Doctor J

Do remember that you’re auditioning them as much as they’re auditioning you.

Alternatively, there will always be purity to the name. Every Pedulla will have had Pedulla's involvement. That's a great thing and very rare.

That is surprising, maybe things are changing after all this time.

In Communism, there is no copyright.

It would be fun seeing the roadie crouched down in front, carrying it to the far end of the stadium stage while Angus noodled away.

Taking death metal and jazz fusion to places neither of them ever wanted to go, I’d like to hear Sean Reinert - Drums Tony Choy -Bass Chris Poland - Guitar James Murphy - Guitar John Tardy - Vocals in their 1991 guises.

This is the answer. He played a variety of brass horns live.

A fake one?

Great work, very well done 👍

He's a superb player, tight as fook. His vocals played such a huge part in the VH sound, too. Very underrated musician.

This never fails to hit the spot. I always have a copy of it with me

I'm no defender, I owned one and eventually sold it on. I don't see another one in my future. I just gave an honest account of my interaction with the man which some seem not want to believe, for whatever reason.

Past-tense. You can think what you like, but Hall cares about his product and backs it up.

Nice

I had an entirely cordial exchange with him, also via the forum. I had a small neck issue with a 4003 I had asked about. He contacted me directly and offered to personally inspect it as he was going to be holidaying in Ireland in the not-too-distant future. Top man.

While not necessarily cheap (I paid £300 for it back in 1992, choosing it over a 75 Precision at £250), my ESP 400 Series Jazz is definitely nowhere near as expensive as some of the basses I have bought since, including a Sadowsky, but it remains the one that I know will always be just right for me, like Mama Bear’s porridge. I think it would be foolish to stop searching, all the same. I mean... the next one... that could be the one 😂

Read Geddy’s book to him in the Ladybird style and it’ll be smooth sailing away from Drum Island.

Sadly had to sell a few over the last couple of years bur, for a time, these were a lot of fun

Cobain. To see a guy so young kill himself is numbing, especially with a young child. In hindsight, clearly it was coming but was still a terrible shock at the time. He was only a few years older than I was at that point.

I've recently joined the small amp gang and picked up a GK MB500. I still love my trusty old Ashdown ABM setup though, compact 1x15 and 2x10 cabs with a 300W head. They're the original series which I've had since day one and they have never let me down. At home, I have the MB500 running the 1x15 as it's a bit more mid-heavy than the bassier ABM which is driving the less-bassy 2x10.

No, just hate the aesthetic. As I said, the pettiest of reasons.

Who said anything about bad? if you’re going to the trouble of redesigning, why not try to have a consistent angle across all four strings?

Dingwalls are fine, the entire instrument flows as it does. With the Sandberg, everything is traditional and parallel apart from that bleedin' string tree. It's at odds with everything, the nut, the frets, not even in line with the tuners. It just grates.😂 Entirely irrational, I know, but it just looks so, so very wrong and that's before we get into the irregular break angle of the strings as a result!

I've only played a Sandberg once and thought it was quite nice. It was well built and the flat fretboard was very playable. I don't think I could own one, though, for the pettiest of reasons. That slanted string tree on the headstock is a war crime, to my eyes. I just can't get on with it at all.