lowdown

Just my opinion, view and experience... Although recently retired as a full time Bassist, I had previously worked on dozens of resident shows, theatre tours and concerts with touring acts in the EU since the mid 70's (some at a minutes notice). There were no visas or ATA Carnet forms needed, or similar issues of that kind. Sometimes, just turning up at airports or Waterloo station with a suitcase and Bass to collect tickets. It was as easy as arriving for shows/tours and gigs in the UK. But unfortunately, the simplicity of working as a UK Musician in the EU, looks like it is coming to an end. Before that, it wasn't as plain sailing as some make out. It was littered with Visa applications (some a pain in the derrière), Carnet documents and procedure, bonds and the occasional sponsorship (different Countries had different criteria and requirements). Although, it was usually organised by UK based fixers and agents in advance (characters like Jack Fallon of Cana Variety Agency - Ironically, a Canadian. There were plenty of others, names escape me at the moment). But still, it didn't stop you getting hold ups, grief, cases/gear being opened up and then poked about at various European borders. It was usually, not a pleasant experience and always defiantly, time-consuming. Buying, selling, or replacing equipment was always a hassle with customs and the Carnet forms. A lot of the younger musicians in this field are going to miss the benefits and ease of Freedom of Movement across (EU) Europe. Maybe even resulting in levels of work dropping for UK Musicians wanting to work over there, due to the extra work and cost involved. Howard Goodall wrote an interesting piece about the possible fall out... http://www.howardgoodall.co.uk/articles-press-etc/the-musicians-passport

I have just started using Dorico and have uploaded a PDF file. It's just the notes without articulation and dynamic markings. But it should give you a good idea of what's going on in the Orchestra. Maybe pencil in your own dynamics/articulations? If I get time next week, I will finish it off. I have deleted the original Notation program I was using at the time, so I can't open the original file, only the Midi information (Hence the missing markings). I hope this helps. Zulu Main Theme.pdf

Well this Friday is going well...

Plenty about SD for my ears to like. Strong melodies, interesting chord changes and form, with solid harmony going on (also some deep lyrics that are even odd at times). They always used top players and singers on their sessions with some terrific soloing in the instrumental sections. None of it seemed forced (to me), just the opposite, good composing from a couple of very talented musicians, where it all seemed to come naturally to them. I don't find it 'cold', or 'sterile', but interesting music played with a great feel from all involved. With SD there is a lot to take in, but I'm happy with that. I've seen them live a few times over the years and they have never disappointed me. They certainly divide opinion and, that's how it should be... 😎

Tower Of Power - Squib Cakes. Average White Band - Got The Love. MFSB - TSOP. And this....

R.I.P Lyle Mays. He was a real favourite of mine... a wonderful, talented Musician.

It sounds like a good play through.

Sorry, just jesting... Enjoy the show. 👍

Being a veteran of many professional pit shows over the last forty years, I can't remember one being..."the usual I V I V Fodder"...

Also, Scott has a great session record himself. https://www.discogs.com/artist/63316-Scott-Edwards-2?limit=50&page=1

The Bassist is credited - It's the great Scott Edwards.

Heard this today for the first time in ages...

The opening comment on the YouTube link. "Redgremlin 2 years ago Any band with a pigeon bassist, is a good band".

Hang on, Hellzero. Didn't you once start a thread about not reading posts before commenting?

The tune is called 'Minneapolis 1987'...I think it is from a live gig earlier this year sometime, not live, 1987. Thanks for posting. It's amazing to think he is playing again after the terrible accident he had. A massive effort from him, mentally and physically. https://brianbromberg.net/bio

A bit tenuous, indeed. But a thumbs up and a 'post like' for a top tune. 👍 Beyond The Sea (La Mer), from the same album, is pretty special as well. That Big Band arrangement is terrific.

👍

There are a few of the classics I like but, the Nat King Cole, 1961 version of 'The Christmas Song', is top of my list. Although arranged and conducted by the great Ralph Carmichael, it is pretty much the (terrific) Nelson Riddle arrangement from the early 50's... As for Nat and his voice...Well, not much to say really... 🎅

iZotope Stereo Imager V2 - Free https://www.izotope.com/en/shop/deals.html?gclid=CjwKCAiA58fvBRAzEiwAQW-hzXrm5_tfw39zHgjmTe6cV5aVXBjXUva9B48DDoPgspulZjo2WpBQIxoClfgQAvD_BwE

Narada Michael Walden - I Shoulda Have Loved Ya.

Punters listen to and know the lyrics, no problem. But, they just can't get their head around song titles... "Can you play, go on now go"... "Do you know that one about the Cake in a park"... The comical song request list is endless, and I bet this musicians community must have some corkers.

On the top drop down menus go to ...Studio One > Options. Or shortcut (Ctrl + ,) then tick 'Release Audio Device In Background'. (This is in ST1 Version 4.5 - I presume it's the same in Version 3).

Some of the Monk Brothers material with Bobby Thomas on Drums is really terrific.