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Everything posted by Hellzero
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Look at these 3 rear headstocks and the discrepancy between the tuners linked to defective cutting presses. Some even have that step on the lower side, when some don't, and some are a mix of these features. And one have 3 tuners with this feature, but not the 4. That said, it's very interesting! Thanks again @wateroftyne, really!
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Check by yourself, there are plenty examples and I even had great difficulties finding one with four stepped tuners in line.
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Check Reverb, Andy Baxter and the likes, and you'll be amazed, so it's not a real feature of that period as it's not constant.
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Gotoh supplied screws - is it me ...
Hellzero replied to Steve Browning's topic in Accessories and Misc
It happened to me a few times many years ago even with pilot holes and grease, but the Gotoh screws are renowned for that issue. Since then I always sense the heat on the screws after each turn and go very slowly with a screwdriver (no electric device here), sometimes stopping and waiting for the metal to get cold (simply screw another one, no pun intended). -
And you were, some people simply don't seize (subtle) humour.
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Thanks @wateroftyne, we can see that step going through the whole tuner thickness here more clearly on a 1960 Precision Bass: As I said earlier, Leo's philosophy was to use all the remaining parts, so it's not that uncommon to see such a thing. That said, even if it's linked to the early 60's, you will find loads of P's and J's with only 1 or 2 miscrafted tuners from that period and rarely with the 4 tuners. Kluson must have owned one defaulted cutting press back then, but not all of them. Anyway thanks for having enlightened me (us?). 😊
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You mean, the kind of notch @wateroftyne ? It looks like rust to me and I've gone back in my books, but can't see that "notch" as a standard early 60's feature.
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The "A" tuner is the same as the others @wateroftyne, or please enlighten me.
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The case is not period correct, it's a 1966 model at the oldest as, from 1958 to 1965, there were no logos on cases: no big deal, that said. 😉 I knew you had the original strap buttons, @JazzyJ. 😊 Good to know you also have the ashtrays. 👍🏻👌🏻 That said, I can't see any mismatching with the screws as they were nickel, they rust and age all very differently.
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The decal is correct: it's the first thing I look at, @GuyR.
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Double bass rebuild - not for the faint of heart!
Hellzero replied to The Guitar Weasel's topic in EUB and Double Bass
Very clever, indeed.👌🏻👍🏻 -
@JazzyJ as your bass is an L series model, you could ask these people to make you a more accurate neck plate bearing an L84239, for example, which would be an August 1965 serial number. Don't ever buy an "original" pre-CBS Fender neck plate as most of them are fake. https://axetremecreations.com/product/custom-serial-number-stamped-stratocaster-telecaster-bass-neckplate-screws/
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So close, but yet so far.
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I was born on the 20th... I was talking about the pots codes, not the 5 meaning Precision Bass, while 7 means Jazz Bass. 😉 The pots codes are saying 23rd to 29th of August 1965.
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And it's the closest to my birthday Fender bass I've seen: day, month and year. Amazing.
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The neck plate serial number is weird, but as it was Leo's philosophy to use everything remaining, it could be right and it's never been a reliable way to date a Fender. The black grounding wires going from the pots to the jack are not original as there were none back in the days. Apart from these points, I can't see any other "flaws". Everything is saying 1965, even the maxed in truss rod nut. A photo with one tuner removed should show some divot cups at the back of the headstock to permit flush mounting of the machine heads.
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Maybe, it was a bit ... Overkill.
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The Beedster II is on its way. 😉😂
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Marketplace: anybody using dropbox links to display images?
Hellzero replied to mcnach's question in Site Issues and Questions
I can't see any "dl=0" image, but I can see the two "dl=1" images too. I'm using a PC and an Android smartphone with Google Chrome. Firefox is ok too, as is Microsoft Edge, all using Windows 11 Family. -
Fernandes The Revival Jazz Bass RJB-75 '60 original Fretless 1981 with Stone Logo on the neck plate and original Seymour Duncan Hot Jazz Bass (SJB-2) single coil pickups. It will be delivered with the original Fernandes pickups (the neck one is cut), a spare new old stock SLB8 (0.065") Rotosound string and an original BadAss II bridge. This bass is the successor of the Jaco model (FJB-65J) of the previous series. The bass has been used a lot and is showing signs of use, wear and dings: it's a player and a fantastic one! This is a really rare version of the RJB-75 '60 with a factory lined fretless fingerboard, which is impregnated (not epoxied) rosewood as the wood doesn't mark even with the long standing round wound strings, and these are the Rotosound RS66, so the ones which would mark the most. I've owned several Fender Jaco Pastorius models including the Custom Shop ones, and this bass is totally equivalent to them, no worries. OPENED TO TRADES! NON NEGOTIABLE PRICE! Asking price including fully insured shipping with tracking number, to your home, in these European countries (ask for other countries): Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding DOM -TOM), Germany, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom: €950 EUR (£825 GBP is an approximation and I will only accept payment in Euros)!!! Shipping to the UK is of course possible and included in my asking price, but with additional customs charges (VAT + other taxes + courier costs), as the UK is now outside the EU. Here are the specifications : Body: alder (imported from the U.S.A.) Neck: hard maple (imported from the U.S.A.) Fingerboard: impregnated rosewood (7.25" radius) (imported from the U.S.A.) Positions: 20 lined, and dots at the fretted positions on the front and side à la Jaco Headstock: 4 in line Tuners: Fernandes (Fender-like non reversed) Pickups: original Seymour Duncan Hot Jazz Bass (SJB-2) single coils Controls : classic volume, volume, tone (CTS pots plus a PIO 22 nanofarads capacitor) with Bakelite knobs Bridge: original Fernandes with threaded saddles à la Fender pre-CBS Strings spacing at bridge: 19 mm (or even 20 mm, which is my preference, thanks to the threaded saddles) Nut: bone Strings spacing at nut: 9 mm (width 39 mm) Scale: 34 inches Hardware colour: nickel Truss rod: one, single action, 100% functional, even if a bit hard Finish: polyurethane Country of origin: Japan Serial number: none as it's still a Stone Logo neck plate (only for the very first series) Year: 1981 Weight: 4.460 kilos Action : from 1.5 mm under the G string to 2 mm under the E string at 12th position (can even go way lower if you shim the neck, but was perfect for me) Will be delivered in a brand new Fame gig bag Antique Deluxe in faux brown leather. Non-smoking environment as usual. The bass has been fully set up. It has received a new old stock set of stainless steel Rotosound RS66LD strings (45-65-80-105), which really serve this bass, think Jaco. What you see is what you get! Look carefully at the photos taken from different angles and lights to see the real condition, which is used with wear and dings, with some light ones at the back of the neck. Here is the link to 45 photos in high definition: https://drive.google.com/drive/folders/1cadFMVhpadl8HNt3UjpSZUQnSNdJdQ-h?usp=drive_link Due to severe back problems (67% officially disabled because of it) plus left and right shoulders injury (it's really painful to reach the tuners), I'm selling all the basses I'm not using like this one. I've also considerably lowered the price for a quick sale. Don't hesitate to ask for more, but, please, before asking read my ad first as the answer is certainly already in it!
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My recommendation, as well as any teacher I had, for the two-handed parallel scale as well as independent left and right hands is to play each hand totally separately with the correct fingering measure by measure, then merge them without paying attention to the left hand, which should become an automatism by itself. For music full of accidentals, the trick is to learn these, and forget them, it should also become an automatism. And for the written timing, listen to the original piece or étude, or record it on any midi software like, for example, Musescore and try to memorise the said timing. But always practice slowly, decomposing what you play to merge easily and make pauses, do something else, and start again the next day or even a day after. Too much practice is useless as your body (muscle memory) and brain have to memorise what you're learning. Yes, piano is hard, and I still consider being nowhere even if can play some mildly complex pieces, but I can compose on piano, which is a great plus and an extraordinary powerful tool for that goal.
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I'm using this model since so many years and as it's rocking you can put it anywhere under the neck, it will always fit perfectly: https://guitarsandwoods.com/guitar-neck-rest.html
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Fleta guitars are very nice, that said. 😉🤦🏻😂
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I'm back on piano for good and working grade 5 to 7 pieces, but I've lost some independence, timing and sight reading, but music theory is well anchored in my brain. I'm taking lessons again, with a private teacher, but way cooler than before and yes it's very hard, but I'll hang on... Slowly, but surely. Take your time, and all will become clear and evident @bass_dinger. 😉