For most gigs there was no going through the PA. The rare occasion I did, true. A DI preamp and fx pedals would not be my first choice, but happy to sacrifice some of 'my sound' for convenience. It's not like the audience knew the difference or cared 🤣
whereas I'm the opposite, I want my sound to come from my amp which is why my none of my custom basses have tone controls.
More through luck than judgement, I happened on the combination of a Tecamp Puma 500 and customised Tecamp 2x12 which have given me the perfect sound for the bands I have played in.
IMO of course.
He's the reason there are no live Bon Jovi albums from the SWW and NJ tours. Not because of his playing, but because that would have meant less money going to the rest of the band.
It all depends on what you want from a fuzz / distortion / overdrive.
Personally I bought my fuzz pedal because it has the best blend I've heard. IMO obviously.
I found using only the tops of pickups for thumbrests to be extremely limiting, so my basses have ramps which enable me to play from the neck to the bridge.
I tend not to have, or use, tone controls on my basses, so for me it's all in the fingers.
quite short by comparison, off the top of my head I can remember:
Pre Basschat
Ibanez Blazer bass
Fender Precision USA
Post Basschat
Guild B301
Bass collection by SGC NANYO
Kubicki Ex Factor
Kubicki Ex Factor Fender custom shop
Fender Jazz USA
Carvin 5 string can't remember the model
Zoot custom
Music Man SUB USA
Shuker 6 string
Shuker custom 1
Shuker custom 2
Shuker custom 3
Hamer Blitz
Charvel model 1 USA
Snapdragon folding bass
Rob Allen Mouse
Guitars don't count, and there is absolutely no chance of me remebering all the fx and multi fx I've had over the years! 😝