Cato

I suspect a lot of us know more theory than we think. We know which notes work with various chords & keys- we just don't know the technical name or explanation for that knowledge.

[quote name='Hobbayne' timestamp='1475839023' post='3149086'] Gary Day who played with Morrissey is a member on here. I wonder what he thinks of this? [/quote] Fair enough I should amend that to 'apparently Morrissey doesn't think Andy Rourke or Mike Joyce contributed to the success of The Smiths that much'. Certainly not enough to justify what they were awarded in their court case, which Mozza is still quite bitter about going by his comments about the judge in his autobiography.

Morrissey apparently doesn't think bass players (or drummers) contribute that much...

I definitely think that steels can be 'grippier' (is that a word?). As in they feel a bit rougher, are more resistant to slides and generate more noise from your fretting hand. But they do have more of the bright zingy sound characteristics I love for a clean & punchy tone.

[quote name='bubinga5' timestamp='1475761455' post='3148550'] Why not just play regular DR strings.? Playing with a pick make the strings last way longer anyways. DR make long lasting strings, this coating stuff I just don't buy. [/quote] I've had a set of hi beams on my favourite bass since February. They taken a load of abuse as I've spent most of my practice time this year trying to improve my slap technique. They still sound great.

I reckon Sea Foam Green or any of the more surfy vintage fender colours would look great. Really not a fan of the sunburst though.

Lovely looking thing. Before I saw the headstock and got a proper look at the controls I was thinking it was probably a Sandberg or a Sadowsky Metro.

There was a fretless Yamaha on eBay the other day that I'd have had in a second if it hadn't been collection only from Cornwall. Mind you a large part of that is down to my inherent laziness and unwillingness to spend most of a day driving from Warwickshire to Cornwall and back or spend the additional money required to do so on a hundred quid bass.

[quote name='stingrayPete1977' timestamp='1475582611' post='3147055'] That's how musical exchanges in Birmingham was in 1990, and guess what, all those annoying kids grew up, got jobs and spent loads of cash in there just a few years later,my originals band must have spent nearly 10k in there over a few years. [/quote] I reckon that shop gave all the regulars unfeasibly high expectations. It might be the rose tinted memories of youth, but every guitar shop I've ever been in since has been slightly disappointing by comparison. They just had so much variety and they'd let spotty 15 year old me and my mates try anything. Needless to say when I had the money that's where all my gear came from.

[quote name='Cosmo Valdemar' timestamp='1475586751' post='3147106'] An Axe bass as advertised in the pages of Kerrang... [/quote] My first bass. They weren't too bad actually, inch high action and noisy back pickup aside.

Post modern plagiarism.

I wouldn't let the drunk guy in the pub have a go, but if someone I knew was another bass player (as opposed to the drunk guy who tells you he can play bass) asked, I wouldn't give it a second thought before handing it over. Mind you, neither of my basses are particularly expensive.

Maybe it goes back to when you first start playing? You concentrate on your dominant hand just hitting the strings and making a rhythm while the other one slowly and awkwardly frets the strings, probably not at the same time. As you progress both hands become more and more dextrous in the roles you initially assigned to them?

I got into Anthrax and Megadeth in about 88, it wasn't until the Black album that I really started listening to Metallica. ( Though I learnt the easy bits from Anesthesia before that to impress my non playing mates). So I was a bit of a populist bandwagon jumper in that respect. I was never a huge Slayer fan though, I think it was the vocals which put me off.

Even if the current owners went to the wall the creditors would still be able to sell the brand along with the US factories to a new set of owners as a going concern. As I understand it's not the original core business that got them into trouble, it's all the other shenanigans and corporate take overs of other businesses which have then failed which has left them with huge debts. I believe Fender are in a similar though not quite so precarious position.

Playing along to Ramones albums. I reckon one of the keys to learning and sticking with an instrument is enjoying your practice time, especially early on.

My sister reached grade 8 on the flute, but gave it up when she went to uni My parents really weren't that keen when I started teaching myself guitar, but I've been going for 25 years now and even made a bit of money from it along the way, assuming you don't offset money earned against equipment bought.

I noticed these on the Anderton's website the other day. £850 for a four stringer. If they are USA made then that's pretty cheap for a Gibson anything. I still wouldn't touch one with someone else's, but I imagine some people looking for a 'brand' bass may well be tempted.

Probably a BC Rich Warlock or Mocking Bird. I was very metal back then. I actually wouldn't mind a Mocking Bird now, beautiful looking basses, though I'd probably go for a natural finish rather than the late 80s/early 90s neon-crackles-on-a-black-background that I fancied then.

No matter how good you get there is always going to be someone so much better than you that it's not really worth worrying about. As long as you can play the stuff you want then no problem. Edit see thread on eleven year old.

Considering what 3k can get you bass wise, Fender do seem to be taking the pee with some of their custom shop pricing.

[quote name='Happy Jack' timestamp='1474895310' post='3141303'] I'm very disappointed to note that none of the above replies supply the essential information:[list] [*]Height of bass player [*]Weight of bass player [*]Approx. state of fitness of bass player [*]Degree of intimidation associated with bass player [/list] As a non-street-fighting man meself, trying to deck a drunken punter with my (very expensive) bass or kick him off stage with my boot to his arse would most likely lead to me spending the rest of the gig in A&E. [/quote] I'm 6ft 4 and about 14 1/2 stone, thanks to a recent health binge I'm in the best shape I've been for years. There is no way I would get myself into any kind of violent confrontation with a pub drunk. For a start they've generally had more practice at that sort of thing, then there's the unfortunate fact that even if you 'win' the first round they may fancy a second round, possibly with addition of a few of their mates. Lastly the law is almost certainly not on your side when it comes inflicting injuries on someone trying to get on stage.

[quote name='dyerseve' timestamp='1474803060' post='3140582'] A used Yamaha would be my recommendation as their quality will be miles better than any other budget instruments. Something like these: Look at this on eBay http://www.ebay.co.uk/itm/122139651032 Look at this on eBay http://www.ebay.co.uk/itm/222254390254 This Japanese made Aria could also be a good shout: Look at this on eBay http://www.ebay.co.uk/itm/112147736067 [/quote] If that Yamaha wasn't collect only from Cornwall I'd seriously have had that for £100.

I'm not sure there is a correct way, as long as your technique is not causing you physical pain then it's probably fine. As to arched vs flat I noticed the other day that when I play normal finger style I have my fingers arched, at an angle to the frets with my thumb over the top of the neck, but when I slap I adopt a much more classical posture -thumb in the centre of the back of the neck, fingers almost flat and parallel to the frets, which I find helps with muting and left hand slap/mute thingies. (I've never known the correct name for those). I swap between the two pretty much without thinking about it.

G & L is the least well known of Leo's projects. I seem to remember some sort of legal threat from Fender that made sure that G & L were originally very limited in how much they could use Leo and George's names in promoting their new instruments.(although I could have dreamt it).