Cato

I'd have put the Stingray in before the Thunderbird. The T bird is a cult classic, but I'm not sure it was ever a game changer.

London Marylebone to Leamington is about 1h 30 minutes, then it's about 5 minute a in a taxi to Bass Direct.

The P-Sting? Sounds a bit like an STD.

[quote name='PaulWarning' timestamp='1483032243' post='3204324'] sorry Cato,possibly the worst Ramones track ever [/quote] Fair enough. It's a bit of a departure for them, and I have wondered if Joey was the only actual Ramone on that particular track, but personally I think it's close to the pinnacle of the Phil Spector collaboration,surpassed only by Rock 'n' Roll radio. (Honourable mentions for Danny Says and Rock 'n' Roll high school). Edit. Maybe this Ramones cover is more up your street? http://youtu.be/fGWR3uI3Qa0

How could I have forgotten this? http://youtu.be/PqZmJ7RGAP4

This may divide the room, possibly leaving me on my own in a corner, but I really like it. http://youtu.be/jRk5Gjl_cAg

Flip flops for drumsticks. Never seen that before.

Funnily enough I had my first go on a cello on boxing day. After getting my head round the tuning difference it was actually fairly easy to get a tune out of, finger style only of course, I reckon bowing is probably a whole art in itself. It's made me seriously consider trying a proper double bass, or at least a EUB, at some point in the near future.

After 25 odd years of playing bass and skinny string guitars, but never in front of my family, after an impromptu boxing day jam with various brother in law's and friends of the family(who to be fair have only been playing for a fraction of that time), it turns out that they're quite impressed with my skills.

[quote name='blue' timestamp='1482780387' post='3202715'] No problem, thanks for correcting me. In terms of value and utility. Hell, my Gibson Les Paul Gold Top bass and my Gibson Custom Shop ES-335 bass cost quadruple the price of my G&L ASAT. However my G&L sees the lion's share of my gigs. Granted my LP and ES-335 are the coolest looking basses on the planet,IMO. And I only use them for their looks. Blue [/quote] Horses for courses. I like your MIJ 50s Precisions a lot, but if was to choose one bass from your collection, based purely on aesthetics, I'd take the ASAT every time.

I'm going to risk what little cred I have by saying I quite like his most recent stuff. He's been responsible for some utter sh*te as well but I think underneath the teen idol image (which he apparently has come to loathe) is a better than average vocal and song writing talent. There's also Youtube evidence that he's a decent guitar player.

[quote name='GreeneKing' timestamp='1482781249' post='3202731'] What would it be? The only condition is that it would be for keeps so not to go for the highest priced, sell it on and buy more [/quote] Ah, I didn't read that bit. I'd still be tempted by the slab or the Foderas, just to see what the big deal is.

The slab precision, or one of the Foderas, maybe a Ritter. Got to have a resale worth at least 2 or 3 of the basses I'd really like to own.

[quote name='spectoremg' timestamp='1482780905' post='3202722'] While we're on definitions: Joolzolland: an artist who's talent falls far short of the esteem in which the public and major broadcasters hold him. [/quote] Don't mock the afflicted. His compulsion to a boogie woogie piano accompaniment to absolutely any piece of music, from classical to hip hop, is a serious medical condition.

Christine and the Queens are worth a look, especially if she brings her dancers - most mesmering routines since Jacko. I also quite like what little I've heard of Rag n Bone man. I suspect 2017 is going to be a big year for him.

[quote name='Roland Rock' timestamp='1482604189' post='3201843'] Ignore pls [/quote] Okey doke. Merry Christmas.

I've become slightly obsessed with the bass line on this over the past few days after hearing it played in a shop recently. I can't believe I never noticed how brilliant it is before. http://youtu.be/qR9x7_refwY

It is signed by 'Vicot Wooten' though.

I seem to remember someone advertising 4 to 5 string conversion kits in guitar mags in the early 90s. Maybe someone still makes them? Not sure I see the point though. Back then 5s still weren't that common and they tended to be a lot more expensive than 4 strings of the same model. These days they're easily obtainable and normally only a fraction more than the equivalent 4 string.

[quote name='machinehead' timestamp='1482359257' post='3199949'] A two fret stretch between index and second fingers. Frank. [/quote] +1 Look at the spread on her left hand. I'd struggle with that and I've got massive hands. Superb playing.

[quote name='Barking Spiders' timestamp='1482338411' post='3199715'] On the plus side, for those who used to buy Classic Rock and Metal Hammer you now have some spare money for your monthly issues of Razzle [/quote] I think Razzle disappeared years ago along with Fiesta and all the other hedge porn titles we occasionally used to find lurking in the undergrowth back in the day.

[quote name='BassTractor' timestamp='1482269437' post='3199168'] Yeah, I was wondering about the meaning of the term "miserable", but was comforted by the OP's word "humbug", which BTW I may have misinterpreted as well. Bah, if only I had Wiktionary on the shelf! [/quote] 99% of the time your English is perfect to the extent that if I hadn't read some of your other posts where you mention it, I wouldn't know that it isn't your first language. In this context 'miserable' means 'depressing' or 'melancholy'.

Must admit I was slightly dubious before clicking on the link. I was expecting heavily distorted, million notes a second tappy stuff. Nothing wrong with that of course, it's just not something I'd normally choose to listen to. But that was really rather pleasant.

http://youtu.be/vD9VD6xT1FA

I'm seriously considering getting an SR750 in the new year, but I have to confess that it's taken me many years before I started feeling any Ibby love. For me I think it's because I started playing in about 1989 and at that time Ibanez guitars were basically marketed as shred machines for metal virtuosos, I can't really remember any marketing for the basses at all, but I think in my mind I just lumped them in with the guitars as being associated with a genre I had absolutely no interest in.