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EJWW

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    Birmingham

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  1. That's just the angle of the pic I think. Here is another, I think the strip and plate are connected ok.
  2. Thanks for your reply @tauzero Here are a few pics under the bonnet. I've no idea what I'm looking at. All looks tidy enough to my untrained eye but.... what do you think?
  3. Hi BC'ers ๐Ÿ™‚ I've recently taken possession of an early 2000s Japanese 62 reissue Jazz. It sounds great but after many years away from single coil pickups I'm finding the bridge pickup a problem. The neck pickup is silent but the back one hums like hell and touching the strings or bridge actually causes MORE buzz. The control cavity only has the metal plate along the base, as does the pickup cavities. Is a lack of decent shielding the issue here? Both pickup outputs are fine and sound good. I have recorded a video to show what's happening. Any advice for next steps greatly appreciated ๐Ÿ‘ 20241222_182428.mp4
  4. ยฃ450 ONO I bought this kit second hand for my son around 7 years ago and it has never left his bedroom. Bit dusty but it all works. Hardly used over the last year since he did his grade 8. Everything is there including the scaffold/frame thingy, pedals, wires and I'll even throw in a pair of 'relic'd' sticks if it's a deal breaker ๐Ÿ˜‰ Fairly straightforward to assemble with colour coded connections etc. Good enough quality kit to gig with but brilliant for practice as it has all the usual aux inputs etc but has a load of pre loaded tracks to jam along to. Great fun! Collection preferred but happy to discuss delivery within reasonable distance of Erdington, north Birmingham. Cheers ๐Ÿ™‚
  5. Spot on. I've quit my most recent band after 3 years because of this reason. Really talented bunch of people, loved the music, saw various members come and go. But when the singer announced she was off that was it for me. Without a capable front person the band will struggle to connect with the audience no matter how great the music.
  6. Bought a strap from Chewie, exactly as described, great experience and wouldn't hesitate to do business again in the future.
  7. Hi all, I've recent joined a rock covers band and I've finally started using my Sansamp pedal that I bought ages ago. I've been having a play with it at home and and have managed to get a really good raucus Geddy clank that I love from it with my Mayones Jazz bass. I include a pic below which shows the knob settings that I've used to get to this point. The thing is I really don't understand what it all means, terms like 'presence' and 'blend'. Can anyone share how they get the best out of their Sansamp, how to use the settings etc? I've got loads of pedals lying around the house but have never used them in a band setting so I'm in very uncertain territory! Thanks in advance guys.
  8. Oh I like that. Player series are great instruments, I'm starting to get a bit twitchy now I've seen that one. I think the player 2 series have rolled fingerboard edges if I remember rightly....๐Ÿ˜
  9. ๐Ÿ˜๐Ÿ˜๐Ÿ˜
  10. He came from very tough beginnings and worked his way to the top. 91 is a decent age by anyone's standards. Sheer class. My favourite Quincy track among so many great examples is The Dude. RIP.
  11. I think this has to be the coolest colour option I've ever come across, love it ๐Ÿ˜
  12. I love your work on Lexicon @Langy. I've really tied myself up in knots attempting to master that line you play on 'Show me' when the drums come in at the end of the orchestral intro. Really inspiring stuff and glad to have you in the BC community ๐Ÿป
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