lowdown

Two giants of groove, soul and disco music (Scott Edwards also played on a fair amount of TV themes out in LA). The number of chart-topping tunes they played on certainly gave Jamerson and the likes a run for their money. Incredible achievements by both, and they both had a terrific feel for the above genres. If you played in a disco band back then, you would almost certainly be playing plenty of their Bass lines. I learned so much by transcribing and playing their contributions in various bands I was in during that golden period.

Both Cubase and Studio One have their own Drum VSTI's which come with Midi patterns and various styles that you can use or customise. You can also program your own rhythms and grooves. They are sample based so you can also drag and drop/import any external drum audio files you may have to make custom kits. All versions of Cubase have Groove Agent 5SE. Cubase Pro14 also has a drum machine and a pattern editor. Studio One has Impact XT and a pattern editor.

Lovely stuff as always, Peter. It's also worth checking out Peter's arrangement of 'Every Breath You Take' on his YouTube channel. The technique, the tone, the feel, it's all very impressive and good on the ears. 👏

Netflix: The Quincy Jones documentary 'Quincy' is a decent watch.

'Magic7 Reverb' by Wave Alchemy - It's a free VST and it's based on the Bricasti M7 reverb. Very light on CPU and sounds very good. Magic7 | Free M7 Reverb Plugin

For anyone who uses the free 'Valhalla Supermassive' Reverb/Delay VST, it has just been updated to version 4. Valhalla Super Massive - Valhalla DSP

Ray Brown creating on the spot during Quincy Jones' production of 'Killer Joe'.

The bouncy groove and rich tone on 'Everything You Want' (01:46:47) is great!

Yes, that's a great album... If I remember right, Chuck Rainey plays electric on one track as well, 'Love and Piece'? Some top, top players (and singers) on that album. Walking in Space - Quincy Jones

A great album. Interestingly, Lalo Schifrin is the Piano player on that album. Also, a 'Taste of Honey' was only available on selected releases of the album.

I've been having a Quincy day today. I think I'm gonna need a bigger day: Neil Stubenhaus on Bass...

Everything? Your opinion, of course. But that's a huge claim, considering the colossal amount of composing, writing, arranging and producing he accomplished over seven decades. I can think of one track in this very thread where there isn't a Violin or Viola in ear shot.

He did some excellent film work as well. Scores like 'The Anderson Tapes', 'In the Heat of The Night' and 'They Call Me Mister Tibbs' come to mind. Films scored by Quincy Jones - And of course, numerous TV work including this classic: