MacDaddy

love the Guild B-301. I sold mine on here a few years back bcause the neck was a bit too chunky for my wee hands. They look and sound great, and mine was the best set up I'd had, the action could go ridiculously low with no buzzing or dead spots anywhere. Yours looks in better nick mine was a bit mojoed.

calling Cetera!

[quote name='steantval' post='918015' date='Aug 7 2010, 02:49 PM']I will be observing the bass player like a hawk[/quote] i tend to that at gigs as a matter of course :brow:

[quote name='OldGit' post='917915' date='Aug 7 2010, 12:48 PM']Just go to a gig or two and record the sets with a Zoom h2 or something like that. Put it somewhere near the bass cab and you'll know all you need to know about how they start, end and play the tunes.[/quote] was going to suggest asking for any recording of their previous gigs, but the above is probably better as you'll get to see how they are on stage.

2 plus spare strings. Although have taken just 1, but always with spare strings.

[quote name='Marvin' post='917780' date='Aug 7 2010, 10:23 AM']Idiots! Surely as a bass player the bonus of playing Alright Now is to have a break whilst not having an official break. As you say, have a quick drink and maybe rest those fingers. [/quote] unscheduled toilet break too

Breathe - Pink Floyd. Late 80's at a birthday party for the guitarist/vocalist in a pub in Castleford. Used an Ibanez Blazer bass. Probably through an old HH combo borrowed from college.

Anyone doing one of the MEhr Clef Summer Jazz Courses this summer? Kick off 15 August and 22 August. [url="http://www.mehrclef.com/2.html"]http://www.mehrclef.com/2.html[/url] There is a phone number for drummers and bass players to call for course fees, but it is [i]especially [/i]worth any bassist who could attend on a non-residential basis to call.

[quote name='XB26354' post='908286' date='Jul 28 2010, 03:31 PM']I am aware of the different meanings of the word rule, none of which apply to what you have written. In the end it is a discussion about semantics relating to the word rule, which is about as pointless as the original post.[/quote] an original post so pointless that you have contributed four times to the thread.

[quote name='silddx' post='904798' date='Jul 25 2010, 03:37 PM'].. then you've missed the point of music completely." [i]Scott Thunes - October 1996[/i][/quote] Go on then I'll bite. What [i]is [/i]the point of music?

forgot to add, tape your leads together every foot and a half or so. If your cables are the same colour mark one near each end, so you know which is which. Helps keep things tidy and effectively means you only have one cable to (un)pack.* [size=1]* above tip used and shamelessly stolen from Billy Sheehan.[/size]

I have a custom Shuker. I wanted various features of different basses all on the one bass along with a few ideas of my own. I'd seen Jon's previous work and seen the results on here, so I knew he could realise my vision. He did But there are various options running from starting from scratch with designs, to modifying one of his stock basses with different parts. For me it was worth it, and the price was more than reasonable. Send a few emails and make a few calls and ask a few questions.

in terms of playing style the similarities tend to be more guitary. I would say finger style is closer to classical guitar technique than DB, and picking closer to electric guitar. Slapping was done on DB before bass, perhaps slappers are the real bassists? edit. voted don't care.

[quote name='XB26354' post='901530' date='Jul 22 2010, 01:12 AM']Huh? You posed the question of "rules" in the first place, so why not answer your own questions?[/quote] Because I don't know the answer. What rules are been broken? [quote name='XB26354' post='901530' date='Jul 22 2010, 01:12 AM']There [i]are[/i] no "rules". Theory is a way to document and order sounds that occurred first in nature (eg overtone series) and later through instruments (vibrating string or column of air). The history of music is a gradual acceptance of more and more dissonance. As I see it, "rules" refers to harmony or melody rules laid down in (classical) harmony books, like not using consecutive perfect 5th or octaves. In this case even "classical" composers have broken these rules.[/quote] You are agreeing with the OP. [quote name='XB26354' post='901530' date='Jul 22 2010, 01:12 AM']So, what is the point of the topic?[/quote] Well one point could be that no-one has managed to say what rules are been broken?

[quote name='eude' post='896634' date='Jul 16 2010, 03:43 PM']Had my eye on that one on the "stock" page.[/quote] I played that a while ago. If I hadn't been picking up my own custom Shuker I would have been severely tempted. Looking good Dan, what's the string spacing on yours?

[quote name='dudewheresmybass' post='901523' date='Jul 22 2010, 01:02 AM']receiver on top of amp - 15 / 20' lead to pedal board - pedals - duplicate lead return to amp worked for me for -- years![/quote] plus the one.

[quote name='EssentialTension' post='898334' date='Jul 18 2010, 07:55 PM']Or am I getting it wrong and I need to learn more theory?[/quote] Well that wouldn’t hurt any of us would it? [quote name='TKenrick' post='898859' date='Jul 19 2010, 12:57 PM']or spend my next gig playing b9s on every major chord.[/quote] if you wanted to what rule would you be breaking? [quote name='Dave Vader' post='899253' date='Jul 19 2010, 06:46 PM']While Jazz and Prog on the other hand (where they learned the rules first) are more often than not a little more interesting on the rule-breaking front.[/quote] what rules were they breaking? [quote name='Doddy' post='899264' date='Jul 19 2010, 06:55 PM']Funnily enough most 'untrained' players who think that they are breaking rules, really aren't.(See the punk comment above)[/quote] Trained or untrained this is what I’m saying, but although people are posting about rules been broken no-one has said what any of them are.

[quote name='MacDaddy' post='898306' date='Jul 18 2010, 07:21 PM']What music theory can do is give you an understanding of it all.[/quote] Too subtle? I’m actually an advocate of people learning to read and having knowledge of music theory. The BTW in the OP was not a recommendation, but to avoid criticism of people who choose not to learn. Interesting how some people made the leap from not been bound by rules in musical theory, to not needing to practice and that all musical knowledge is worthless. Still, it did allow for those posts to be made with disparagement.

Quite simply there aren't any. In an exam situation you will be expected to do things a certain way - ie 4 part harmonies - but in an exam you are following instruction rather than rules (Bach never bothered he frequently used consecutive 5th and octaves). Rules of harmony? None. A major chord uses certain notes but that is not a rule. Change the notes you get a different chord. Certain keys have certain notes, but knowing them doesn't stop you playing out of key or using unresolved dissonances. What music theory can do is give you an understanding of it all. BTW. There are many wonderful people and musicians who cannot read music and do not know about music theory.

[quote name='Paul_C' post='897287' date='Jul 17 2010, 02:08 PM'], but don't forget that sometimes breaking "the rules" can sound good too [/quote] i'm gonna start another thread about this

Been listening to Sun Ra. Challenging.

[i]traditional [/i]music theory, in terms of examinations, tends to be just as concerned classical history and knowledge (ie when did Beethoven last wash his socks?). It seems to be the application of theoretical knowledge you are after? I'd recommend teacher who knows his stuff, and can show you in an easy to understand manner how to use the modes, work with harmonies etc. Probably a bit more of an expensive option, but some tutors are happy to see students monthly.

Is this still with Bassmonkey?

Pics or it didn't happen. Or isn't happening. Er, or... just post pics!

[quote name='Rich' post='870728' date='Jun 18 2010, 12:57 PM']I wonder if his approach to the bass would have been quite so unique and left-field if he [i]had[/i] received an extensive musical education?[/quote] there seems to be a school of thought which suggests musical training holds you back or in someway restricts your ability. Possibly for another thread, along with the old chestnut of 'it's good that I don't know the rules, coz I don't know when I'm breaking them.' In reply to the above, did Arnold Schoenberg's extensive musical education stop him been unique and left-field? How about John Coltrane?