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skankdelvar

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Everything posted by skankdelvar

  1. skankdelvar

    Mr. Foxen

    Bought a jazz-type neck off Oli. Well-packed, quick and great value. ++++++A top B-Bayer!+++++++
  2. [quote name='Linus27' post='405440' date='Feb 10 2009, 03:26 PM']What making babies or trying basses [/quote] I really wouldn't recommend doing that simultaneously. You won't get a proper idea of the tone, playability, etc. Priorities, please.
  3. [quote]'Good evening Havant'[/quote] You Havant what? Don't keep me in suspense...
  4. [quote name='Linus27' post='405413' date='Feb 10 2009, 03:02 PM']HAHAHA well, there is a problem with that idea. So she has agread that its ok to get the precision as long as it is the last one. I mean, I am running out of room as it is anyway [/quote] Sorry - now I understand. Good excuse to get out there and have some trial runs. Enjoy
  5. skankdelvar

    hello

    Hi and welcome. As long as you enjoy yourself, that's all that matters - and I bet you're a lot better than you think you are!
  6. Hi mate, welcome to the forum I expect you're finding North London a bit different to home. Hope you're settling in fine - well, you've got your bass and you're in a band and that's what counts. Plenty of amps for sale in the relevant forum and lots of discussion about the merits or otherwise of the various makes available in the UK. Have a good time and enjoy the forum!
  7. The question you should be asking is - which one do I buy first? And how long do I leave it before I buy the other one?
  8. [quote name='Old Horse Murphy' post='405188' date='Feb 10 2009, 11:15 AM']Just a thought (and a bit of a trek) but have you tried Peter Cook's in Hanwell (near Ealing)?[/quote] +1 on the Peter Cook's. Don't be put off when you walk in and see only about 15 gtrs and 2 basses on the wall. They've got [i]hundreds [/i]stashed next door. Check their site and call first to make sure they've got what you want in stock. Good guys and open to a modest haggle last time I was there ...and check out guitar village in Farnham - it's very near you and it's effing colossal with lots of stonking basses - [url="http://www.guitarvillage.co.uk"]http://www.guitarvillage.co.uk[/url]
  9. [quote name='Gothicontheloose' post='404592' date='Feb 9 2009, 06:06 PM']Eeeeeerrrr... ok ^^ Any sites or clear addressee? [/quote] You may wish to check out the websites first to see if what they've got matches what you want, but these are some good ones, IMO Bass Gallery 142 Royal College St London NW1 0TA Telephone 020 7267 5458/7267 5258 The Bass Merchant, Unit D1 Colchester Seedbed Centre, Wyncolls Road, Severalls Ind.Est, Colchester, Essex, CO4 9HT Tel: 01206 751173 ...and for interesting old stuff Angel Music Guitars 1st Floor 25 Denmark Street London WC2H 8NJ Tel: 020 7836 8008 Wunjo Guitars 20 Denmark Street London WC2H 8NE, U.K TEL: (+44) 020 7379 0737
  10. Belgium? Chr1st, I thought you must be somewhere like Kazakhstan. Get yer ass on the free transport , shoot over here and spend your lovely Euros with someone off this site, or at the bass thingy place in Camden or, worst case scenario, up Denmark St. With that sort of budget, you can get two (non-custom) basses and a nice rig. Take in a show while you're at it - we need the money.
  11. Looks pretty, but the 'profesionally refinished' (nooooooooooooooooooooooo!!!!!!!!!!!!!!!!!!!!!) top and binding thing is going to knock some quids off.
  12. FWIW, any time I see the word 'best' (not just here - anywhere), I take it as read that someone's expressing an opinion. Even if they don't know they are. Saves a whole world of pain, IMO.
  13. [quote]beerdragon @ Feb 7 2009, 08:34 PM) That was a joke right?[/quote] Yes, I'm pretty sure that was a joke. The [i]gigantic[/i] gap before 'IMO' was the giveaway. And as a (mostly) pick player, I have no problemos with it. It's them as use their [i]all[/i] the fingers on the fretting hand that get my goat. Pretentious Cockney b*stards. [quote name='M4L666' post='402711' date='Feb 7 2009, 11:33 AM']You forgot tapping![/quote] Personally I include tapping under slapping. I know, I know... Whoops - I didn't include bow-ing either. Or using a mike stand as a slide. Or feverishly rubbing the pick against the strings. Or plucking with the teeth. Rats. Fail of Biblical proportions.
  14. Welcome Steve - hope you enjoy the forum. Sounds like you're a busy man with a chunky rig. Love the idea of a Cash / Queen / Metallica / Sabs outfit. I ask myself - "What manner of man is it, that has the b*lls to carry that off?" - and the answer comes back - a Rugby man! Good luck with your two bands and [i]better[/i] luck with the Mario Kart
  15. [quote name='Dante' post='402180' date='Feb 6 2009, 05:07 PM']Hi I'm new here (and to bass) Currently have a Spector four string and combo amp thing (which sucks). I'm always on the look out for new gear I recently saw an ad for a bass amp by Crate, does anyone know if Crate are any good?? Thanks[/quote] Hi Dante - welcome to the forum - hope you enjoy it. As regards Crate - I've never used them, or even heard one, but a number of people think they're good value for money. You may get further and more detailed feedback if you also post your query in the amps sub-forum, where lots of people solicit opinion on different brands. Cheers Skank
  16. Hi Christian - thanks for the link. You may get further feedback if you also post this info in the Recording sub-forum
  17. Benvenuto a Basschat. Spero che lo godiate. Desidero che potrei parlare italiano. Ringrazi il dio per Babelfish...
  18. Yes, they're bonkers for that stuff. Yet see how few components there are in that. Amazing.
  19. [quote name='stubarura' post='403140' date='Feb 8 2009, 12:53 AM']ha! im trying to avoid going all ninja with the guy cos you know what its like when u r p!ss3d off and you start loosing an argument cos youve not done your research, big overhand rights aplenty anyway cheers for the replies lads[/quote] Yeah, don't go Ninja. Just put on the puppy dog eyes and they'll fix it. Save the Ninja for later.
  20. Personally, I'd go for all black clothes, work boots and bullet belts. But I'm a silly old f***, so don't listen to me. Basically, this is a function of 'marketing' So look at your market. 1) Check out up and coming bands in the same genre - what are they wearing? What does your (target) audience wear? Now spin a variation on it. Maybe bigger, more flamboyant. or: 2) Go so completely outside the box that you're perceived to be outside any genre and [i]appear [/i]to be 'letting the music speak for itself'. But don't end up looking like a clown troupe (google Split Enz) 3) It's not just about clothes. If circs permit, could you work in some choreographed moves - and I don't mean synchronised dancing - maybe like a staged 'fight', some speaker climbing, singer using a megaphone, drummer trampolining right over the kit Maybe some props. 4) Image is a component of the show. Try to tie it all together. And a big opening and a big ending. People remember the first 30 secs and the last 30 secs. Use that time to make your statement and nail it home. All part of image, all part of the show. 5) Approach hats with extreme caution. Anyhow, it may [i]say[/i] they're emphasising image. I'd be looking some clarification on that...what's going to win you the comp is strong presentation of strong songs with strong hooks. After that, review.
  21. What with the U2 tribute debacle, this is rapidly becoming a free-fire zone. Who'd a thought it, eh?
  22. [quote name='simwells' post='402275' date='Feb 6 2009, 07:05 PM']Is it possible to run two instrument channels through my pedal board to amp at once? I would like to be able to use a theremin at the same time as playing bass, but do not know if this is possible. Also if possible what would be the best way to combine the two channels into one.[/quote] The cheapest way would be an a/b/y box, balancing the levels using the output volume controls on each instrument, but there are potentially significant differences in level here. Better would be a small mixer. Behringer knock them out for peanuts. Would recommend, however that you might want to use two separate amps to take into account the differing ranges of the two instruments.
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