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Master blaster

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About Master blaster

  • Birthday 11/05/1986

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  1. For sale is this DB410 cab. Its in good condition, sounds great and it has a few scuff marks and some of the screws have slightly rusted. Its a 700 watt cabinet rated at 4ohms. These cabinets have shot up in price over the last few years and are currently retailing new for over £2000. I'm asking for what i paid for it a few years ago £700. I'm not willing to post but i am willing to drive a small distance if needed to help with collection. There is a flight case available if you want it at no extra cost.
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  2. For sale is this Aguilar AG700. Its in great working order with slight signs of cosmetic wear that you can see in the pictures. Will post at buyers expense. Collection preferable from Bridgwater, Somerset.
  3. I'm selling my Doom 2 pedal. Im sure i will regret this but needs must. It's in good condition, sounds good and all controls work as they should. There is a slight bit on rust on the casing near the pots. Im looking for £400 and i can post if needed, i will cover the postage unless you have any special preference. I'm sure a lot of you will know about these awesome fuzz pedals but incase you don't heres some text about it. DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics. New for version 2 is the you’re / your switch. You’re is the classic DOOM sound - strong upper harmonics, a mid-focused sound, and octavia / ring modulator effects as you play up the neck. Your is a new mode that has a stronger fundamental, more low end and fewer harmonics. This mode sounds more like a traditional fuzz. Also new is the bass control. This is actually a clean volume control or a bass control depending on the position of the bass / clean switch. In clean mode, the bass control passes your full range clean signal through to the output. In bass mode, an active crossover passes only your clean low frequencies to mix with the fuzz circuit. The result is a fat, cohesive sound. To top things off, the shape switch from the original has been replaced with a variable mid control. Now you can fine tune your presence and sit anywhere in the mix.
  4. I’m selling my SL112 cabs. They’re in great working order. I’m slim lining my gear which is why these are going. When not used these are always flightcased, you’re welcome to have the cases included but if you don’t want them then that’s cool. They’ve been gigged fairly regular but now not needed as I’m either using IEMs or a single 410. These are super light and makes load in so easy and quick. I’m happy to split if needs be. I would prefer collection but might be able to arrange something with a buyer if postage is required. I can take better photos if required.
  5. Price drop to £1000. Up for grabs is my Streamer CV5. For people that don’t know, this is warwicks attempt at building a more vintage sounding instrument. It’s passive but still has that Warwick sound. Made in Germany, this bass has a swamp ash body with antique tobacco satin finish, (concave back) with a 34” maple neck and a rosewood fingerboard. The bass weighs just over 4kg. I bought the bass from Andertons 2 years ago and I’m selling as I was using it for the band I’m in and I’m finding there’s less need for a 5 string. I also prefer having one less string. The bass has a few small dings, one on the back of the headstock, another on the neck behind the 3rd fret. It also has some marks on the back of the body from my belt. I would rather not post the bass, I’m based in Bridgwater, Somerset (just off the m5). Pm me for any further questions etc.
  6. Holy crap the Jules and the dementer are expensive. Way out of the budget. 😜
  7. The tech dealt with the distributor. It was just an instant “you gotta replace the board”. Its such a waste. I have the tone hammer pedal, which is lucky as I’m now having to rely on it with IEMs. I like the suggestion of a clean power amp. I think it’s that or something that’s not class D. It’s disappinting, I had a GK 700rbII for 8 years before this. Gigging just as much as I do now, and used a lot more for home practice. It was cheaper then the th500. But it never went wrong. Thanks for suggesting the ashdown. I very rarely drive the amp with gain and distortion. Will be interesting to try one.
  8. He called it a controller or something. I’m not tech minded at all. It had a similar fault before where the first tech I took it to said it needed a new board. The guy that has it now fixed it buy resoldering a back joint.
  9. I’m very quiet on this forum. Been a member for a long time but I’m rarely online to be honest. So greetings to everyone. Anyway, I’ve been playing with the Aguilar th500 for the last 3 years. As people know, it’s a great little amp which sounds great. However, I feel really let down but it’s design, due to the amp cutting out mid set. Now I know design issue probably isn’t down to Aguilar but they did choose to use a Bang and Olufsen Icepower module for the power section. The problem is a small component has failed, a complainant that according to my tech costs little to replace. But down to it being a non universal design, and the uk distributor being unhelpful, the whole module needs to be replaced. At a large cost. (The amp is out of warranty). We’re looking at over £200+ for a replacement. This is rediculaous in my opinion. Why can’t they use a module that uses universal components? Feels like it’s a way to con people out more money then what’s needed to me. I love this amp, but I feel like I want to move away from Aguilar. I’m loooking around online at possible replacements but I feel lost. And I live to far away from any music shops with a decent selection of amps to try some out. Does anyone have any advice/opinions on possible replacements that share a similar tone to this head? Sorry if this is a bit rants. Look forward to peoples opinions/input.
  10. I found it interesting that Fender seemed to have released quite a few limited run guitars at Namm with their Parallel universe series. Could that be an attempt to try revitalise interest in their guitars? Lots of brands copy most of the fender the body shapes, so maybe they're coming up with more alternatives to try beat anyone else to it.
  11. I kind of feel that the reason big companies don't do so well is because of several reasons. Note this is just my opinion. Firstly there are far more luthierers and manufacterers that make superior instruments to there likes of Fender and Gibson etc. Just look at Sandberg for instance, for the price of an American Fender you get a much better and more consistent instrument in terms of quality. Also if your after a high end custom guitar, then there is a large choice of luthiers available that can offer a far more personalised experience than the giants. Also why buy new when for the same price you can buy a better used instrument. I haven't bought a brand new bass for a while and I kind of think, why should I? I've had many p basses over the last 15 years, some new and some used, and hands down the best one I've had and still own is an '82 JV Squier. I just don't think the large companies will be out there for much longer, Fender has huge debt like Gibson and it'll only be a matter of time before they can't pay anything off too. As far as guitar music not being popular, I feel this isn't a huge factor into the decline of sales. Music education in a lot of school around me is healthier now then it was when I was in school. We were only encouraged to play the recorder, where as now they plays ukes which will gateway into guitar lessons etc. Theres still a loads of new bands promoting guitar music which are getting recognition. It just so happens that genres like Grime currently have the edge, and are getting more air play to the middle class masses who buy anything just because its "in" and compliant. Anyway, thats just my opinion.
  12. [attachment=228014:G0060025.jpg] More photos on demand
  13. [color=#1D2129][font=helvetica, arial, sans-serif]For sale is my TC Electronic Rig. This is a great rig that sounds fantastic that allows you to either sick vertically or horizontally. I would ideally like to sell as one package, but i will split.All in good condition with a few scuffs etc. Slight wear on the top on the 212 from stacking. Comes with official TC covers and a flight case for the RH450. Will trade for an Aguilar Tonehammer 500 plus cash. [/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]TC Electronic RH450: 350.00[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]TC Electronic RS210: 260:00[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]TC Electronic RS212: 300.00[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]TC Electronic RS4: SOLD[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]Collection Only from TA5, Bridgwater[/font][/color] [attachment=228007:G0090028.jpg][attachment=228009:G0110030.JPG][attachment=228010:G0130033.JPG]
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