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MacDaddy

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Everything posted by MacDaddy

  1. I've programmed some patches that sound great through headphones on my multi FX. I just hope they won't take too much tweaking at band practice tomorrow when going through an amp .

    1. acidbass

      acidbass

      Mids are key!  Sometimes I find a scooped tone that sounds great in headphones gets lost in a live mix.

    2. Dood

      Dood

      There are various reasons why it might not sound as expected. Earphones will have a very different frequency response to that of the speakers / system you are plugging in to - even if the brand say thay are flat response, most are definitely not. Then you have the acoustic effect that the room space has on the sound versus the enclosed sound of headphones. (If you've had a chance to play with ARC or Sound ID or REWS, they can help us understand exactly how much the room space plays in our bass sound (and why IEM mixed can sound wildly different too). Oh and finally, those pesky Fletcher and Munson types with the loudness curves and how we perceive frequencies at volume (versus next to our ears inside headphones). Take those in to consideration and it will get a lot easier, but nothing beats getting in the space with the gear you're going to use and craft the patches on those. I suspect you know this anyway and, having a rough patch to bring to rehearsal and then tweak at the time isnt a bad thing at all! Good luck!

       

       

    3. MacDaddy

      MacDaddy

      And the result from last night's rehearsal - inconclusive.

      I went through an old Ashdown head through an old Ashdown cab. The synthy patches needed more fuzz, nothing cut through quite right, and levels were not consistent between patches. All issues I did not have with headphones (a cheap Behringer pair). Should have taken my own gear. Next time I'll at least take one of my own amps.

  2. Don't tell John Hall, he'll sue her! 😆
  3. I had the bass version, because it also had guitar amp sims. The Marshall sim was particularly good. I thought some of the FX were excellent, the chorus, delay, and the simple but effective compressor.
  4. Best pick up and pay in person?
  5. @Paul Geary much love being given to your boss! For those who don't know, Paul is Nik's bass player 😎
  6. TLDR: that isn’t equality, it’s noblesse oblige in progressive clothes. Ah, “punching down.” That ghastly little phrase, which sounds less like a moral framework and more like an instruction one might find in an IKEA manual for assembling an oddly-shaped ottoman. The idea, if you’ll allow me to paraphrase it badly, is that comedians should never make jokes at the expense of those with less power or lower status. Very noble. Very high-minded. Very - how do I put this delicately? - patronising in the extreme. We’re being told who counts as “up” and who’s stuck “down.” That isn’t equality, it’s a hierarchy disguised as virtue, and the moment you divide people like that, you’ve abandoned the very principle of treating everyone as equals. And here’s the obvious truth: people are equal regardless of job, money, or social status. A duke and a dustman may move in different worlds, but both are flawed, both ridiculous, both capable of laughter. To declare one “fair game” and the other “off limits” is to recreate the very divisions equality claims to abolish. Shielding people from humour doesn’t honour them; it quietly marks them out as lesser, as fragile, needing special treatment. I’ve met, in my time, any number of the allegedly powerless, and I’ll tell you what: many are sharper, wittier, and far more capable of puncturing pomposity than the self-appointed guardians of their honour. To exclude them from the rough-and-tumble of humour is to infantilise them. Shielding some groups from jokes doesn’t respect them, it sidelines them. It’s not kindness; it’s exclusion in a sanctimonious mask .
  7. I think it would depend if you have ever whacked for your daddy, oh?
  8. I can't imagine an opera singer having those concerns when singing "Va, pensiero" (Chorus of the Hebrew Slaves).
  9. I read Keith Richards autobiography and was surprised by how the 'Stones never have been great mates. It's purely a working relationship.
  10. If you think non-jewish actors playing Jewish characters is as bad as blackface you must also object to this:
  11. If I haven't lived in a yellow submarine, or got my kicks on Route 66, or can't remember the summer of '69, there are certain songs I can't play because I can't relate to them? 🫤
  12. Macbeth, opera by Verdi. Because nothing says “Scottish tragedy” like storming a castle to the sound of bel canto 😖 It might not be cultural appropriation but it's annoying!
  13. Cultural appropriation = telling people they can not do something because of their culture or the colour of their skin. The last vestige of acceptable racism?
  14. It may be worth getting your ears checked for eczema. Even if you've never had it, it can occur in later life and in the ear canal.
  15. I like them. If it wasn't for the fact that I need a slow gear/volume swell effect live, it would be my all-in-one solution.
  16. Looking forward to your updates on this thread 😁
  17. Never underestimate the power of branding.
  18. Video shoot for a promo for one of the cover bands. We were only doing snippets of 4 songs but it still a full day of filming.
  19. Because playing with a pick is so much easier, I do think it's cheating
  20. Someone please buy this before I have to! 😖
  21. IIRC you are not in the UK and therefore unable to bring this to a Bassbash so I can have a go? 😟
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