LewisK1975

[quote name='project_c' timestamp='1465388283' post='3067728'] …and so, a thread about avoiding GAS turns into a thread about buying basses. It's like an AA meeting where someone turns up with a huge bottle of whisky. We are all doomed. [size=2]*That's a nice PJ though..[/size] [/quote] Haha - I can stop anyti.. what's that? oooh shiny! buy it!

As the title says - http://www.ebay.co.uk/itm/Vintage-Fender-Jazz-Bass-Guitar-1962-Sunburst-Pre-CBS-/262432114113?hash=item3d1a2c45c1:g:e7cAAOSwubRXMxVA Just amazing. Dunno if I'd ever spend that much on a Bass, but given a lottery win, think I could justify it!

[quote name='JTUK' timestamp='1465325105' post='3067220'] Tanglewater..??? [/quote] Overwater by tanglewood. I think tanglewood mass produce some instruments with the overwater badge on them.. http://basschat.co.uk/topic/82230-overwater-basses-by-tanglewood/

If I'm back from my stag do (it's Friday 15th in Bristol), I'll be there!

[quote name='Lozz196' timestamp='1465329159' post='3067281'] I constantly lust after basses such as Jazzes, Stingrays, Precisons with Jazz pickups etc. And then I find out once I`ve bought them that I only like the sound of a Precision in my hands, everything else sounds wrong. So I`m trying to be strong and not get anything else - though an original Jazz Bass Special would be welcome, due to my much-liking of Duff McKagan. [/quote] [quote name='Dazed' timestamp='1465338298' post='3067423'] [url="http://bassdirect.co.uk/bass_guitar_specialists/Fender_Duff_McKagan_2.html"]http://bassdirect.co..._McKagan_2.html[/url] [/quote] I've had a few of those 80's Jazz Bass specials in my time. Back in about 2006 you could pick them up for about £225-£275, at least that's what I paid for the 3 that passed through my hands anyway. That one in BD is in excellent nick, but it has been modified, the bridge and pickups are non-original as far as I can tell. The original pickups in those Basses were Fender made, but had massive pole pieces like the Duncan SPB-3's. And the bridge was a black BBOT type. Like these shown on a TB thread (Sorry Lozz this won't help your GAS for one): [url="https://www.talkbass.com/threads/fender-jazz-bass-special-circa-1984-87.716045/"]https://www.talkbass...1984-87.716045/[/url] Still great basses, TBX tone control as well, makes them sound like no other Fender. I wouldn't pay £650 for one though.

Been listening to demos of this on youtube (with headphones). It sounds awesome.

Thanks for all the input Gents - It's going to be Passive, the new wiring is on its way from Kiogon, and looks like I have a buyer for the J-Retro too. XLNT!

Yep, won't hurt to go up to F, but if you're still concerned you could try dropping a string gauge, i.e., if you normally use 45-105, try 40-100 etc EDIT: Or, try a capo, you might be OK with it. Dunno why your guitar player can't just do that too mind you?

[quote name='gary mac' timestamp='1465221643' post='3066243'] ....The important bit, is that we have all learnt the six or so numbers at home first [/quote] THIS x1000000000!!!!! It's my biggest pet peeve! Book 3 hrs in a rehearsal room only for someone to turn up and say 'I've had a quick listen'

[quote name='dannybuoy' timestamp='1465073570' post='3065161'] Just saw a pic in a TB thread about the new MIM PJ, a replacement for the seafoam green one in sunburst. This could fit the bill! [url="https://www.talkbass.com/attachments/deluxepj-png.880585/"]https://www.talkbass...epj-png.880585/[/url] [/quote] Thats a bit nice. I shouldn't be looking though, just got down to 6 basses so can't really be adding to that again!

[quote name='cocco' timestamp='1465148572' post='3065612'] Go back to passive. A bass like that should be passive/as original as possible anyway. [/quote] I'm with you cocco!

Mine would be (in no particular order): Billy Sheehan Steve Harris Geddy Lee James Jamerson Paul McCartney Predictable? Probably!

[quote name='Grassie' timestamp='1465213675' post='3066123'] Currently watching Duran Duran live at the Eden Project on the BBC red button service. The worst mix ever. Can't hear John Taylor very well at all, its all vocals and keyboards. Wait until the end when they do Rio. Jesus... What is it with the BBC and live bands? Later with Jools is another. Bass sat way back in the mix, no bottom end at all. I'm writing to Points of View. "Irate of the Isle of Wight..." [/quote] I assume you've got the sound coming through a more decent source than the TV's built in speakers?

[quote name='Muppet' timestamp='1464994131' post='3064603'] I love the J retro in my Lakland DJ4 but would never consider fitting one in my AVRI 74 Jazz. I think it would ruin what that bass is all about. [/quote] Yep I think this is pretty much where I'm at too. For me the 2 just don't go together.......OK lets get ordering a passive loom!

Is this what you seek? http://andybaxterbass.com/details.php?id=1008

Hi all, I picked up a US 75ri jazz which has an East J-retro in it. I really prefer passive basses and was hoping that the original wiring harness was going to be found in the case, but alas not. I know the J-retro can be switched to passive, but I really can't get past the fact that it's there anyway. Plus there's no passive tone control. What are your thoughts? 1) Are you mad, the J-retro is great, use it ya numpty! 2) I'm with you, passive all the way, get a good re-wiring job done and sell the pre-amp!

Before trying anything drastic, I'd try a new E string, or re-winding it on the peg at least. Might not be the cause of your problem, but it'd be quick to find out if it was.. Something else to try, push down on the string just after the bridge to make sure the break angle is correct. Also make sure you've got at least 3 winds of string around the tuning peg.

I was interested to see that TC 'sub n up' octaver, which I'm assuming does a +1 octave as well as -1 and possibly -2. I use the micro POG for a +1 and it's great, but that TC looks to be much smaller!

[quote name='uk_lefty' timestamp='1464949811' post='3064015'] I took my Ashdown toneman 300 combo in to the rehearsal room last night for the first time to give it a push before gigging it. It did well at 70% volume up and with all my pedals running direct to the input instead of to the effects loop. Lots of compliments on sound quality. However, my first gig with this band and this amp is coming up. It's in a marquee. I don't think this combo is going to shift enough air and I don't know if the PA will be able to handle bass input though I hope to God it does... Question is what would be the best way of getting the necessary welly out of my kit? Options are: 1. Buy the 15" extension cab - don't know how much extra this will give me though 2. My singer has an "old but massive" peavey bass amp. I could use this alone and hope it holds the tone clearly (I use a hartke vxl for tone shaping) or even slave it up with the Ashdown. I'm yet to see this Peavey... 3. Buy a new more powerful amp... Which I don't want to do because I am a bit short of cash Any advice or other options gratefully received! [/quote] Whats the PA setup? That seems to be all important here, if it's a sub/tops system with guitar and drums mic'd then just DI and you'll be fine. If it's a vocal only PA, then really speaking you only need to be as loud as the drummer / guitarist / vocals to achieve a good mix. EQ wise, don't go for scooped tone, focus on pushing the low-mids to project a bit better.

[quote name='Westenra' timestamp='1464867828' post='3063274'] Funnily enough I was looking at them, they seem ideal. Sadly they appear so few and far between on the second hand circuit! How does it sound without effects because I would like to have a nice tone overall when playing clean. [/quote] [quote name='M@23' timestamp='1464905110' post='3063763'] I recently acquired a Puma 900. It's is the nicest amp I've had. It is clean, but more versatile than the Markbass LM3, which is similar, but the Puma has better EQ, IMO. It is very punchy and articulate. The 900 has masses of headroom too. It's a really great amp. [/quote] M@23's pretty much nailed it there. The Puma is very 'open', and really all you need to do with it to get a useable tone is to fiddle with the 'taste' knob until you're happy. I found the other EQ points more suited to dialing in the room rather than sound shaping, if that makes any sense!

Really been considering this for some time. Our singer HATES it if the stage volume is too loud. I by my own admission get sulky at being asked/told to turn down to a point where I can barely hear myself, and it obviously sours the whole gig for me. Seems a good fix for everyone if I switched to in-ears! We probably need a better mixer to get it going properly though.....

Yep - Done it recently. Was up to 11 at one point, went down to 5, now 6. 2 Precisions, 2 Jazzes, and 2 Yamaha Attitudes.