MacDaddy

[quote name='neilb' post='993819' date='Oct 19 2010, 05:39 PM']Hope he manages to keep his trademark sound![/quote] to a certain extent it doesn't matter what he plays through, he will always sound like Bruce Foxton. Saw him with SLF in 94 - played and sounded awesome.

[quote name='fender73' post='989772' date='Oct 15 2010, 10:50 PM']with regards to the richest.....It isn't me, that's for sure[/quote] it could be me. In a few days a woman from Nigeria who I gave my bank details to will be transferring me £100million

I'm coming to play! will bring my custom Shuker and possibly my Hamer Blitz or Iceni Zoot. Can I ask for/suggest a set up master class? The idea being someone stands at the front and goes through a set up, and we all work on our own basses following the hints and tips. If as many people as possible try to bring their own tools, then lending to the odd person shouldn't be a problem. Will there be the space to do this (an empty classroom?) and is there anyone who wants to lead the class?

i've played for a few college productions, never in a pit though always somewhere in the rafters. Good fun, but [i]lots [/i]of waiting around during rehearsals.

a couple of decades ago I turned down a place at Leeds College of Music, purely because their qualification was a graduate diploma and I wanted a 'proper' degree. Things have probably changed. The guys I knew from from LCM back in the day knew their stuff and could play.

my custom Shuker. It has all the features I wanted from other basses all on the one bass, and it has pink LED's that flash

All of them. I only sold because I had to, if I could have kept them and had the space I would.

i had a porta bass rig about 5 years ago. Loved it, totally gave the Ampeg sound. Only problem for me was that for rehearsals I had to put the head through a 4 x 10 to compete with loud metal guitars.

[quote name='BassBus' post='987715' date='Oct 14 2010, 09:16 AM']I think this sums up my feelings. It's all down to the individual to relate to the people he/she plays with and for so that we can achieve a level of satisfaction we are happy with. [i]There are no shoulds or shouldn'ts in life[/i]. In some individuals searching for what might be regarded, by some, as perfect technique can shut the fun out of what you do.[/quote] I agree with most of what you say, but if the way you play is going to cause you health problems - you shouldn't do it that way.

Madness were never sh1t, but the Nutty Boy image and wacky video's did detract from their fantastic musicianship.

[quote name='jakesbass' post='986789' date='Oct 13 2010, 11:51 AM']Point taken but I think you missed the key sentence in my thought which was "is for the individual to decide" Which I think brings our sentiments much closer.[/quote] point taken and agreed.

[quote name='Doddy' post='986826' date='Oct 13 2010, 12:22 PM']It depends on how define as 'success as a bass player'. If you want a long term career as a player,you have to have your technique together. There are hundreds of players around who have had 'success' with their bands,who now don't play because they didn't have the ability to branch out and sustain a career after their band went tits up. Unless you are in the rare minority,if you want success as a bass player,or any musician, need to have your technique together.[/quote] so you agree - not necessarily

[quote name='jakesbass' post='986728' date='Oct 13 2010, 11:00 AM']My feeling is, why wouldn't you want to do something as well as you are able? So whether it's 'that important' is for the individual to decide, furthermore they will achieve accordingly... Citing examples of some of the instruments greatest achievers to justify the lack of need for any particular discipline is, in my view, not helpful to the endeavours of the mortal.[/quote] Pick with just your thumb and you too could become (arguably) the second most successful bassist in popular music too? That's not really what I'm saying Jake Just adding to the debate is all. The question is 'Is technique that important?'. Well for what? Playing the bass - no. Playing the bass with an increased technical ability - yes. To acheive success as a bass player - not necessarily. To avoid possible injury and negative long term health effects - definitely.

[quote name='Doddy' post='986254' date='Oct 12 2010, 09:15 PM']Riiiight.[/quote] i did make the point of saying arguably. He probably is though.

[quote name='EssentialTension' post='986023' date='Oct 12 2010, 06:20 PM']I don't know who you are referring to, but I don't see that 'just using the thumb' is necessarily poor technique.[/quote] let's open this to debate. Has anyone here who teaches bass, ever encouraged a pupil who has full use and control over their picking hand digits, to use just their thumb to pick with?

[quote name='SteveK' post='986116' date='Oct 12 2010, 07:38 PM']I would very much doubt that MacDaddy is referring to Sting... ...at least, I hope he isn't [/quote] no he isn't successful though Sting undoubtedly is I don't think he could be considered the (arguably) second most successful bassist in popular music. I was referring to Bill Wyman.

[quote name='SteveK' post='984613' date='Oct 11 2010, 05:02 PM'] Apologies if I misunderstood your post. You seemed to be getting dangerously close to the [i]"yeah, but what about the legendary Jaco Miller - he never had a lesson in his entire life - I'm going his route"[/i] type post[/quote] no worries [quote name='chris_b' post='985095' date='Oct 12 2010, 12:37 AM']I don't know of any great bass players who have no or poor technique. Can anyone name one?[/quote] depends on your definition of great. I would say the (arguably) second most successful bassist in popular music could be considered great by that fact alone, but he has poor technique by just using his thumb to pick.

[quote name='SteveK' post='984365' date='Oct 11 2010, 01:05 PM']We can all name 1 or 2 great musicians that have never studied or had a lesson in their life - They are very few and far between. Safe to assume that you (or I) are not one of them and need to put the hours in.[/quote] I'm definitely not a great musician who has never studied or had a lesson in their life. I've had lessons

[quote name='Stylon Pilson' post='984117' date='Oct 11 2010, 09:53 AM']Bumpity. Has anything changed, or are the promoters at this venue still up to the same tricks? S.P.[/quote] was wondering the same. The band I've recently joined tend to gig there and don't seem to have any problems.

so what do we think of Jamerson? Appalling technique - no teacher would advise a pupil to just pick with one finger - yet we can't deny his genius.

having a good technique can minimise the risk of long term effects such as RSI's.

or maybe bassists who don't [i]always [/i]play on their bands records. It's not about outing people or being indiscreet and I don't mean like someone else playing bass for the Beatles while Macca played piano, but it's in the public domain that: Peter Tork didn't play bass for the Monkees (until Headquarters?). Rik Savage admitted in BGM that Def Leppard bass lines are often sequenced - no real bass. Gene Simmons doesn't care who knows it's not always his playing on Kiss records. Anyone else?

[quote name='oldslapper' post='968454' date='Sep 26 2010, 03:37 PM']In a chance meeting with another bass player, he offered me hi Shuker jazz bass with villex notch knob thing, for £500. It's immaculate as he is a collector and looks after his guitars. I rather liked it's construction and the neck was very nice and I don't usually go for maple boards, but this was good. (Block fret markers were quite retro looking. Anyway, is this good value? I have no idea, I don't really need another bass but it was very light compared to my 20 year old USA Jazz. Any love for Shukers?[/quote] that is [b]amazing [/b]value. And yup there is lots of love for Shuker around here. John doesn't advertise as such, most of his commisions are from word of mouth from happy punters.

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