lowdown

1973 (I was 16). I watched a terrific, funky, soul band at the Black Prince in Bexley (Kent). They tore the place down and the next week they were support for Eric Clapton. It was the Average White Band.

I did a transcription ages ago (notation), I will see if I still have it. Tab here, Not sure how accurate it is. But to be honest it's quite easy to transcribe/work out. http://www.ilovetabs.com/en/boz-scaggs-lowdown.html

Freddie Washington with 'The Dukes of September'...

There were three different Bass players on all those ABBA tracks. Although Rutger Gunnarsson played on the bulk of them, UK Bassist, Mike Watson, played on some of the big hits as well (Arnold Paseiro played on Voulez Vous) . A good read here about them all. https://www.google.co.uk/amp/s/philwbass.com/2014/01/02/the-bassists-of-abba/amp/?espv=1

Gadd, speaks for himself, I know but, blimey, Anders Wihk and Svante Henryson also know what they are doing. The arrangements work great.

Ah, okay...Not a member of the 'MoJo Lemon Blues Band' then? https://mojolemonblues.com/

I presume, you take your own Mini Lemon Trees to gigs when wearing that shirt? Or, did you just strike it lucky...?

Wasting your time trying to buy them. You're better off buying b7`s like everyone else...

What a lovely tone...(and superbly played, of course). I love one of the posts on that YouTube thread. "The dislikes are from jealous violins"... Great thread as well.

I thought I would check their website out.....Blimey... https://www.lexingtonlabband.com

The Lexington Lab Band are pretty good at SD covers (or indeed, the whole Yacht Rock thing ).

I remember getting the album when it first came out. 'New Frontier' was the track that hit me straight away - Great writing and playing all round.

Just my opinion, view and experience... Although recently retired as a full time Bassist, I had previously worked on dozens of resident shows, theatre tours and concerts with touring acts in the EU since the mid 70's (some at a minutes notice). There were no visas or ATA Carnet forms needed, or similar issues of that kind. Sometimes, just turning up at airports or Waterloo station with a suitcase and Bass to collect tickets. It was as easy as arriving for shows/tours and gigs in the UK. But unfortunately, the simplicity of working as a UK Musician in the EU, looks like it is coming to an end. Before that, it wasn't as plain sailing as some make out. It was littered with Visa applications (some a pain in the derrière), Carnet documents and procedure, bonds and the occasional sponsorship (different Countries had different criteria and requirements). Although, it was usually organised by UK based fixers and agents in advance (characters like Jack Fallon of Cana Variety Agency - Ironically, a Canadian. There were plenty of others, names escape me at the moment). But still, it didn't stop you getting hold ups, grief, cases/gear being opened up and then poked about at various European borders. It was usually, not a pleasant experience and always defiantly, time-consuming. Buying, selling, or replacing equipment was always a hassle with customs and the Carnet forms. A lot of the younger musicians in this field are going to miss the benefits and ease of Freedom of Movement across (EU) Europe. Maybe even resulting in levels of work dropping for UK Musicians wanting to work over there, due to the extra work and cost involved. Howard Goodall wrote an interesting piece about the possible fall out... http://www.howardgoodall.co.uk/articles-press-etc/the-musicians-passport

I have just started using Dorico and have uploaded a PDF file. It's just the notes without articulation and dynamic markings. But it should give you a good idea of what's going on in the Orchestra. Maybe pencil in your own dynamics/articulations? If I get time next week, I will finish it off. I have deleted the original Notation program I was using at the time, so I can't open the original file, only the Midi information (Hence the missing markings). I hope this helps. Zulu Main Theme.pdf

Well this Friday is going well...

Plenty about SD for my ears to like. Strong melodies, interesting chord changes and form, with solid harmony going on (also some deep lyrics that are even odd at times). They always used top players and singers on their sessions with some terrific soloing in the instrumental sections. None of it seemed forced (to me), just the opposite, good composing from a couple of very talented musicians, where it all seemed to come naturally to them. I don't find it 'cold', or 'sterile', but interesting music played with a great feel from all involved. With SD there is a lot to take in, but I'm happy with that. I've seen them live a few times over the years and they have never disappointed me. They certainly divide opinion and, that's how it should be... 😎

Tower Of Power - Squib Cakes. Average White Band - Got The Love. MFSB - TSOP. And this....

R.I.P Lyle Mays. He was a real favourite of mine... a wonderful, talented Musician.

It sounds like a good play through.

Sorry, just jesting... Enjoy the show. 👍

Being a veteran of many professional pit shows over the last forty years, I can't remember one being..."the usual I V I V Fodder"...

Also, Scott has a great session record himself. https://www.discogs.com/artist/63316-Scott-Edwards-2?limit=50&page=1

The Bassist is credited - It's the great Scott Edwards.

Heard this today for the first time in ages...