Jump to content
Why become a member? ×

Embra

⭐Supporting Member⭐
  • Posts

    70
  • Joined

  • Last visited

About Embra

  • Birthday 26/04/1972

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

Embra's Achievements

Proficient

Proficient (10/14)

  • Great Content Rare

Recent Badges

196

Total Watts

  1. Embra

    Eude's Feedback

  2. SOLD I bought these a few years ago and they've never been used. I don't think they're made any more and it's hard to find details on a medium-scale 6-string black nylon set. I wasn't sure they were medium scale but I've measured every string and each one is 34.5” ball to silk and 49” total length. Six strings: 0.043 0.050 0.065 0.085 0.105 0.135 From La Bella: La Bella Black Nylon Tape Wound bass strings have an incredibly smooth outer wrap of black nylon to create a warm, deep, vintage tone with long sustain. Ideal for fretless bass, these strings also work well on acoustic bass guitars, and are the string of choice for many fretted electric bass players, too. * Black Nylon Tape wound strings with extra smooth surface * 6-String Set * Warm, deep, vintage tone; long sustain
  3. Three great bass pedals in excellent condition (Future Impact and Zio have sold). First off is the Source Audio Zio Analog Bass Preamp+DI. £200 including postage to UK address. SOLD Next is the Broughton Audio Resonant Filter Equalizer £180 including postage to UK address. The Resonant Filter Equalizer creates unique tone control by combining a high pass filter, low pass filter, and middle equalizer. Both filters have their own resonance control, allowing a bump at the cutoff frequency, accentuating the effect of the filters. The semi-parametric middle eq includes a variable frequency control. The resonance of the filters ranges from -3dB all the way up to +15dB. The -3dB setting is what you would expect from a standard, non-resonant filter. Adding resonance to the filters boosts the level of the cutoff frequency.The filters have a slope of -12 dB/octave. The filters are the same in performance to the other standard Broughton filters, with the added ability of increasing resonance. Some suggested uses: Setting the HPF around 100 Hz with +5 dB of resonance, and a LPF set around 5k Hz can give a convincing cabinet sim. Add in the middle EQ for even more nuance. Experimenting with different frequencies and resonances can net a wide variety of speaker profiles. Setting the HPF at the fundamental or first harmonic of your open E string (or B string) can make your low end tighter and more focused. Add resonance for more punch. Setting the HPF to a lower frequency (30 to 60 Hz) with resonance can accentuate an octave down effect, while simultaneously removing unwanted sub frequencies. Setting the LPF anywhere from 2k to 4k with added resonance provides an aggressive attack, giving more presence and character to your tone without having high end clank. Setting the LPF at 10k with light resonance can give an airy Hi-Fi effect without having to boost all treble frequencies. The input impedance is 1MΩ, and the output impedance is 100Ω. The Resonant Filter Equalizer requires a DC power supply (not included). The DC supply should be a standard Boss style connector, center negative polarity. It can accept 9 to 24 volts. Although 9 volts is sufficient for most applications, higher voltages will provide more headroom when using the pedal with hotter signals. If you intend to use this pedal with line level signals, you should use at least 12 volts for sufficient headroom. The current draw is approximately 20 mA. A 24 volt power supply may be purchased separately. The Resonant Filter Equalizer has a true bypass switch. Dimensions: 4.77" long x 2.6" wide Finally the latest big box version of the Future Impact synth pedal (V4). Bought in December last year, hardly used and in mint condition. £220 including postage to UK address. SOLD
  4. Embra

    Kevsy71

    Just sold an HPF to Kev, a real gent and a very easy sale.
  5. I'm downsizing to one board and I don't need two compressors and two preamps; details of the Studio One below. Empress Bass Compressor - blue sparkle £185 including postage to UK SOLD It's in good condition but has a few scuffs and a scratch between the input and output knobs. Photos show all the blemishes. Broughton Audio Studio One preamp and DI. £350 including postage to UK. SOLD Much sort after unobtanium preamp from Josh. This is easily the best non-tube preamp I've used (I'm keeping an Arkham Oracle tube preamp), it is largely a clean preamp with excellent EQ, LPF and HPF but crank the gain and you can get some sweet hair. It's supposed to replicate a Neve 1073 console. If he had new ones available this would be £356 shipped to the UK ($325+$40+VAT+Duty+Post Office fee). It's in excellent condition with one small blemish on the side near the level knob. Details from Josh: The Studio One authentically captures the character of the Neve 1073 console preamp. This high fidelity transistor preamp adds a touch of studio magic to your bass or guitar, without imposing ugly artifacts on your tone. The gain knob provides up to 20 dB of boost. The bass and treble shelving EQ provides 15 dB of boost or cut. The mid EQ also gives 15 dB of boost or cut with a dedicated variable frequency knob. The frequency varies from 300 to 3k Hz. The HPF cutoff frequency varies between 25 to 190 Hz. The LPF cutoff frequency varies between 20k to 330 Hz. The master knob controls the volume of the 1/4" and XLR out. The 1/4" unbalanced output can drive other pedals, preamps, instrument amps, and power amps. The XLR out can drive long cable lengths to feed a console or mixing board. The soft touch bypass switch controls a relay. When bypassed, the input signal is buffered and sent to the 1/4" and XLR out, with no signal processing. When active, the outputs are both affected by the gain, EQ, filters, and master volume. The ground lift switch allows the ground to be connected or removed from pin 1 of the XLR. The Studio One requires a regulated DC power supply. The voltage must be no less than 9 volts and no greater than 18 volts. The supply must be rated for at least 200 mA. The supply must use a 2.1mm barrel connector with center-negative polarity. You should choose a supply that is intended to be used for musical devices to ensure it will be low noise. There is no difference in performance when using 18V compared to 9V. Dimensions: 4.77" long x 3.6" wide
  6. Sold Paul a Mono Vertigo bag, quick and easy transaction and a gent to deal with!
  7. Fake Plastic Trees preamp/drive pedal SOLD Excellent condition One of the best, if not the best, overdrives I've ever owned; it can get very gnarly too or just used as a touch of hair. I'm downsizing my pedal collection (there's quite a bit on eBay too), hence the sale. Blurb from their website: The Fake Plastic Trees (FPT) is a scrupulously engineered, solid state homage to the array of euphonic joy available on the *‘line out’ of our much loved The Big Trees (TBT). ‘But what’s inside?’, I hear you cry! The following are a few of the elements: Class A, hand-graded JFETs, a discrete stage modelling the EL84 grid-clipping profile, a custom Mumetal output transformer, TBT speaker load, and a Class A line driver. The combination of those components, plus the painstaking refinement of each element have crystallised into a pedal which has the ultra-dynamic feel and irresistible playability that have become Audio Kitchen hallmarks. As I type, there are very few of these out in the wild, but in the same way as TBT has spread its canopy of application further than I could have imagined, I’m eager to see what you all make of this new addition. Gain – This controls the level of preamp signal presented to the output stage and as such will control the degree of break-up. Root – This controls the level of bass frequencies present in your tone. Branch – This controls the level of treble frequencies present in your tone. Volume – This controls the level of signal present at the Out jack when the LED is lit. Footswitch – This selects whether FPT is in circuit (LED on) or bypassed (LED off). 9VDC Connector – Standard Boss type supply, centre negative, 100mA. - Class A Guitar/ Bass Preamp Pedal - FPT will NOT drive a speaker! - Nominal Output Impedance: <1KOhm - Controls: - Gain, Baxandall-based EQ – “Root” (bottom), “Branch” (top) , “Volume” master volume) - Power Requirement: - Standard 9VDC @ 100mA, 2.1mm, Centre-Negative. - Durable, die-cast aluminium enclosure - Dimensions Approx: - 116mm x 91mm x 55mm (W x D x H) 4.6" x 3.6" x 2.2" (W x D x H) - Weight: 500g (1.1lbs)
  8. Lusithand Alma Compressor v1 in excellent condition Now £140 delivered to UK address. Highly regarded optical compressor inspired by the Diamond BCP-1 compressor. This is the original version with side jacks. Check out Chris Tromp's review at https://www.compressorpedalreviews.com/post/lusithand-alma-comp-review
  9. Mono Vertigo Bass Guitar Case in excellent condition. Sold: Price £150 delivered (UK address) Hasn't been used in ages and it's not needed. Very solid and comfy bass case. Padding: 20 mm Material: Water resistant Sharkskin nylon Shock absorber on the bottom Large accessory pocket Reinforced handle Reinforced and padded carrying straps Headlock system protects headstock and machine heads Extra soft inner material made of plush Inner dimensions (W x H x D): 36.8 x 121.9 x 7.6 cm Colour: Black
  10. Apologies, posted in wrong forum....
  11. Sure, it's a Gold series evolution 4, 32" scale, Bart split P and dual coil pups, walnut top. Very light and comfortable and a superb neck. I'll try and take a photo later.
  12. I'm torn between a love of P-basses and 32" scale basses and the 32s won out. It was a bit of an impulse buy but if nothing else it helped me realise that 32"scale is my preference (all my others are 32: a Serek, Elrick and Mensinger). The Elrick has a Bart p-pup in the neck so it covers the p-bass sound too.
  13. I was! I bought it direct from Pandamidi. Good luck with the sale!
  14. Broughton Always On High Pass Filter (https://www.broughtonaudio.com/product-page/always-on-high-pass-filter) £80 postage to UK included A standard Broughton high pass filter with the bypass switch removed. This design allows a more compact layout, fitting on a single pedal board rail, or even mountable underneath a pedal board. The high pass filter is a 12 dB per octave low frequency filter. The knob controls the cutoff frequency and ranges continuously from 25 Hz to 190 Hz. It has the same frequency points as the switched version, but it does not have the frequencies printed around the knob. The stock input impedance is 1MΩ. If you have an acoustic pickup that requires a specialized input impedance, write it in the notes during check-out, and we will accomodate the request at no extra cost. The output impedance is 100Ω. This device will work with active or passive instruments, as well as with other devices such as pedals, preamps, or effects loops. The High Pass Filter requires a DC power supply (not included). The DC supply should be a standard Boss style connector, center negative polarity. It can accept 9 to 24 volts. Higher voltages will provide more clean headroom. The current draw is approximately 10 mA. Dimensions: 3.64" wide x 1.75" long x 1.06" tall Broughton Audio Messenger Jr preamp, eq, HPF, LPF and DI (withdrawn)
×
×
  • Create New...