LewisK1975

Everyone is likely suggest their own favourite brand here. My 2p on this would be to say I went through something similar after years of pick playing when I thought it was time to revisit fingerstyle again. I ended up with Dunlop Superbright Nickels in 45-105. Nickel wounds are much softer feeling anyway, and these particular ones are much more pliable too. They also come in 40-100 for even more pliability.. https://www.stringsdirect.co.uk/strings-c1/string-sets-c865/bass-guitar-c34/jim-dunlop-super-bright-nickel-4-string-45-105-bass-guitar-strings-p8575

I've also always really liked those 2x8 TC combos. Very compact, yet punchy enough to sound like a 'proper' amp too..

Currently for home use I use a mini-mixer into powered monitors, it's actually part of my home recording setup, but it works surprisingly well, albeit not a 1 box solution.

Nice, saw one of the buttercream P's in PMT Cardiff last weekend. My first thought was also 'That's screaming for a BWB scratchplate...

I think for the weekend warriors - Yes the big bass cab is pretty much dead. Touring bands (who still use backline) with roadies, will still use SVT810's. I think it's fair to say though, that a lot of the modern touring big bands aren't using backline at all. So I guess, Yes, the big bass cab is on the way out... That's why you can get a used SVT810 for under £500 these days. Nobody really wants them.

That's Dylan Wilson - Great player, seen Kotzen's band a few times now.

+1 to this. The 12in cabs are incredibly 'honest'. Whatever you put into them comes out exactly the same.

These days I'm usually Ampless (Helix & in-ears or floor wedge). If I do need backline I've got a TC RH750 and a Barefaced Two10. The Barefaced 12in cabs are very 'honest', and as it turned out I realised I prefer some colour from the cabs so I went with the two10. Great cab.

Was a time I used 2 SC's with an Ashdown ABM1000, always loved how they looked side by side:

I bought a set of the Olympia Flatwounds from Amazon, £15. G was very bright, E & D 'normal' sounding for flats, A was completely dead. Took them straight back off and put them in the bin. Tension was OK though, I'd call them medium tension.

I guess maybe it was removed from the @Sims Facebook page while they where checking everything out?

Hmmm - Does seem to be a sideways 'upgrade' on the previous Elite models. Losing the truss rod wheel seems a massive own-goal to me, it was one of the things that really attracted me when I got mine a couple of years ago. By including the Hi-Mass bridge they've also removed the string-thru option. Added flip-open battery compartments instead of the screw on plate. Think I'll stick with my Elite. I do like the 'Mocha burst' though, wasn't until I zoomed in that I could see that it's actually metallic. YMMV!

I would expect to get refunded - They won't draw until they've sold 50 entries.

Just seen this on Facebook - I've entered, gotta be worth a shot for £50?

Goodness me where do I start!?!? I've had a few over the years.... Like the OP, Yamaha Attitude Basses - 1 'special' model, 2 LTD2's and 1 LTD3. Fender Steve Harris signature - The Royal Blue sparkle one from 2009ish Fender Geddy Lee - 1 sunburst MIM, 1 USA model Fender MIJ Jazz Bass Specials - not the actual MIM duff signature model, but I had 3 of the original 80's MIJ Jazz Bass specials, 1 in metallic red, 1 pearl white and 1 black. Fender Flea Jazz Bass Think that's all. Yes I'm a fanboy. Don't actually own any of them now. They were all gigged at the time though, I think....

6'2"

It's an interesting point - You could say they mean the same thing - i.e., The difference in the Wal sound is what makes it better..but yes, first and foremost, it's tonally different to anything else. Think I'm gonna just wait for them to go out of fashion again and swap a Boss DS-1 for one (or two).

So - Anybody ordered one yet?

I think of the replies so far this is the one that resonates mostly with me. The poorly organised / managed multi band bill. I'll add equipment issues as something that can make a gig 'bad' for me. Or an arsey in-house engineer.

I've had a Wal 'itch' for a long time. For me it's simply the sound. You can get in the ball park of it with other Basses, but if you want that exact sound, you have to have a Wal.