Doctor J

There's an Ibanez SR1010 going at a decent price over here which I'm just powerless to resist checking out. What with the mortgage and the bajillions of debt we're in over here, it's been a while since I've had this feeling, that sensation of maybe getting something new. I used to have a SR 6er which was pretty similar to the spec of this, it's going to have to be in failry crap shape for me to turn it down, I think. It's a great feeling.... the scent of blood, almost. So, G.A.S., we meet again...

I associate the sound of Marshall with thin, shrill, ear-splitting fizz. Not sure I'll be picking these up, tbh.

[quote name='Happy Jack' post='1004868' date='Oct 29 2010, 10:24 AM']Put McCartney alongside Clarke, Wooten, Miller, etc. and you'd be right - he's nothing exceptional. The whole point is that you CAN'T.[/quote] Sure you can. I know loads of McCartney's basslines to hear and even though I've checked out tunes featuring the other luminaries of our instrument over the years I'll be honest, I can't think of a single bassline any of them wrote.

The same way as any dynamic microphone, just bigger. It's common enough these days. So many people were taking an NS10 speaker and using it as a mic on bass drums that Yamaha made the subkick, which is really just an NS10 speaker in a drum shell. Used on bass and bass drums, because it's a bigger surface it doesn't move as quickly and doesn't really pick up high end, a big fat low end is your reward. [url="http://usa.yamaha.com/products/musical-instruments/drums/accessories/lowfreq/skrm-100sfv/?mode=model"]http://usa.yamaha.com/products/musical-ins...sfv/?mode=model[/url]

I received a Stingray from the UK once in just the hard case with one strip of brown tape looped around to stop it opening. Not a good feeling, though there was an intense feeling of relief when I opened the case and (A) the bass was still there and ( it was in one piece. Contrast that to when I got a pair of Godlykes off Eubassix and spent half an hour just getting through the packing A much better experience, definitely. Bubble wrap and box it every time.

The ohm rating of the speakers in each is the same?

[quote name='El Bajo' post='1002038' date='Oct 27 2010, 09:03 AM']My wife said I sounded like a giant wasp.[/quote] [quote]I'm not passing up an opportunity to look good [/quote] I agree. Dressing like a giant wasp is a great idea.

3CD version of Control Denied sitting in the letterbox when I got home from work, so I'm working through the three discs right now.

Does this one still work after you take it out of the store?

Just play along to AC/DC - you'll soon build up endurance and consistency without having to get too fruity with the left hand allowing you to focus on getting your plucking in order. I tend to play ring-middle-index-ring-middle-index etc. It takes a while to get it sounding smooth and starting each bar on a different finger is a bit unusual at first but with a bit of persistence you'll be grand.

Signature bass doesn't mean it's his actual bass, just that he's happy he's being paid enough to appear in ads with it and for his signature to be on it.

Debt Valley, Tipperary

It isn't a big enough market here to specialise, plus it'll always be cheaper to order from abroad. X-music in Ballymount in Dublin probably have the largest selection but it's still the usual brands, unfortunately, though they do have some EBS pedals so they might be able to get some amplification too if you grovel hard enough.

I am insanely jealous! I remember Chris Holmes always used to play one of them. Not everyone's cup of tea but, hey, if they don't mind being wrong then you shouldn't feel bad on their behalf!

Once it stops being fun, move on.

I'm quite partial to the classic P and J styles, J in particular. Have to say though, I picked up a Godlyke last year and it's the most comfortable body I've ever played, standing and sitting.

I'd like to get hold of a Yamaha BB2024X but the bank practically insist I pay the mortgage instead.

It's not a Surveyor. It is, however, a 400 Series Jazz bass, probably one of the finest Jazz basses you're ever going to lay your hands on. Well done, that's a serious instrument you've got there. Doesn't look like the original scratchplate though, it doesn't follow the shape of the body around the lower horn. Still, that's a major score, they're seriously top quality basses.

I would say ebony, going on how it relects light, the last pic especially. The b&w pic too, the way the moisture is sitting on the fretboard also leads me to believe it's ebony.

It's an alder body too, which Fender never released with just a clear coat. Plus, it's not a thick, glossy finish. Plus, it would have aged to a nice yellow if it did have said finish. Whatever this bass is, it ain't what he claims it is. Edit -> Actually, having looked at the headstock, that should be almost orange after this many years. The lack of finish is a big concern. I wouldn't be surprised if it wasn't a Fender at all.

That's a very tasty bass, Simon, congratulations. [quote name='simon1964' post='994620' date='Oct 20 2010, 11:52 AM']They do have some amazing stuff on their website. 1951 Precision, serial number 14 appeal to anyone?![/quote] Not if the G string ain't going to be over the frets

That's as ugly as sin. Just doesn't do it for me at all. Interesting reverse double P thang going on, but even that's a bit fugly too.

The metric system strikes again

I used to have it as low as it could go and I used 95 gauge strings too. Nowadays, it's a bit higher still probably lower than 95% of others and I'm using 110s, like to keep the relief minimal, keep the neck very straight. I like to have it clean when I play soft, but still give me a bit of grind when I dig in. 12mm action would make me cry though, it really would