Doctor J

Lake land.

Here is the blurb on VAT https://europa.eu/youreurope/business/taxation/vat/vat-rules-rates/index_en.htm

For now, there is no import duty on goods coming in from the EU. At the end of the year, when the current deal expires and Brexit takes effect, that is liable to change depending on the deal the relative governmental and EU bodies come to. As for tax, if you buy new the seller should charge you the UK rate of VAT on those goods instead of the tax rate in their own country. There would be no VAT on a used bass from a private seller.

If wood were constant then every maple Stingray would sound exactly the same, every rosewood boarded P would sound the same and we're all sure they don't. Applying a blanket statement to the tonal impact of a small slip of organic material is, in my opinion, misguided. If you take a (insert manufacturer here) pickup and replace it with a model from the same line, you know they're going to sound essentially the same. If you replace a maple neck with a maple neck, will it sound the same? It might, but then again it might not. Wood is not a constant. That's partly why people spend big on old instruments. New maple doesn't sound like old maple, apparently, nor old alder like new, but I've yet to find someone who can clearly define how, so how can we say a particular species of wood has a definite and constant characteristic when, being organic, it is prone to variances before we get into age, how dry it is, the effect of vibrations on the cellular structure and all the other stuff which makes people spend money? How does old maple sound compared to new maple, what are the tonal variances? How does old, unplayed maple sound compared to recent maple which has had a lot of vibrations through it? It goes on and on. Years ago, when Fender replaced the nice and lively neck on my year old AmSe Strat which had started to crack with a brand new neck of the same woods which sounded dull and lifeless and played like crap, I learned a valuable lesson in getting too caught up in thinking wood types had a predictable characteristic

Let's turn it around again and say if you took the pickups and electronics out of a Stingray and replaced them with a P pickup with a passive volume and tone pot, what would it sound like? Does a maple boarded Stingray sound like a Stingray? If so, does a rosewood boarded Stingray also sound like a Stingray?

No, they say They say the differentiator is the frets.

I play original music so, overall, I have played at a loss for 30 years. Playing for free would be a step up in the world 😂 I would play for free for now because I enjoy playing, provided there were no expenses and, perhaps, the venue could throw in some goodies to sweeten it a smidge. The situation would be fluid, however, and no long term commitments would be made. Once the venue is doing well, the band should do well too.

Well, copper wire and pickup magnets are built to specific values with controlled tolerances so, yes, there is a level of verifiable consistency with them. DiMarzio and Seymour Duncan issue tonal charts as to what sonic properties you can expect from different pickup models. They are built to produce sound with a particular sonic footprint which the manufacturer will stand over since they're advertising the product as having these specific properties within a specified tolerance. There is no magic or guesswork to it.

My own take on it is that I can usually tell when I hear a Stingray on a recording. I can usually pick out Precisions and the bridge pickups of Jazz basses. Jazz bass neck pickup recordings can easily be confused with Ric 4000 or 4003, depending on the playing and settings. Same with single coil early 50's Precisions. I used to think The Holy Bible was a Ric until it was claimed that it was Bradfield on a Precision so I guess there are some sonic fingerprints common to both which get obscured in the context of a mix. Pickups make a huge difference, this much I am sure of. I have never been able to tell what fretboard wood they have just by listening, though. Even solo bass. Do I care about comparing isolation recordings and listening out for teeny tiny differences? No. I like bass in the context of a band playing a piece of music. Wood is organic. Every piece is different, even if they are of the same species. Does it make a difference? Yes, everything makes a difference, but my ears tell me it doesn't make enough of a difference for me to care signifigcantly about it. Therefore, I have learned not to get to caught up in it and pick what looks pretty. FWIW, I can't tell the bridge saddle material just by hearing, nor nickel vs steel frets, either. I'm pretty sure I can't tell if you're playing a BBOT or a Badass just by listening, to my shame. I am told they make a difference, too.

The Alembic perspective is interesting in that context http://www.alembic.com/info/wood_fingerboards.html

This thing sounds just what you need

I'll see your Vinnie Vincent and raise you two Michael Jacksons. "What's all that noise outside? What is that terrible smell?" "It looks like the dead have come back to life, love." "What are they doing?" "They're dancing at some terrified young one, love. One of them looks a bit like that Michael Jackson. Go back to sleep."

Dean Exotica... didn’t he play in Tigertailz for a while?

Well, if you don’t ask you’ll never know 🙂

So, not quite right then but still not as bad as the pictures would lead you to believe? 🤣

Sell it and knock a few years off the mortgage.

If the threads come up far enough, put a washer between the blend pot and bottom of the control plate, which should bring the overall height down and allow you to have everything just right. It would get to me, too 😉

The only box set I've ever gone for like that is for Pet Sounds, but you got isolated harmony vocal tracks, breakdowns of the orchestration, a great insight into a very complex and layered album. For a straightahead rock band, a power trio essentially, it seems a bit much. It's more like selling everything they could find related to it.

You have cash? They want it.

Yamaha developed a process called A.R.E. which follows this line of thought. They used it on the highly regarded BB2024 basses

Why not get one and add a second pickup in the Stingray spot? It looks like there is space to get it in the authentic Stingray position. More is more, after all.

It's ok, nothing amazing, though some interesting nuggets if you're into SY

15/15 I have even read her book 😉