Cato

Used to go there on day trips in the 70s/early 80s when I was a kid. It's allegedly on the coast although I never actually saw the sea as it's one of those places where the tide goes out miles. Good for fish and chips though.

Great playing, annoying beards.

I was gassing for a p bass for a while, but realistically I'm always going to want a bridge pickup. So my current gas has changed focus to something from the Yamaha BB range.

[quote name='dannybuoy' timestamp='1476296181' post='3153180'] I would also avoid using Bluetooth for playing bass. However, for video playback, some players automatically adjust when connected to Bluetooth, I know the nPlayer app I use on my iPad does not do this but it does have a manual slider to adjust the delay! [/quote] I shall look into that, cheers.

[quote name='acidbass' timestamp='1476294964' post='3153160'] Any love for Bose? Was contemplating investing in a bluetooth set (Soundlink) over ears type. [/quote] Not sure about Bluetooth for practice. I've got a Bluetooth speaker which is great for music but the latency makes it unusable in conjunction with visual media - every film you watch looks like it's been really badly dubbed. I imagine the delay would , at best, be really irritating if you tried to use it for practice, although its quite possible the latency issues have been resolved since I got my speaker.

It'd be interesting to know how many musical instruments are sold in the UK on an average week. I bet it's not that many. If you look specifically at guitars and basses it's going to be a lot less.

Robert Glasper Trio. It's more trad jazz than his later stuff with the Robert Glasper Experiment but still very pleasant.

Maybe it wasn't heavy enough?

Exactly the wrong time in the payday cycle for me otherwise I'd be bidding. Always wanted to try one of these (well the original urge,anyway)since I saw a review in a mag in the early 90s. Anyone want to speculate on what it might go for? Edit: After a swift bit of online research it looks like anything under a grand would be a bargain.

[quote name='spongebob' timestamp='1476187880' post='3152065'] I don't know how true it is, but a fellow bass player told me a while back that record companies buy 'packages' of PR - which might include a slot here, a performance there, and that was how bands got on to 'Later', simply by buying their way on. As I say, I can't validate this, but it makes sense as to the amount of rubbish they put on! [/quote] I'm sure there are various agents and record company reps who lobby & pitch to get their 'artists' a slot on Later. I'd be very surprised if any money changes hands, I doubt the BBC would want to risk the scandal.

I think Bass Direct have a few, but I don't think many US G & L instruments reach these shores. I've been keeping half an eye open for an Asat to try for years and I've only ever found a couple in stock in the whole of the UK, usually at the other end of the country. Edit : Just had a look on BD's website and it all seems to be tributes at the moment, sorry. Might be worth speaking to them though.

[quote name='TheGreek' timestamp='1476042143' post='3150789'] I hate the fact that most guitarists I've played with buy this as their first pedal and feel that they need to use it all the time... [/quote] A good distortion/drive pedal is very useful for quiet home practice but I'd agree that a lot of them don't sound great in a live band situation. There aren't any effects that I intrinsically hate, but I've heard a lot of guitarists use effects that I didn't think worked particularly well with the music they were playing. That's largely a personal taste thing. A bit of funky guitar through a wah peddle is a wonderful thing though.

Since reading the 'how much for a Sadowsky Metro' thread and doing a bit of online research, a Sadowsky Metro.

I got my hartke 3500 in 1990 and it's had a fair bit of use over years and never given me a moments trouble. The 4x10 Carlsboro I bought at the same time is another story though.

I play Jazz basses and pretty much always go for the classic 'everything on full' approach. That sound is why I play jazzes. If I do want to try and match someone else's tone I generally tweak the amp or cycle through the presets on my zoom b1on.

Robert Glasper, 20th November, Birmingham Town Hall.

I suspect a lot of us know more theory than we think. We know which notes work with various chords & keys- we just don't know the technical name or explanation for that knowledge.

[quote name='Hobbayne' timestamp='1475839023' post='3149086'] Gary Day who played with Morrissey is a member on here. I wonder what he thinks of this? [/quote] Fair enough I should amend that to 'apparently Morrissey doesn't think Andy Rourke or Mike Joyce contributed to the success of The Smiths that much'. Certainly not enough to justify what they were awarded in their court case, which Mozza is still quite bitter about going by his comments about the judge in his autobiography.

Morrissey apparently doesn't think bass players (or drummers) contribute that much...

I definitely think that steels can be 'grippier' (is that a word?). As in they feel a bit rougher, are more resistant to slides and generate more noise from your fretting hand. But they do have more of the bright zingy sound characteristics I love for a clean & punchy tone.

[quote name='bubinga5' timestamp='1475761455' post='3148550'] Why not just play regular DR strings.? Playing with a pick make the strings last way longer anyways. DR make long lasting strings, this coating stuff I just don't buy. [/quote] I've had a set of hi beams on my favourite bass since February. They taken a load of abuse as I've spent most of my practice time this year trying to improve my slap technique. They still sound great.

I reckon Sea Foam Green or any of the more surfy vintage fender colours would look great. Really not a fan of the sunburst though.

Lovely looking thing. Before I saw the headstock and got a proper look at the controls I was thinking it was probably a Sandberg or a Sadowsky Metro.

There was a fretless Yamaha on eBay the other day that I'd have had in a second if it hadn't been collection only from Cornwall. Mind you a large part of that is down to my inherent laziness and unwillingness to spend most of a day driving from Warwickshire to Cornwall and back or spend the additional money required to do so on a hundred quid bass.

[quote name='stingrayPete1977' timestamp='1475582611' post='3147055'] That's how musical exchanges in Birmingham was in 1990, and guess what, all those annoying kids grew up, got jobs and spent loads of cash in there just a few years later,my originals band must have spent nearly 10k in there over a few years. [/quote] I reckon that shop gave all the regulars unfeasibly high expectations. It might be the rose tinted memories of youth, but every guitar shop I've ever been in since has been slightly disappointing by comparison. They just had so much variety and they'd let spotty 15 year old me and my mates try anything. Needless to say when I had the money that's where all my gear came from.