique!
  15. wow, that's some really impressive playing. can either of you explain the idea behind cell playing, or point me in the direction of a website, I'm intrigued thanks
  16. [quote name='Platypus' post='50698' date='Aug 25 2007, 09:38 PM']Anybody seen/heard this guy on YouTube? Well worth checking out - I especially like the P Bass clips [url="http://www.youtube.com/user/MarloweDK"]http://www.youtube.com/user/MarloweDK[/url][/quote] there's some nice stuff on there, cheers
  17. [quote name='Gazm' post='50371' date='Aug 24 2007, 07:51 PM']Hi Mikey, Just thought I'd point out that the right hand bass in the pic is my TRB6II (not a TRB1006). I had a bit of a noodle on it and thought it's a great bass. Anyway have a bump on me and good luck with the sale. Pete.[/quote] pete, did you buy the trb6 II off another forum member?, if so, it might have been mine at one time have another bump mikey
  18. [quote name='Hamster' post='50184' date='Aug 24 2007, 03:04 PM']I always stay clear of ebay items where there are no comments from the seller - all the guys auctions were just cut and paste descriptions from sales blurb. Hamster[/quote] that's how I normally list items I believe that the spin doctors paid by the manufacturer can generally do a better job than me (and I normally can't be arsed!)
  19. [quote name='Paul_C' post='48985' date='Aug 22 2007, 02:47 PM'][url="http://www.geocities.com/scaleopia/"]http://www.geocities.com/scaleopia/[/url][/quote] wow
  20. [quote name='s_u_y_*' post='46164' date='Aug 16 2007, 02:45 AM']Anyone else a little bemused by the glut of Warwick Streamers on for sale? Not healthy for suppressing that bad bad GAS. [/quote] but probably good for suppressing the sale price
  21. steve

    OBBM

    bought a speaker cable, it arrived quickly and is thick enough to tow tanks. dave's a top bloke to deal with - cheers mate
  22. [quote name='vegas_hooker' post='42242' date='Aug 6 2007, 11:49 PM']Holy grail is awesome. Its pretty limited comparatively, but in a less can be more sense, aside from soundng great, its simplicity beats reverb units that have far too much to tweak IMO.[/quote] and I have one for sale atm
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