The price is slightly high. Apart from the reputation and quality, the main reason I bought it, was because it was about the only unit with 6 outputs and fitted underneath a Metro board. It’ll probably do me for life now (hopefully).
The only right answer is to go to a guitar shop and try out a load of basses. The only challenge will be convincing yourself not to try those basses outside your price range .
I love Sandberg basses, love Rammstein, my favourite colour is black, so I had to get the Oli Riedel signature. I don’t have any opinions either way, and don’t own any other signature gear, but I do love this bass.
I went to see Jinjer who were supporting Bullet For My Valentine at the Roundhouse. Jinjer are so technical they need a headline slot to ensure their sound is perfect. Still an excellent gig though.
Eugene is an incredible bass player.
I’ve still got the old Cube 30 as a practice / quiet rehearsal amp. If it was to pop its clogs I’d happily go for the new Micro Cube AND a Kantana 110. Roland / boss gear in this range has advanced so much it’s understandable that some of these old favourites end up discontinued