Of course and agree. Also, it depends on what inversions and voicings are being played elsewhere in the band or Orchestra. The arrangement dictates where & when to play up there, along with taste, of course. It can be a very lyrical area to play in, the fretless loves it up there (melody wise).
Lee Sklar's Bass part in 'Theme From Mahogany' worked a treat starting up high in the intro, then dropping down for the 2nd part of the verse.